Original Hacienda resident DJ Paulette has been awarded DJ Mag Top 100 DJs 2022 Lifetime Achievement gong.
The Manchester-based DJ has been given the award in recognition of her pivotal role at the center of a number of significant moments in European electronic music history over the past thirty years.
A DJ, radio and TV host, A&R and PR for over 30 years, whilst still in her twenties Paulette made history as the Hacienda’s first female DJ resident – first coming on board to play the club’s gay night, Flesh Nites, with organizers bringing her in after seeing just one DJ set, which happened to be her debut.
She stayed for four and a half years, progressing to resident along the way, then moved down to London to play at the Garage club nights at Heaven, followed by residencies at Brighton’s The Zap Club and the Ministry of Sound.
Later, in 2004, she lived in Paris for some time and has also done some stints in Ibiza, but today she can be found in her hometown of Manchester – the place where she was born and raised.
ADVERTISEMENT
Speaking to DJ Magabout her heady career, she described how her first ever DJ gig came about, saying: “Fast-forward six years of buying records and whatever and a friend of mine knew somebody who was putting on a party at the No.1, and she’d spent all the money on the promo.
“She didn’t have any money to pay a name DJ, and was told about somebody who had lots of records who could do it. She must’ve been so fucking desperate!”
ADVERTISEMENT
DJ Paulette first started off in music working for Manchester Piccadilly 261 radio station, aged 18, as a cub reporter but has since gone on to do great things – including helping the Roni Size & Reprazent ‘New Forms’ album win the Mercury Prize.
Moving down to London in the mid-90s, she got a PR job at Mercury Records to supplement her DJing income.
Speaking about that time in her life, she told the magazine: “Everything that happened for Roni Size Reprazent, and also 4hero who were nominated for the Mercury Music Prize, came off the back of the press campaign and their live gigs.”
ADVERTISEMENT
“It’s very rare to translate a good press campaign for some dance music singles to the Mercury Prize, it has to cross them over into the nationals and broadsheets everywhere.
Image: DJ Paulette
“Obviously they had to perform live, I would never take credit for their creativity, but without that press campaign… there were so many other bands who were really great live, but they didn’t have the press.”
She would then go on to win a gold record for the Reprazent PR campaign after they sold 100,000 copies of ‘New Forms’ and were nominated for two Brit awards.
It’s a well-deserved accolade for the Manchester music legend, who is also on the cusp of releasing a new tell-all book – detailing her amazing 30-year career and shining a light on discrimination within the dance music world.
Titled Welcome To The Club: The Life And Lessons Of A Black Woman DJ, Paulette says it will tell the ‘candid story’ of her hugely successful DJ career, which has seen her hold high profile residencies at some of the best parties in the world, including the Hacienda, Ministry of Sound and Queen Club in Paris.
Described as both a memoir and a “call to arms”, Welcome To The Club will feature contributions from some of her fellow UK DJs including Dave Haslam, Gilles Peterson, Jamz Supernova, Sonique, Smokin Jo, Norman Jay and Jaguar.
It’s sure to be filled with some amazing stories. She is, after all, a true dance music icon and has been at the heart of the global house scene for many years.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
The Manc -
31st October 2022 
