People share their favourite Deaf Institute and Gorilla memories after venues close permanently
The Manc invited readers to share their greatest moments - and live music fans arrived in droves to relive some unforgettable evenings spent dancing into the early hours.
Live music in Manchester is embroiled in the biggest fight of its life. And earlier this week, two of its most treasured veterans fell.
The Deaf Institute and Gorilla, an iconic, decorated duo on the local gig scene, confirmed on Thursday they would permanently close – sparking a mass, bassline-like groan that warbled right beyond the M60.
There’s been a growing undercurrent of panic and nausea in the live music sector in recent months, and this was the biggest blow yet.
Both of these venues have been at the forefront of Manchester’s gig scene for years, earning special status among artists and fans.
Deaf Institute, on Grosvenor Street, has doubled as a stomping ground for amateurs cutting their teeth and a stage for world-famous performers, whilst Whitworth Street’s Gorilla has been inviting clubbers to party below the railway arches since 2012.
Sacha Lord is currently attempting to find a way to save the venues by speaking to potential buyers, claiming “there is hope.”
Fingers are crossed. But whatever happens, we’ll always have the memories.
The Manc invited readers to share their greatest moments at Deaf and Gorilla – and live music fans arrived in droves to relive some unforgettable evenings spent dancing into the early hours.
Among the respondents was local DJ Hattie Pearson.
My favourites were Mae Shi (photo), chilling up on the balcony during Wild Nothing, EMA, Avi Buffalo & a couple of Emmy the Great Shows. Like the Roadhouse it will sorely be missed. pic.twitter.com/A39ETtH0kB
— M҉ả̴̞̫͖̼̙̦̺̪̟̹̑͐̃̿̂̚̕ ƚ†ℌɇŵ (@matthirtyfive) July 16, 2020
Possibly when The Residents came to prove that it's not just the young 'uns that can get excited over nonsense pic.twitter.com/pWVxNYOohO
.@PrettyLights (1 of my heroes) played only 2 UK gigs, one in Manchester at Deaf Institute, on my birthday. Not only was it an incredible set, @IamtheHiggster organised to meet him after and we spent hours with him & his crew chatting shit in the car park after. Awesome times ?
This rapturous response is a real reflection of just how important a role these venues have had in maintaining that electric atmosphere Manchester is famed for.
In the best case scenario, a new chapter may begin – with owners Mission Mars asking “any industry and music entrepreneurs who might be interested in this as an opportunity to please get in touch.”
Manchester’s Night-Time Economy Adviser is already on the case. Perhaps one, or both, of these venues can reopen later down the line.
The concern for now, however, is that the closure of Deaf and Gorilla is only the beginning.
Simply put, more money must be pumped into our favourite venues over the coming weeks and months or they’ll continue to fall like dominoes.
Sad to hear that Manchester’s @DeafInstitute & @thisisgorilla won’t be opening again. I’ve played and watched gigs in both and they were the lifeblood of Manchester’s vital network of venues. It’s awful news but seems inevitable that so many more independent venues will be lost
A campaign entitled Let The Music Play was launched on 2 July in an attempt to acquire the necessary funds to keep the live music industry ticking over – with the sector set to lose £900m and cut jobs by 50 per cent if gigs do not resume in 2020.
Many major artists including Ed Sheeran, Dua Lipa, Dizzee Rascal, Johnny Marr, The Rolling Stones and Paul McCartney have all signed a letter addressed to Culture Secretary Oliver Dowden calling for help.
The government have since provided a £1.57bn cash injection to support the arts sector – providing music venues with emergency grants and loans.
The money will help some venues survive. Others will not be so lucky.
Two of Manchester’s top spots have fallen already.
News
‘Dazzling’ Victorian silver sculpture goes on public display in Greater Manchester after fears it was lost
Emily Sergeant
A long-lost masterpiece of Victorian silverwork has been saved and is now on display to the public in Greater Manchester.
Anyone taking a trip over to the National Trust’s historic Dunham Massey property, on the border of Greater Manchester into Cheshire, this summer will get to see the ‘dazzling’ sculpture called Stags in Bradgate Park – which was commissioned by a former owner in a defiant gesture to the society that shunned him.
