International smash hit musical Six has returned to the Lowry theatre in Salford, telling the tale of Henry VIII’s notorious marital history… through pop songs.
First performed by Cambridge University students at the Edinburgh Fringe festival in 2017, Six has since ruled the theatre scene with its chart-topping soundtrack and powerful female cast.
West End productions and Broadway shows have garnered rave reviews and Six has been nominated for multiple awards at the Laurence Olivier Awards.
Credit: Johan Persson. (Caitlin Tipping as Jane Seymour, Vicki Manser as Katherine Howard, Lauren Drew as Catherin of Aragon, Maddison Bulleyment as Anne Boleyn, Shekinah McFarlane as Anna of Cleves & Elena Gyasi as Catherine Parr.)
Postponed twice already, the return of the six Queens was long awaited. Queues for the Six merchandise at the Lowry outdid the queue for food twice over.
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Groups were singing the songs in the foyer, snapping their fingers and grooving their hips, hyping themselves up to finally see it live. The Six album has reached over 10 million views on YouTube.
The Queens begin on stage with the chilling ‘Ex-wives’, introducing themselves explaining how they are more than ‘just one word in a stupid rhyme’.
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Each take centre stage in turns to prove they were the the worst-treated of Henry’s wives, with clever lyrics laying bare Henry’s blatant mistreatment of women and how he got away with it.
Credit: Johan Persson
It’s historically accurate, but this time it’s herstory – Six is a re-writing of the history books and takes the crown as this year’s musical must-see.
Writers Toby Marlow and Lucy Moss – masters of comedy – fill the hour and twenty minutes with laughs, catchy lyrics and some home truths about female victimhood and empowerment.
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Each wife takes to the stage in a hip-hop, rap, techno, soul, rock battle, fighting for the crown of the worst treated by Henry VIII.
Credit: Johan Persson. (Caitlin Tipping as Jane Seymour, Vicki Manser as Katherine Howard, Lauren Drew as Catherin of Aragon, Maddison Bulleyment as Anne Boleyn, Shekinah McFarlane as Anna of Cleves & Elena Gyasi as Catherine Parr.)
The queens really do sparkle. Gabrielle Slade kills it with her modern glittery take on 18th century dress.
The costumes here are made up of corsets, puffed sleeves, skin-tight trousers, short petit-coats and delicate hair crowns, all topped off with cute heels and biker boots.
All the anthems are girl power to the max. Spice Girls meets Beyonce meets Avril Lavigne meets Little Mix with a Tudor twist.
The performances are slick and flawless. The cast of all-female power icons are set to become musical-theatre giants after Six.
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Credit: Johan Persson.
The stars are supported by their ‘Ladies in Waiting’ who are instrumental (excuse the pun) to the performance. Usually, the band sit in the pit of the theatre, but these rock-stars are front and centre jamming on the electric keyboard, drums, bass and guitar.
The performances are wonderfully overwhelming, chills are guaranteed, and tears will well with the uplift of female empowerment.
The crowd at The Lowry become a sea of beaming faces and pumping fists, with a standing ovation and cheers of ‘encore’ echoing long after the music dies.
The play spins GCSE history into a much more entertaining experience, filled with glittery corsets and banging break-up anthems.
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Teach your children the right version of history and go and watch Six – we cannot wait to see it again.
Six sexy ex-wives give you their take on the infamous stories that have defined them for centuries, and Henry VIII gets what he’s had coming for him… a revenge musical.
It’s on it’s 2021 tour – so grab your tickets online here.
Theatre
Matilda The Musical at Palace Theatre Manchester – a lesson in letting your imagination run wild | Review
Emily Sergeant
I think growing up is overrated. I’m just going to start off by saying that, okay? Right… now onto the actual review.
Matilda The Musical has finally arrived in Manchester, and it’s every bit as imaginative as the title character herself.
The Royal Shakespeare Company’s smash-hit musical production – which is, of course, based on Roald Dahl’s beloved book of the same name – has been seen by more than 12 million people in over 100 cities around the world since it first debuted back in 2010, and it continues to play to packed houses in London’s West End and on Broadway each week… but now, it’s Manchester’s turn.
The critically-acclaimed musical is currently out on a tour of the UK and Ireland, and has just arrived for a special four-week run here at Manchester’s iconic Palace Theatre.
