Manchester United legend Eric Cantona has set up a special sport-based art exhibition in the National Football Museum.
Spotlighting work by fine artist Michael Browne, who created a series of pieces exploring the relationship between sport, art and modern society, the new exhibition covers everything from “human rights, equality, injustice, the impact of power and elevations to a godlike status.”
Cantona has never been one to shy away from his icon status.
Entitled ‘From Moss Side to Marseille’ – referencing Browne and Cantona’s respective places of birth – the exhibition was commissioned by the Frenchman with the aim of celebrating influenced sporting heroes who used their positions to advocate for social change, even in the face of great personal cost.
Michael Browne and Eric Cantona unveiling the new exhibitCantona and Sir Alex, a.k.a. The King and The BossCredit: National Football Museum
Browne has been creating art since he was a child and his talent was quickly recognised, going on to study at the Chelsea School of Art before completing a Master’s at Manchester Metropolitan University. He has gone on to enjoy exhibits all across the UK, earning him public and critical acclaim.
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Having grown up locally and as a football fan, it was hard for Manchester’s rich sporting heritage not to find its way into his. Similar to fellow artist Stanley Chow, Browne soon became known for his use of sporting figures in his art, though he favours a neoclassical style over polygon-heavy geometric pop art.
Though both the man himself and football feature heavily throughout the installation, the significance of key sporting and cultural icons like Muhammad Ali, Jesse Owens, Wilma Rudolph and more are also highlighted.
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Maradona and the Western Wall (2020)
Algeria Counter-Revolution (2021)
The Art of the Game (1997)
England and Brazil Real-estate and Human Rights (2019)
Muhammad Ali Freedom Without a Crown (2018)
John Carlos and Tommy Smith for 30 Pieces of Silver (2018)
Wilma Rudolph Throne of Impermanence. A letter to my Future (2022)
Carlos Caszely Theatre of Nightmares (2021)
Jesse Owens Scales of Injustice (2017)
Eric Cantona Family Portrait (2022)
As for his connection with Cantona, the two influential Mancunian figures struck up a friendship back in 1996, when Browne began working on his famous The Art of the Game painting, which chronicled Cantona’s return to football after his infamous ban. Something about a kung-fu kick?
Debuting on Saturday, 14 January, each piece is said to be ‘oversized’ and inspired by a different sports story throughout history, as well as making a statement about the associated athlete behind it, so there’s plenty to get stuck into.
Visitors will not only get to find out more about Brown and Cantona’s unique relationship through the lens of the exhibition, but they will also get to look at never before seen items from his personal archive.
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Better still, the National Footy Museum will be providing a whole host of activities in conjunction with the exhibition, including a performance by comedy duo Fan/Girl, life drawing sessions, a make-your-own ‘King Eric’ crown during half-term and lots more.
The National Football Museum has announced a new, thought-provoking exhibition jointly curated by artist @mjbfineart & France & Man Utd legend, Eric Cantona.
Writing in a statement on the museum’s website, Michael Browne said: “It has been a pleasure working in partnership with the National Football Museum to curate this exhibition, and it is very fitting for the collection to be debuted in Manchester.”
Cantona touched on his great excitement for the work to finally be seen all in one place, remarking: “There are many unsung heroes featured in the collection and it is time their stories are told.”
Admission is absolutely free, you only need to grab your tickets from the website HERE.
Featured Image — National Football Museum/Michael Browne
Art & Culture
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Huge contemporary craft fair with 200+ makers is coming to Manchester later this year
Emily Sergeant
One of the UK’s largest craft fairs will be taking over a historic Manchester building later this year.
More than 200 of the UK’s finest contemporary makers and artists will gather in Manchester this autumn, as the Great Northern Contemporary Craft Fair (GNCCF) returns to the magnificent Victoria Baths in October, creating a shopping experience like no other.
Set within the spectacular Grade II-listed venue, the fair will transform the building’s iconic empty Gala pools into one of the UK’s most distinctive settings for contemporary craft.
Since launching in Manchester all the way back in 2008, the GNCCF has showcased the work of more than 4,500 makers, welcomed over 90,000 visitors and generated more than £4 million in sales for independent creative businesses.
A huge contemporary craft fair with 200+ makers is coming to Manchester later this year / Credit: GNCCF (via Facebook)
Now in its nineteenth year and expected to attract thousands of visitors from across the UK, the GNCCF has become one of the highlights of Manchester’s cultural calendar, having showcased the work of more than 4,500 makers and generated more than £4 million in sales for independent businesses.
The fair will bring together designer-makers from the fields of ceramics, jewellery, textiles, furniture, glass, wood, metal, printmaking, sculpture, and fine art.
Every exhibitor is selected by an independent panel of craft experts – with 2026 set to welcome 70 exhibitors making their GNCCF debut, alongside many of the UK’s most respected makers.
Prices will range from affordable handmade gifts to collector-quality pieces, meaning the fair will offer something to suit every budget, every taste, and every stage of collecting.
“Victoria Baths is one of Manchester’s most remarkable heritage buildings and provides an extraordinary backdrop for the fair,” explained Victoria Scholes, who is the Development Director of GNCCF.
“The contrast between its beautiful Edwardian architecture and the very best in contemporary craft makes visiting GNCCF a truly memorable experience. People often tell us they love exploring the building as much as the craft.”
The Great Northern Contemporary Craft Fair 2026 will be taking over Victoria Baths from 15-18 October, and you can get tickets here.
Danny Jones -
16th January 2023 
