International smash hit musical Six has returned to the Lowry theatre in Salford, telling the tale of Henry VIII’s notorious marital history… through pop songs.
First performed by Cambridge University students at the Edinburgh Fringe festival in 2017, Six has since ruled the theatre scene with its chart-topping soundtrack and powerful female cast.
West End productions and Broadway shows have garnered rave reviews and Six has been nominated for multiple awards at the Laurence Olivier Awards.
Credit: Johan Persson. (Caitlin Tipping as Jane Seymour, Vicki Manser as Katherine Howard, Lauren Drew as Catherin of Aragon, Maddison Bulleyment as Anne Boleyn, Shekinah McFarlane as Anna of Cleves & Elena Gyasi as Catherine Parr.)
Postponed twice already, the return of the six Queens was long awaited. Queues for the Six merchandise at the Lowry outdid the queue for food twice over.
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Groups were singing the songs in the foyer, snapping their fingers and grooving their hips, hyping themselves up to finally see it live. The Six album has reached over 10 million views on YouTube.
The Queens begin on stage with the chilling ‘Ex-wives’, introducing themselves explaining how they are more than ‘just one word in a stupid rhyme’.
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Each take centre stage in turns to prove they were the the worst-treated of Henry’s wives, with clever lyrics laying bare Henry’s blatant mistreatment of women and how he got away with it.
Credit: Johan Persson
It’s historically accurate, but this time it’s herstory – Six is a re-writing of the history books and takes the crown as this year’s musical must-see.
Writers Toby Marlow and Lucy Moss – masters of comedy – fill the hour and twenty minutes with laughs, catchy lyrics and some home truths about female victimhood and empowerment.
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Each wife takes to the stage in a hip-hop, rap, techno, soul, rock battle, fighting for the crown of the worst treated by Henry VIII.
Credit: Johan Persson. (Caitlin Tipping as Jane Seymour, Vicki Manser as Katherine Howard, Lauren Drew as Catherin of Aragon, Maddison Bulleyment as Anne Boleyn, Shekinah McFarlane as Anna of Cleves & Elena Gyasi as Catherine Parr.)
The queens really do sparkle. Gabrielle Slade kills it with her modern glittery take on 18th century dress.
The costumes here are made up of corsets, puffed sleeves, skin-tight trousers, short petit-coats and delicate hair crowns, all topped off with cute heels and biker boots.
All the anthems are girl power to the max. Spice Girls meets Beyonce meets Avril Lavigne meets Little Mix with a Tudor twist.
The performances are slick and flawless. The cast of all-female power icons are set to become musical-theatre giants after Six.
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Credit: Johan Persson.
The stars are supported by their ‘Ladies in Waiting’ who are instrumental (excuse the pun) to the performance. Usually, the band sit in the pit of the theatre, but these rock-stars are front and centre jamming on the electric keyboard, drums, bass and guitar.
The performances are wonderfully overwhelming, chills are guaranteed, and tears will well with the uplift of female empowerment.
The crowd at The Lowry become a sea of beaming faces and pumping fists, with a standing ovation and cheers of ‘encore’ echoing long after the music dies.
The play spins GCSE history into a much more entertaining experience, filled with glittery corsets and banging break-up anthems.
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Teach your children the right version of history and go and watch Six – we cannot wait to see it again.
Six sexy ex-wives give you their take on the infamous stories that have defined them for centuries, and Henry VIII gets what he’s had coming for him… a revenge musical.
It’s on it’s 2021 tour – so grab your tickets online here.
Theatre
Chicago the Musical razzles (and dazzles) at the Palace Theatre in Manchester
Clementine Hall
A story of murder, greed and corruption was performed with style, ease and flair; Chicago is the longest-running American musical in Broadway and West End history, and it’s easy to see why now that it’s arrived in Manchester.
The jazz-fuelled fiasco is filled with catchy songs that you can’t help but click along to, funny one-liners, and likeable characters such as Miss Roxy Hart herself.