The dramatic sculpture of two rutting Red Deer stags, commissioned in 1855 by George Harry Grey, 7th Earl of Stamford, was said to be an ‘act of love and rebellion’.
It also serves as a symbol of ‘locking horns’ with the society that ostracised him over his marriage to a woman considered ‘beneath him’.
“This isn’t just silver – it’s a story,” says James Rothwell, who is the National Trust‘s curator for decorative arts.
“A story of a man who fell in love with a woman that society deemed unworthy. When the Earl married Catherine Cox, whose colourful past was said to have included performing in a circus, Victorian high society was scandalised. Even Queen Victoria shunned the couple at the opera and local gentry at the horse races in Cheshire turned their backs on them.”
Modelled by Alfred Brown and crafted by royal goldsmiths Hunt & Roskell, Stags in Bradgate Park is a meticulously-detailed depiction of nature, and was considered a ‘sensation’ in its day.
Showing the rutting deer positioned on a rocky outcrop with gnarled hollow oaks, it graced the pages of the Illustrated London News, was exhibited at the London International Exhibition of 1862, and at the Paris Exposition Universelle of 1867 – both of which were events that drew millions of visitors.
A ‘dazzling’ Victorian silver sculpture has gone on public display in Greater Manchester / Credit: Joe Wainwright | James Dobson (via Supplied)
The silver centrepiece was the celebrity art of its time, paraded through streets and admired by the public like no other.
Gradually over the years, some of the Earl of Stamford’s silver collection has been re-acquired for Dunham Massey, and this particular world-renowned sculpture, thought to be lost for decades and feared to have been melted down, has miraculously survived with its ‘dramatic’ central component being all that is left.
“The sculpture is not only a technical marvel, with its lifelike depiction of Bradgate Park’s rugged landscape and wildlife, but also a dramatic human story key to the history of Dunham Massey,” added Emma Campagnaro, who is the Property Curator at Dunham Massey.
“It speaks of nature, of craftsmanship, and of a couple who chose each other over status and what others thought of them.”
The sculpture has now gone on display at Dunham Massey from Thursday 26 June.
Featured Image – James Dobson (via Supplied)
News
Lewis Capaldi announces MASSIVE comeback gig in Manchester this year
Thomas Melia
Everyone’s favourite Scottish ballad-maker, Lewis Capaldi, is heading out on tour across the UK, including a massive Manchester date.
Scottish singer-songwriter Lewis Capaldi is ready to tug at our heartstrings again right in front of our eyes as he announces a new UK arena tour.
This huge announcement comes right after his surprise set at the UK’s biggest music event of the year, Glastonbury, where he made a heroic return to the Pyramid Stage just two years after being forced to pull out.
Capaldi is known for writing some of the most notable and emotive hits of the late 2010s and early 2020s, including a long list of anthems such as ‘Someone You Loved’, ‘Bruises’ and ‘Before You Go’.
His monster of a hit ‘Someone You Loved’ has surpassed 3.9 billion views and is the UK’s most-streamed song of all time, so it is safe to say that his presence has been well and truly missed.
To many fans’ delight, the singer has stepped back into the spotlight and is ready to sing his heart out live at a variety of arenas across the UK, including Co-op Live right here in Manchester.
Now, in a post on his official Instagram account announcing this upcoming UK and Ireland arena tour, it’s good to see the Scottish powerhouse hasn’t lost his wit and charm as he jokes, “About time I got back to work.”
These shows are set to be in high demand as the singer has also revealed these upcoming dates, “Will be my only shows in the UK, Ireland or Europe this year! Would love to see ya there.”
On the back of his glorious Glasto return, Capaldi has dropped a huge heart-wrencher titled ‘Survive’ which offers more insight into the struggles and challenges the singer has been facing.
There is no confirmation of whether this new single marks the launch of a bigger project or not, but we can’t wait to scream his hits at the top of our lungs, regardless of when he pays Manchester a visit later this year.
The Manc -
17th July 2020 
