Rina Sawayama looks to have slammed The 1975 frontman Matty Healy yet again in her latest festival performance after he failed to apologise for a number of controversial comments he made on a recent podcast.
Referencing his appearance on The Adam Friedland ShowPodcast, the Japanese-born British singer, actress and model said that she’d simply “had enough” but following Healy brushing over the controversy with what many have described as a pretty insincere response/’apology’, Sawayama isn’t letting it slide.
Taking the stage at the NOS Alive Festival in Lisbon, Portugal over the weekend, she once again put the spotlight on her 34-year-old label-mate by saying, “So I’ve been thinking a lot about apologies and isn’t it funny how some people get away with no apologising ever?”
Rina calls out Healy again and is literally screaming for him to apologise for his comments.
Tapping into the rage of the song, Sawayama goes on to call out Healy for “saying some racist s***, some sexist s***”, adding, “Why don’t you apologise for once in your life without making it about your f***ing self!?”, before the kicking into the rest of the aggressive and specifically chosen track.
ADVERTISEMENT
As alluded to, Healy did address the situation by stating that the whole thing “doesn’t actually matter” and that he was simply making jokes on a sardonic podcast, as well as suggesting that “if it does you, you’re either deluded or you are, sorry, a liar.”
He did also go on to apologise to Ice Spice, who was the subject of what many have labelled as racist and body-shaming remarks on the show, saying, “I’m sorry… It’s not because I’m annoyed that me joking got misconstrued but because I don’t want Ice Spice to think I’m a d*ck”.
ADVERTISEMENT
A significant part of the friction between Matty Healy and Rina Sawayama beyond the incident is that the singer also belongs to the same record label as The 1975, Dirty Hit Records, of which Healy is also a shareholder and former creative director — hence her previously saying, “he also owns my masters”.
In this latest instance, he appears to hint back at Sawayama’s Glastonbury comments by saying, “So is a micro-aggression something like a——”, before the beginning of ‘It’s Not Living (If It’s Not With You)’ kicks in.
ADVERTISEMENT
As for the podcast from which the controversy originates, Adam Friedland and co-host Nick Mullen have since addressed the ongoing discussion, albeit only in their usual sarcastic and irreverent style, in which they seem to intentionally mispronounce her name and refer to her under the wrong nationality.
Oasis, Joy Division and New Order named as 2026 inductees into world-famous Rock & Roll Hall of Fame
Emily Sergeant
It’s official – three of Manchester’s most iconic bands are joining history.
That’s because it’s been announced today that both Oasis, and Joy Division/New Order (as one act) are being inducted into the world-famous Rock & Roll Hall of Fame as part of the 2026 cohort, which is not only a huge deal for the bands individually, but also for our city’s music legacy.
It would not be an understatement to say that these past few years have been some of the biggest in Oasis‘ career, given the fact that they played all across the world 2025 on what is one of the biggest reunion tours of all time – including five nostalgia-drenched gigs in Manchester’s Heaton Park last summer.
But despite everything they’ve done over the past three decades, this could still be one of the iconic Manchester band’s greatest achievements.
Announcing Oasis’ induction this week, a statement on the Rock & Roll Hall of Fame website reads: “Oasis are one of the most successful and influential acts of all time. Exploding out of the 1990s UK music scene, they reclaimed big, brash, hook-filled rock & roll with their anthemic sound, cool swagger, expertly crafted lyrics, and electrifying live performances – eventually selling over a hundred million records.
“Their songs have become England’s go-to anthems, sung in unison by fans at sporting events and social gatherings and inspiring countless bands.”
The Gallagher brothers reunion last year was also noted by the Rock & Roll Hall of Fame as being one of the key reasons for their induction, proving that the band’s influence ‘remains as strong as ever’.
I wanna thank all the people who voted for us it’s a real honour ever since I was a little kid and singing in the shower I’d dream about 1 day being in the RnR hall of fame it’s true what they say anything is possible if you have a dream LG x
It’s not just celebration for Oasis, of course, as two of Manchester’s other most revered bands, Joy Division and New Order, have also been chosen as 2026 inductees into the Rock & Roll Hall of Fame.
A statement on the Rock & Roll Hall of Fame website about Joy Division and New Order’s joint induction reads: “Joy Division and New Order were postpunk pioneers and electronic dance-floor innovators, inspiring thousands of bands and becoming a beacon for millions of listeners.
“Spearheading the late 1970s Manchester music scene, their story is a remarkable tale of revolution, metamorphosis, and influence.
“Their dark and droning transmissions ‘Love Will Tear Us Apart’ and ‘Blue Monday’ were foundational to both dance music and alternative rock, and they still resonate deeply with outsiders and adventurous souls.
“They were innovative musicians who created something revolutionary and massively influential – not once, but twice.”
The 2026 Rock & Roll Hall of Fame induction ceremony will be held on 14 November at the Peacock Theater in Los Angeles.
Featured Image – Jill Furmanovsky (Publicity Picture)
Audio
Morrissey claims sole credit for The Smiths’ iconic Salford Lads’ Club photo shoot idea
Danny Jones
Morrissey is once again raising the issue of credit and disputes over The Smiths’ legacy, as the controversial former frontman has now claimed that their iconic photo shoot outside of Salford Lads’ Club was entirely his idea.
The 66-year-old lead singer turned solo star from Urmston is no stranger to sparking debates and attracting controversy, and it seems his latest is to do with one of the most iconic images in British music history, let alone just Greater Manchester.
The Davyhulme-born bard and divisive artist goes on to claim that the other co-founding members of the iconic Manc band initially viewed as more of his “lunacy” – the suggestion seemingly being (as it often is with Morrissey) that they simply didn’t understand the ‘genius’ at the time.
Many of his most die-hard fans still believe that most don’t and never will.
He even jokes that, in another life, it could very well have been something entirely different and random, such as the Kellogg’s factory in Trafford, basically suggesting that other members would have simply followed suit.
In his words, he argues that “now millions of people come from all over the world to be photographed on that very spot, it is claimed as a Smiths idea. It wasn’t, it isn’t, and it never shall be.”
Once again, this is by no means the first time he’s called into question, ‘who did what’ and/or who owns what bit of intellectual property; in fact, there was apparently another one of these instances with Johnny Marr only recently.
‘Moz’ and Marr have been at loggerheads pretty much ever since the group disbanded back in 1987, and still look to be far away from seeing eye to eye on virtually anything.