Matty Healy might be one of the biggest frontmen on the planet right now but he’s also one of the most controversial figures in the music industry too, as those watching Glastonbury found out after Rina Sawayama called him out live on stage in front of thousands.
The 32-year-old singer, actress and model was performing on the Woodsies on Saturday, 24 June, when she decided to dedicate her song ‘STFU!’ to The 1975 singer, songwriter and guitarist following a number of offensive remarks he made or was involved with on a recent US podcast episode.
Healy, 34, appeared on The Adam Friedland Show back in February, during which he made a series of comments that many labelled inappropriate and racist, such as watching a porn genre which degrades Black women as well as joining in speculating about rapper Ice Spice’s ethnicity and discussing her body.
The Wilmslow-bred musician also went on to laugh when the hosts mocked the artist with attempts at Chinese, Hawaiian and Japanese accents, to which Sawayama — who was born in Japan before moving to London as a child — responded by screaming “I’ve had enough!” to the Glastonbury crowd.
Rina Sawayama shames label-mate Matty Healy for his racist remarks live at Glastonbury.
As you can see in the clip below, the recent John Wick 4 star said, “I wrote this because I was sick and tired of these micro-aggressions. This goes out to a white man that watches ‘ghetto gaggers’ and mocks Asian people on a podcast.”
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She then went on to say, “He also owns my masters” — with Sawayama and The 1975 both belonging to Dirty Hit Records, of which Healy was creative director and is one of multiple shareholders — before adding defiantly, “I’ve had enough!” before being met with rapturous cheers and applause for the crowd.
It is worth noting that Healy’s role as a director has since ended in the time since the podcast controversy, with online records showing that his contract in that capacity was terminated after five years back in April, though it’s unclear if the decision is linked.
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Elsewhere in the podcast, Healy also suggested that Harry Styles of “queerbaiting” fans and also made jokes about women’s synchronising while on their periods, which also upset many people, fans or otherwise. Regarding his Ice Spice comments, he apologised on stage this past April.
Nevertheless, The 1975’s 2018 single ‘Sincerity is Scary’ seems fitting here, as many still feel that there wasn’t much genuine remorse in his apology, especially given his comments in an interview with The New Yorker a month later where he said, “it doesn’t actually matter.”
He went on multiple-award winning musician insisted, “Nobody is sitting there at night slumped at their computer, and their boyfriend comes over and goes, ‘What’s wrong, darling?’ and they go, ‘It’s just this thing with Matty Healy.’ That doesn’t happen.”
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He even went so far as to say, “If it does [offend people], you’re either deluded or you are, sorry, a liar. You’re either lying that you are hurt, or you’re a bit mental for being hurt. It’s just people going, ‘Oh, there’s a bad thing over there, let me get as close to it as possible so you can see how good I am.”
Neither Healy nor Dirty Hit are yet to issue a response following Rina Sawayama’s comments at Glastonbury but it’s certainly sparked quite the discussion online surrounding a public figure who is well-accustomed to being amongst the headlines for his antics, being on or off-stage.
'I'm not the biggest 1975 fan but he's absolutely mugged him off here'. 😂https://t.co/jx9S7zGXdy
Featured Image — Rina Sawayama/The 1975 (via Instagram)
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Elbow get behind campaign to save Jodrell Bank from closure
Danny Jones
Manc band Elbow are among the latest to get behind the campaign to save Jodrell Bank Observatory from closing permanently.
The Greater Manchester natives famously played a sold-out gig at the important scientific and cultural landmark for a very special live album recording well over a decade ago, and know all too well the site’s national and, indeed, global heritage.
Choosing the Observatory and the rare chance to perform a show in the shadow of the world-renowned James Lovell Telescope, it probably remains one of their most significant standalone UK date ever.
With that in mind, the local lads have been left just as worried by the news of its impending closure as everyone else, and have therefore issued a fresh appeal to help keep it open.
Posting a timely statement on social media, the group wrote: “Jodrell Bank has long been close to elbow’s heart. In 2012, the band played beneath the Lovell Telescope for one of the most memorable shows in our history.
