Beautiful: The Carole King Musical returned to Manchester this week and The Manc were kindly invited along to the press night. We of course accepted because we’re cultured like that.
Scores of excitable theatre heads were shuffling in the cold autumn queues for the packed-out show at the historic Palace Theatre on opening night on Tuesday, 12 October.
Charting the life and career of legendary singer-songwriter Carole King, the show takes you through her early days as a four-year-old piano prodigy, selling her first single at the age of 16 and marrying her creative partner Gerry Goffin to headlining Carnegie Hall and becoming a global music sensation.
Credit: The Manc
Known for solo hits like ‘You’ve Got a Friend’, ‘So Far Away’, ‘It’s Too Late’ and dozens more, the production was part musical part history lesson, taking a whirlwind tour through the music industry in the 1960s and 70s.
While we came into the show thinking we knew a fair few tracks in her lengthy discography – ‘Take Good Care of My Baby’, ‘The Loco-Motion’, ‘Natural Woman’ and so on – we were surprised to learn just how much she has written over her illustrious career. This legend even wrote for The Beatles.
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Seeing her personal and professional life play out on her way to eventually writing and singing songs for herself not only felt like an emotional trip back in time but almost fly on the wall documentary at times, only with big dramatic set-pieces fitting of the Palace’s equally beautiful room.
Previous cast pictured above
King herself is passionately portrayed by Molly Grace-Cutler, a 2020 Olivier award-winner who proves to be perfect casting as the Brooklyn-raised songstress.
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Aside from her soaring vocals throughout its 2-hour run-time (excluding interval), her performance felt full of raw pain and joy in equal spades whilst still sprinkling plenty of comic relief, as did the rest of the ensemble.
Beyond the likes of Goffin (Tom Milner) and fellow 60s songstress Cynthia Weil (Seren Sandham-Davies) – who both enjoyed several stunning solos and big story beats as key players in King’s eventful life – we were particularly impressed with Jos Slovick, who starred as songwriting rival Barry Mann.
Molly Grace-Cutler and Tom MilnerSeren Sandham-Davies and Jos SlovickCredit: Supplied
One of several main characters in the Brill Building and Dimension Records-era of her story, Slovick played the rosy-cheeked, allergy-ridden hit-maker and did so to perfection, regularly leaving the audience in stitches as well as taken aback by his soft vocals.
The performance was met with a well-deserved standing ovation and an encore that got the crowd moving for one last song. We couldn’t think of a better way to go out than with a boogie.
Even for theatre newbies, we dare say this smash hit Broadway and West End show could convert you and even if doesn’t end up as a gateway musical, it’s nigh on impossible for any music-lover not to get engrossed in this true story.
You can buy tickets for the remaining dates of Beautiful: The Carole King Musical via ATG HERE. The show finishes its five-day run on Saturday, 15 October, so get them while you can!
Chicago the Musical razzles (and dazzles) at the Palace Theatre in Manchester
Clementine Hall
A story of murder, greed and corruption was performed with style, ease and flair; Chicago is the longest-running American musical in Broadway and West End history, and it’s easy to see why now that it’s arrived in Manchester.
The jazz-fuelled fiasco is filled with catchy songs that you can’t help but click along to, funny one-liners, and likeable characters such as Miss Roxy Hart herself.
Best-known for appearing as Kate Connor in Coronation Street, the opening night in Manchester on Chicago‘s UK tour may have been a daunting prospect, but it’s one Faye Brookes pulled off seamlessly.
Here’s our full review…
Image: Press Images (Supplied)
Brookes is fantastically expressive and brings new energy to a classic, complemented throughout by a sultry cast dressed in buckles and mesh that really bring the ‘Razzle Dazzle’ to the stage.
Her co-star, Strictly Come Dancing‘s Kevin Clifton, struts through the show transformed into Billy Flynn – a flamboyant 1920s American lawyer who has the desperate inmates in the palm of his hand.
The opening number, ‘All That Jazz’, is spearheaded by Djalenga Scott as Velma Kelly and she does it brilliantly.
Image: Supplied
The cast slink their way across the stage with Scott at the forefront, who undoubtedly delivers a faultless performance and complements Brookes as Roxie Hart perfectly.
A highlight of course included the hilarious‘Cell Block Tango’, the audience were laughing along as the women sang the stories of their murderous deeds whilst performing sharp and sultry choreography.
Not even a toe out of place.
Image: Supplied
The set is minimalist, dark and simple, but is simply brought to life by the wonderful expression and lively musical numbers performed on stage by the live band.
The live band sits on a staircase centre stage and their playful use of instruments throughout is truly impressive.
Neil MacDonald, the show’s musical director, even got involved with a few on-stage conversations which was a fabulous touch that made the show feel bespoke to us.
Other notable performances included Brenda Edwards as Mamma Morton, whose powerhouse voice left the audience in absolute awe, and Joshua Lloyd as ‘Mister Cellophane’ caused a couple of pitiful “awws” from the auditorium.
Overall, this was a fantastic production of the Broadway classic – the standing ovation at the end proves I wasn’t the only one who thought that too.
Chicago the Musical is playing at the Palace Theatre Manchester until Saturday, 9 November and you can grab your last-minute tickets HERE.
Giselle, one of the greatest romantic ballets, has landed in Manchester and it’s a must-see
Eva Claricoates
When the English National Ballet is in Manchester, it’s an opportunity you shouldn’t let slip by, and is almost guaranteed to be one of the most stunning performances to grace the stage– Giselle at the Palace Theatre certainly was.
Giselle tells the story of a young peasant girl, who falls in love with Albrecht, a duke, who pretends to be a peasant in order to seduce the show’s namesake.
Albrecht is not only hiding his status but also an engagement to another. When Giselle finds out about his deception, she descends into madness and dies from a broken heart.
Giselle is summoned from the dead by spirits, the Wilis, all abandoned and betrayed before their wedding day. The Wilis take their revenge by dancing men to death, and Giselle must decide whether her love for Albrecht is too strong to sentence him to the same fate.
Credit: The Manc Group
Giselle tells a story of grief, heartbreak, and love, and how a true heart always avails. Hauntingly beautiful and romantic, Mary Skeaping’s production had been tenderly revived from its original performance, and it’s clear to see why the performance received five-star reviews earlier this year.
The entire production was captivating and dramatic, leaving the audience gasping, laughing and firmly glued to their seats. Adolphe Adam’s score is performed live by the English National Ballet Philharmonic nestled beneath the stage, which compliments the performance beautifully and skilfully.
Perhaps the most mesmerising point of the performance was the Wilis appearing in the forest at the beginning of act two, as they formed perfectly symmetrical formations, and appeared to almost float across the stage.
It served as a great medium for exploring themes of the supernatural exquisitely, providing truly stunning imagery to the audience.
Giselle uses mime to convey its storyline to the audience, and even if you are a first-time ballet-goer, it’s an easy-to-follow, modern performance which can be enjoyed by all audiences. If you’re so inclined, you can even get involved in a dedicated ballet masterclass.
Join our Creative Learning team and English National Ballet on Saturday 2 November for an exclusive ballet masterclass at the Palace Theatre! 🩰
This workshop is suitable for ages 11-17 with a keen interest in dance ranging up to intermediate levels.
Danny Jones -
12th October 2022 
