The winners of this year’s Bruntwood Prize for Playwriting have been announced, as the major award continues to elevate new voices.
This year’s overall winner is British-Nigerian writer Tolu Okanlawon, with his debut play SHOOTERS, which follows African American photojournalist Gordon Parks as he documents the lives of a group of teenage boys in 1940s Harlem for Life Magazine.
In his play, Tolu focuses on the question of who has the right to tell another person’s story, delving into themes of power, vulnerability and accurate representation.
Tolu has received a £20,000 award at the Bruntwood Prize for Playwriting, with the winners announced at a glittering ceremony at the Royal Exchange Theatre last Monday.
Previous winners of the Bruntwood Prize for Playwriting have included Phoebe Eclair-Powell, Duncan Macmillan, Alistair McDowall, Janice Okoh, Nathan Queeley-Dennis and Katherine Soper.
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This is a landmark year for the Prize, which is marking its 20th anniversary and celebrating the long-standing collaboration between Bruntwood (one of the UK’s leading commercial property developers), The Oglesby Charitable Trust, and the renowned Royal Exchange Theatre.
Also announced at the ceremony are the winners of this year’s Prize categories, which champion writers across the globe and at all stages of their playwriting careers.
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The Judges Award, and a £10,000 prize, went to Przewalski’s Horses by Silva Semerciyan, which follows a woman fleeing war-torn Kyiv as she seeks refuge with her estranged grandmother in the radioactive wilderness of the Chernobyl Exclusion Zone.
She has previously been shortlisted for the Bruntwood Prize, and for the Off West End Awards.
Jesús I. Valles, a queer Mexican immigrant writer-performer from Texas, won The International Award with SPREAD, which follows a group of boys in 9th grade as they navigate the balance of childhood and the ever-present push of adult pressures.
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R Lady’s by Daisy Miles received the North-West Original New Voice Award and Residency.
The Stockport-born writer is currently training with the Royal Exchange Theatre’s Young Company of Writers, and R Lady’s is her first full-length play.
The Bruntwood Prize for Playwriting event at the Royal Exchange Theatre
For the first time, a special commendation has also been awarded as part of the North-West Original New Voice Award, to disabled, hard of hearing, neurodivergent writer and actor Terri Jade Donovan, who was recognised for their play DOG DOG DOG – an unpredictable exploration of the impact of childhood trauma and neglect.
Terri was awarded a £5,000 grant.
Selina Cartmell, Artistic Director at the Royal Exchange Theatre and judge for the Bruntwood Prize for Playwriting, said: “As a judge for this prize in its landmark 20th year, I’ve had the extraordinary privilege of reading work that has challenged, surprised, and moved me in equal measure.
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“Our 15 shortlisted writers represent something remarkable – the courage to imagine different worlds, to ask uncomfortable questions, and to trust us with their most profound creative insights.
“Each script on our shortlist offers a unique window into who we are as a society, and more importantly, who we might become. SHOOTERS is an extraordinary play beautifully crafted by Tolu Okanlawon, a huge congratulations to him, to our other winners and to every writer who has shared their bold visions with us.
“None of this would be possible without the remarkable partnership between the Royal Exchange Theatre, the Oglesby Charitable Trust, and Bruntwood. So, let’s celebrate our shortlisted writers, honour our partnerships, and look forward to a future filled with the stories we haven’t yet imagined.”
Chris Oglesby, CEO of Bruntwood, added: “The Bruntwood Prize was born out of a deeply held passion that my parents had for theatre, in particular the Royal Exchange, and their recognition that a vital part of its ecology was new writing.
“20 years later, we are still uncovering incredible new stories and brilliantly talented new writers. The success of this Prize is testament to the wonderful partnership both the Oglesby Charitable Trust and Bruntwood have with the Exchange and is proof that philanthropy is about so much more than making a donation.
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“Together we have created a Prize that now has international reach, putting Manchester on the map as a home for phenomenal new writing.
“The Prize has continued to champion and recognise the hard work of writers and the impact that plays can have on those who watch them. Today, we get to celebrate more winning writers, and I cannot wait to see what they do next.”
You can find out more and see all the winners HERE.
Manchester’s new aesthetics clinic with a budget-friendly tiered pricing model
The Manc
There’s a new medically–led aesthetics clinic in the heart of Manchester, which offers a tiered pricing model that will get you the right treatment at a price that suits your budget.