Touring to celebrate its 15-year anniversary, the multi-award winning musical about a determined young heroine with a vivid imagination is written by Dennis Kelly, and developed and directed by Matthew Warchus, with music and lyrics by comedian Tim Minchin.
Matilda The Musical is now on stage at Manchester Palace Theatre / Credit: Publicity Picture (Supplied)
Despite being a fan of musical theatre, and even of the production’s popular soundtrack prior, Matilda The Musical was one I was yet to experience live on stage before last night.
Understandably because of this, it was one I was therefore really anticipating watching – and 15 years on, it’s truly not hard to see why it’s so beloved by so many.
Manchester audiences who gathered inside the storied walls of the Palace Theatre on opening night last night (26 March) were enchanted from the moment the colourful, eclectic stage lit up and the sets came to life, immersing you in the world right from the get-go.
It’s a production every bit as imaginative as the main character herself / Credit: Publicity Picture (Supplied)
Now, it would be fair to say that so much could go wrong in this production, given how many moving parts are involved in the stage design and choreography, but it’s a complete credit to every single member of the company that not once, as an audience member, did you ever feel anything would go wrong – that’s how technically impressive the staging was.
Those technical elements barely scratch the surface of just how much this show grabs you by the heart and makes you cling onto the magic of childlike imagination, though. This is where it really shines.
Through well-known songs like ‘Naughty’, ‘Revolting Children’, ‘When I Grow Up’, and ‘Quiet’, you are left feeling in awe of the incredibly (almost unbelievably, to be honest) talented ensemble cast of young performers on stage before you.
Led last night by Mollie Hutton as Matilda, who brought her own charm and cheekiness to the iconic role, each youngster really is living proof that ‘even if you’re little, you can do a lot’.
It’s now on stage in Manchester up until Saturday 25 April / Credit: The Manc Group
Tessa Kalder as Miss Honey, Richard Hurst as Miss Trunchbull, and Esther Niles as Mrs Phelps were all stand-out performances too, as were Adam Stafford and Rebecca Thornhill as Matilda’s parents, Mr and Mrs Wormwood.
It’s a show full of humour, eccentric characters, and captivating sets… and it’s well worth your time, whether a theatre-lover or not.
The beaming smiles from the cast at the end during the curtain call say it all.
Matilda The Musical is now playing at Manchester Palace Theatre until Saturday 25 April 2026, and you can get last-minute tickets online here.
Featured Image – Publicity Picture (Supplied)
Theatre
Oasis are back…in surreal new Britpop comedy ‘The Battle’ at the Opera House Manchester
Clementine Hall
The greatest pop rivalry of all time has been turned into a quick-witted, razor-sharp comedy.
And do you know what? It’s a proper laugh.
Oasis vs Blur, north vs south… it really is a tale as old as time, and one that symbolised a divided nation back in 1995.
This new play, written by past record industry bod John Niven, explores the testosterone-fuelled tantrums that came after the decision to release Blur’s Country House singlealongside Oasis’ Roll With It.
Image: Supplied (Helen Murray)
We’re plunged into backstage Britpop bickering right at the very start at none other than the Brit Awards, which is quite apt for a Manchester audience who have just witnessed the city hosting the awards for the first time.
From the offset, Paddy Stafford and George Usher who played Noel and Liam Gallagher, proved themselves as standout performances.
The physical mannerisms, the vocal nuances, they both had it down to an absolute T and looked exceptional in parkas, might I add.
Images: Supplied (Helen Murray)
By portraying such icons, in Manchester no less, you’re opening yourself up to a lot of criticism but their performances, which could’ve been perceived as awkward impressions, were the highlight of the evening.
The first act explores the rivalry between the two bands in depth, featuring countless slinging matches that are peppered with quick-witted remarks and plenty of swearing.
The between-scenes animations by John O’Connor portray radio DJs stoking the hysteria with the latest gossip, which is a nice way to keep the audience in check with whats going on amidst the chaos.
Image: Supplied (Helen Murray)
But it’s in the second act when things start to get really, really weird – and equally as fun.
I’m not going to spoil it for you, because that’s the whole point.
But what I will say is if you’re going for an Oasis singalong then you’re not going to get it, but you may want to brush up on your Take That lyrics.
The Battle is on at the Opera House Manchester until Saturday 21 March and you can get your tickets here.
Dolly Busby -
16th December 2021 
