Rina Sawayama looks to have slammed The 1975 frontman Matty Healy yet again in her latest festival performance after he failed to apologise for a number of controversial comments he made on a recent podcast.
Referencing his appearance on The Adam Friedland ShowPodcast, the Japanese-born British singer, actress and model said that she’d simply “had enough” but following Healy brushing over the controversy with what many have described as a pretty insincere response/’apology’, Sawayama isn’t letting it slide.
Taking the stage at the NOS Alive Festival in Lisbon, Portugal over the weekend, she once again put the spotlight on her 34-year-old label-mate by saying, “So I’ve been thinking a lot about apologies and isn’t it funny how some people get away with no apologising ever?”
Rina calls out Healy again and is literally screaming for him to apologise for his comments.
Tapping into the rage of the song, Sawayama goes on to call out Healy for “saying some racist s***, some sexist s***”, adding, “Why don’t you apologise for once in your life without making it about your f***ing self!?”, before the kicking into the rest of the aggressive and specifically chosen track.
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As alluded to, Healy did address the situation by stating that the whole thing “doesn’t actually matter” and that he was simply making jokes on a sardonic podcast, as well as suggesting that “if it does you, you’re either deluded or you are, sorry, a liar.”
He did also go on to apologise to Ice Spice, who was the subject of what many have labelled as racist and body-shaming remarks on the show, saying, “I’m sorry… It’s not because I’m annoyed that me joking got misconstrued but because I don’t want Ice Spice to think I’m a d*ck”.
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A significant part of the friction between Matty Healy and Rina Sawayama beyond the incident is that the singer also belongs to the same record label as The 1975, Dirty Hit Records, of which Healy is also a shareholder and former creative director — hence her previously saying, “he also owns my masters”.
In this latest instance, he appears to hint back at Sawayama’s Glastonbury comments by saying, “So is a micro-aggression something like a——”, before the beginning of ‘It’s Not Living (If It’s Not With You)’ kicks in.
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As for the podcast from which the controversy originates, Adam Friedland and co-host Nick Mullen have since addressed the ongoing discussion, albeit only in their usual sarcastic and irreverent style, in which they seem to intentionally mispronounce her name and refer to her under the wrong nationality.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Danny Jones -
11th July 2023 