Best-known for appearing as Kate Connor in Coronation Street, the opening night in Manchester on Chicago‘s UK tour may have been a daunting prospect, but it’s one Faye Brookes pulled off seamlessly.
Here’s our full review…
Image: Press Images (Supplied)
Brookes is fantastically expressive and brings new energy to a classic, complemented throughout by a sultry cast dressed in buckles and mesh that really bring the ‘Razzle Dazzle’ to the stage.
Her co-star, Strictly Come Dancing‘s Kevin Clifton, struts through the show transformed into Billy Flynn – a flamboyant 1920s American lawyer who has the desperate inmates in the palm of his hand.
The opening number, ‘All That Jazz’, is spearheaded by Djalenga Scott as Velma Kelly and she does it brilliantly.
Image: Supplied
The cast slink their way across the stage with Scott at the forefront, who undoubtedly delivers a faultless performance and complements Brookes as Roxie Hart perfectly.
A highlight of course included the hilarious‘Cell Block Tango’, the audience were laughing along as the women sang the stories of their murderous deeds whilst performing sharp and sultry choreography.
Not even a toe out of place.
Image: Supplied
The set is minimalist, dark and simple, but is simply brought to life by the wonderful expression and lively musical numbers performed on stage by the live band.
The live band sits on a staircase centre stage and their playful use of instruments throughout is truly impressive.
Neil MacDonald, the show’s musical director, even got involved with a few on-stage conversations which was a fabulous touch that made the show feel bespoke to us.
Other notable performances included Brenda Edwards as Mamma Morton, whose powerhouse voice left the audience in absolute awe, and Joshua Lloyd as ‘Mister Cellophane’ caused a couple of pitiful “awws” from the auditorium.
Overall, this was a fantastic production of the Broadway classic – the standing ovation at the end proves I wasn’t the only one who thought that too.
Chicago the Musical is playing at the Palace Theatre Manchester until Saturday, 9 November and you can grab your last-minute tickets HERE.
Giselle, one of the greatest romantic ballets, has landed in Manchester and it’s a must-see
Eva Claricoates
When the English National Ballet is in Manchester, it’s an opportunity you shouldn’t let slip by, and is almost guaranteed to be one of the most stunning performances to grace the stage– Giselle at the Palace Theatre certainly was.
Giselle tells the story of a young peasant girl, who falls in love with Albrecht, a duke, who pretends to be a peasant in order to seduce the show’s namesake.
Albrecht is not only hiding his status but also an engagement to another. When Giselle finds out about his deception, she descends into madness and dies from a broken heart.
Giselle is summoned from the dead by spirits, the Wilis, all abandoned and betrayed before their wedding day. The Wilis take their revenge by dancing men to death, and Giselle must decide whether her love for Albrecht is too strong to sentence him to the same fate.
Credit: The Manc Group
Giselle tells a story of grief, heartbreak, and love, and how a true heart always avails. Hauntingly beautiful and romantic, Mary Skeaping’s production had been tenderly revived from its original performance, and it’s clear to see why the performance received five-star reviews earlier this year.
The entire production was captivating and dramatic, leaving the audience gasping, laughing and firmly glued to their seats. Adolphe Adam’s score is performed live by the English National Ballet Philharmonic nestled beneath the stage, which compliments the performance beautifully and skilfully.
Perhaps the most mesmerising point of the performance was the Wilis appearing in the forest at the beginning of act two, as they formed perfectly symmetrical formations, and appeared to almost float across the stage.
It served as a great medium for exploring themes of the supernatural exquisitely, providing truly stunning imagery to the audience.
Giselle uses mime to convey its storyline to the audience, and even if you are a first-time ballet-goer, it’s an easy-to-follow, modern performance which can be enjoyed by all audiences. If you’re so inclined, you can even get involved in a dedicated ballet masterclass.
Join our Creative Learning team and English National Ballet on Saturday 2 November for an exclusive ballet masterclass at the Palace Theatre! 🩰
This workshop is suitable for ages 11-17 with a keen interest in dance ranging up to intermediate levels.
Dolly Busby -
16th December 2021 