The Academy Clinic has opened up on Quay Street, specialising in natural, balanced results with a massive range of injectable and cosmetic dermatology treatments
The clinic was founded by Dr Tristan Mehta, Dr Emily Mehta, and Dr Marcus Mehta, who want to raise the standards of injectable and cosmetic dermatology treatments across the UK.
It’s part of Harley Academy, the UK’s leading provider of postgraduate training in aesthetic medicine.
And that’s what sets it apart from a lot of other clinics in the UK, and makes it a stand-out in an industry that is largely unregulated – at The Academy Clinic you won’t ever be treated by non-medics or anyone without formal medical training.
It means that you are always in the hands of a registered medical professional – whether it be practitioner or trainee, and doctor, nurse, dentist or clinical pharmacist – who would be able to manage complications, so you can feel confident you’re in the best hands.
The Academy Clinic in Manchester. Credit: Supplied
And the tiered treatment model really does suit every patient’s budget and preferences – you can take a more affordable treatment option, where qualified medical professionals are learning and being upskilled with expert supervision during your treatment; or you can opt for a fully private experience with a senior practitioner and no training elements involved.
There’s a wide range of treatments available, including popular injectable skin treatments such as Profhilo® and Profhilo Structura®, polynucleotides, dermal fillers, microneedling, HydraFacial and more, all designed to deliver natural-looking, confidence-boosting results.
Beyond patient care, The Academy Clinic’s clinical team also trains and mentors medical professionals through its GMC-registered aesthetics training academy, Harley Academy.
Dr Tristan Mehta, Founder & CEO of The Academy Clinic and Harley Academy, said: “Our mission has always been to raise standards in aesthetics. By combining education with patient care, we can ensure treatments are delivered safely, ethically, and with natural results.
Treatments include HydraFacials
“Bringing The Academy Clinic to Manchester means more people can access medically-led aesthetics with confidence.”
The Academy Clinic is now open at St John’s Court on Quay Street in Manchester, having acquired SkinViva last October.
To keep up to date with the latest news and promotions, you can follow The Academy Clinic on Instagram @theacademyclinic. For bookings or enquiries, call 0161 865 1141, visit theacademyclinic.co.uk or email [email protected].
Exclusive offer for The Manc readers: Use code MANC25 at the time of booking or when in clinic for 25% off any treatments excluding wrinkle reduction treatments.
Wigan favourites Stanleys release first single ahead of debut album next year
Danny Jones
Fast-rising Wigan band Stanleys have dropped the lead single from their debut album, which is finally on its way and will be coming sometime next year.
Entitled ‘Pass The Time’, the Stanleys’ latest outing arrived on Friday, 20 February, and while there’s still no specific release date for the first-ever full-length LP, we do know it’s coming at some point in 2027.
To simply label it as more catchy indie would be a disservice to the craft and graft these lads have put in: this is definitely a step forward and in a slightly different direction, with an even more guitar-driven feel and an extra bit of gruff about it compared to previous Stanleys material.
Our only minor complaint is that we wish it lasted a little longer – we want MORE.
An energetic two-and-a-half-minute track that we can already see becoming a fan favourite, it’s one we’re looking forward to hearing in the flesh.
We’ve caught the Stanleys boys live a few times now, both here in Manchester city centre and at their sold-out show in Wigan as part of The Monaco relaunch, as well as at the likes of Kendal Calling festival in recent years.
Safe to say, they never disappoint, and neither do their growing crowd of die-hards.
With lyrics touching on not just the passing of time but also that sense of youthful ambition and how it fluctuates with age, it feels like one of those defiant indie rallying cries we grew up listening to in our own adolescence, and it definitely has plenty of energy to it.
Both The Manc and our wider Audio North team had the pleasure of chatting with them back in November 2024, and you can tell they have big plans to take on not just the local music scene but the UK and beyond.
The release of ‘Pass The Time’ comes almost a year on from their last song, ‘Out the Door’: a similarly fast-run song, albeit with a different vibe.
Positioned as part of Wigan’s next generation of new bands and artists, Stanleys are clearly looking to keep developing as musicians, and if tunes like these are anything to go by, then we can’t wait for their first full record.
They’re also going to be playing a night here in Manchester city centre and beloved grassroots venue, Night and Day, this April; you can grab tickets HERE.
So get adding it to your Spotify playlists, watching the music video, and maybe we’ll see you at the gig.
Daisy Jackson -
25th July 2025 