“The recent news that funding for the e-MERLIN radio telescope network is set to end in 2028 puts the future of the scientific work at Jodrell Bank under serious threat. It is a remarkable place, with an extraordinary history, and one that continues to play an important role in science, culture and education.”
In addition to reliving clips and images from the historic live set all the years later, they also pointed people towards their ‘elbow – Live at Jodrell Bank‘ album documentary, which has now been made available online for the very first time as part of wider efforts to raise awareness around the cause.
Directing people to key online resources shared by the institution and astrophysics centre itself following their unfortunate update late last month, the push to not only find the funding but sustain support for the facility continues to ramp up throughout the world of science, arts and industry.
For anyone who somehow missed the news – 2028 being the current deadline handed down as per budget cuts across the sector – concerned parties here in the North West and all over the country have since started petitioning to save Jodrell Bank Observatory from shutting down for good.
In addition to being described as a “huge blow” to the field by the Royal Astronomical Society (RAS), some have even gone so far as to describe the decision as a form of “vandalism” when it comes to research and British culture as a whole.
Having also served as the host venue for the annual bluedot Festival since 2016, the multi-genre science and arts celebration could soon be forced to find a new home.
The battle is far from over yet, and the community has time to rescue Jodrell Bank Observatory from its fate, but it will take lots of money and more notable public figures to make it happen.
Once again, you can do your bit by signing the petition mentioned above right HERE.
Featured Images — Emma Farrer (via Wikimedia Commons)/The Manc Group
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Manichester organisers confirm tribute festival will return in 2027
Danny Jones
For anyone who didn’t manage to make it to the inaugural ‘Manichester’ festival held earlier this year in memory of British music legend Gary ‘Mani’ Mounfield, you’ll be glad to hear that the tribute festival will be returning in 2027.
Set up in the name of the late, great Stone Roses and Primal Scream bassist, the event sold out in the blink of an eye, as hordes of Mancs and more turned up to honour the local icon through live music.
Following paying their respects in the immediate aftermath, his surviving family members, peers and other figures from within the industry then held that wonderful evening, where several big names turned up to remember with live performances – and it’s official: they’re not done yet.
Writing in a lengthy caption, the brand said, “The family of Stone Roses legend Gary ‘Mani’ Mounfield have thanked everyone who made Manichester at Diecast such a special day — performers, organisers, and the thousands who turned up to celebrate a true Manchester icon.”
The evidently emotional and grateful statement goes on to read: “On behalf of Gene, George & the Family — thank you to everyone who performed, contributed and attended Manichester on 30 May 2026, and for all your kind words of support.
“The response was massive — fans travelled from everywhere, demand through the roof, love for Mani louder than ever. [Local fashion label] GioGoi even said they could’ve filled Old Trafford.”
Revealing that the team of organisers have now green-lit the follow-up edition next year, they promise to deliver the same kind of magic, only “bigger, better, built properly” and with more music and people involved this time around.
They also thanked Manc-Mexican musician and creative, Alejandro Reyes Knight, for filming and editing the content on the night, adding that since he “grew up in Madchester”, there was no better person to be tasked with the job.
For anyone who was there at Diecast on the special memorial evening itself, we don’t need to tell you how special the energy was in the room.
We spent a good week or so looking back at footage following the maiden Manichester festival, as we’re sure plenty of you did, too; safe to say we’re glad we’ll have another opportunity to celebrate his life and career in the best way we know how: with plenty of tunes and singing our hearts out.
It remains to be seen whether Diecast will remain the host venue for the sophomore tribute fest, and the next date is also still yet to be fully set.
All we do know is that with such a good lineup and turnout the first time around, you can expect an excellent and equally heartfelt sequel in 2027.
You can register your interest right HERE. Wherever and whenever it is, we’ll see you there.
@the.manc Yesterday, Manchester laid one of the city's greatest music legends, Gary ‘Mani’ Mounfield, to rest at Manchester Cathedral. 🍋 Fellow band member and life-long friend Ian Brown read out a speech as hundreds gathered outside the cathedral to pay their respects to The Stone Roses and Primal Scream bassist. Mani will be missed by many, and we send love to all his family and friends. ❤️ #manchester#mani#ianbrown#thestoneroses#stoneroses♬ original sound – The Manc