Let’s start with a summary of Come From Away – this is a theatre show about a small town on the coast of Canada, that when disaster shook the world on September 11th 2001, offered accommodation to over 7,000 passengers whose flights had been diverted due to the American airspace being closed.
On the surface, you wouldn’t read the above summary of events and think ‘Let’s turn that cheery story into a musical’ but you simply have to believe me when I tell you that it just works.
Come From Away isn’t a story about disaster or tragedy (although both do feature heavily for obvious reasons) – it’s a story about community, hope and how when faced with the toughest of circumstances people are capable of extraordinary things.
The show opens in the unsuspecting town of Gander, Canada on the morning of 9/11. Gander was once home to the world’s largest airport, in a time gone by, when planes used to have to stop immediately after crossing the Atlantic.
This meant that Gander was the first place in North America that people such as The Beatles or even The Queen, ever landed. However, as we begin our story, Gander is now a small town with a population of about 11,000 and a derelict Airport, barely fit for purpose.
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These circumstances changed very quickly when at 8:46am on September 11th 2001, a terrorist attack was committed on the World Trade Centre, New York. With the US airspace immediately closed, with all airborne planes now suspected to be terrorist weapons, all flights crossing the Atlantic had to be diverted to the nearest Canadian airport… Gander.
Come From Away at The Lowry – a 9/11 musical full of heart and hope
This creates a scenario whereby within minutes a quiet unassuming town on the coast of Canada is expected to welcome over 7000 passengers from 38 different flights, without warning, without proper preparation and without any indication as to how long they’ll be staying.
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When this tale is brought to life, it’s one that will bring you to tears. I have never in my life cried so much at a musical, which I know might not sound like the most resounding endorsement but it’s truly meant to be. There were of course sad tears, heartbreaking tears and sorrowful tears but there were also tears of joy, tears of quiet happiness and tears of hope.
When you think of the horrific events of 9/11, your thoughts immediately turn to the epicentre, to New York. I’d never considered the wider implications of that day, how thousands of people flying must have had their lives turned upside down, how panicked loved ones all across the world must have been, how communities globally were affected and how a small town in a completely different country was called into action.
I don’t want to give too much away in regards to the actual characters within this story or how their journeys play out through what must of been an incredibly tough time, but what I will say is that the characters in this story, all of whom are directly based on real people (more on that later), are some of the most inspirational human beings I’ve ever come across.
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Come From Away is at The Lowry until 5 January
The show stars an extraordinary ensemble performance, with no leads or ‘main characters’, instead each of the twelve actors play a multitude of characters, whose stories inevitably intertwine with one and others.
The staging and choreography for this show are also fantastic, very minimalist with the set mainly being made up of just chairs and small props, leading the audience to use their imaginations to fill in blanks.
I sadly can’t guarantee this at every performance of Come From Away but at the curtain call the night we watched, the real residents of Gander from whom the story is based on, came onto stage and gave a speech about how ‘none of them are heroes but instead just people who decided to do the right thing’… Which inevitably led to more tears from me and an even deeper appreciation of the show.
I think this story is truly needed in the world we’re living in at the moment, with global tensions high, an economy that doesn’t favour most of us, and a lot of the world feeling more separated than ever before. This story, this beautiful, heartwarming and inspirational story shows us how even through the toughest of circumstances, we can work together for the betterment of everyone.
Please go and watch Come From Away. It’s one of the most beautiful stories I’ve seen brought to the stage and it deserves endless support from us Mancs whilst here in Salford.
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It’s running throughout the festive season till 5 January and I guarantee you’ll walk away from it feeling just that little bit more hopeful about the world we live in.
An unmissable Whitney Houston tribute event is returning to Greater Manchester
Thomas Melia
A much-adored and cherished Whitney Houston tribute show is returning to Greater Manchester later this year for not one but two different shows, each channelling the charisma and energy of the pop legend.
To celebrate the 10th anniversary of the phenomenal theatre production, ‘Queen of the Night’, the show is visiting a multitude of stages and venues all across the UK.
0161 had to receive at least one date on this tour, partly due to being the music capital of the North and also due to the fact that this is a city many fans of the 80s diva will forever hold close to their hearts.
Houston played her final ever concert performance of her career here in this very city back in 2010, taking up residence in AO Arena for two nights of world-renowned ballads and mesmerising live vocals.
This tribute show is set to include some of the diva’s biggest and much-loved hits like ‘I Will Always Love You’, ‘How Will I Know’ and ‘The Greatest Love of All’, the audience is sure to be singing along.
Adenike Adewale is taking on the role of the American R’n’B Pop singer and is no stranger to the stage or TV, featuring on The Voice in 2021 where she sang a Whitney classic, making it to the semi-finals.
Fast forward to 1 June and the tour returns to Greater Manchester and legendary city centre space, Bridgewater Hall: an incredible room more than fit for renditions of the powerhouse vocalist.
A pair of stunning venues, two stunning shows and one incomparable voice.
It’s not only our lovely region the Queen of the Night experience will be visiting; our friends over at The Hoot have plenty of nearby opportunities to sing along too, with Yorkshire dates in Hull, Halifax, Harrogate and Bradford to name a few.
I’m definitely saving all my love for when this show visits us later this year in March, and after I buy out the front row for all my friends I’ll certainly relate to the smash 1993 single ‘I Have Nothing’.
Tickets are on sale already now – you can grab yours HERE.
Swan Lake at Opera House, Manchester – the Swan Queen steals the show
Daisy Jackson
Swan Lake is an icon of the ballet world, for good reason – and now this hauntingly beautiful ballet is back in Manchester for one weekend only.
Set to Tchaikovsky’s equally iconic score, Swan Lake tells the love story of Prince Siegfried and Swan Queen Odette, with plenty of magic and sorcery along the way.
There’s a lot of depth and intrigue to this tale, even if it a good half of it is essentially a load of people peacocking around a ballroom trying to prove they’re the most compatible for one another.
Throughout the two hour performance by the Mergaliyev Classical Ballet you’ll be witness to deception, enchantment, love, and plenty more, as evil sorcerer Von Rothbart meddles in Siegfied and Odette’s love and tricks him into falling in love with his daughter, Odile, instead.
The mirroring roles of Odette and Odile are both played by Nilay Tahiroglu, who is possibly the most captivating dancer to have ever graced the stage at the Opera House.
It’s remarkable how she can make the human body so closely resemble a swan – the way the shape of hands can mimic a swan’s long neck, or the avian way her arms rotate in their sockets and gracefully unfurl like wings, or how she literally looks like she’s on water when she glides across the stage balanced en pointe.
When Tahiroglu transforms into Odile she’s still the same captivating dancer but now she’s bolder, braver. There’s a sharpness to her grace that wasn’t there before.
While Odette’s eyes are almost always cast downwards and soft, Odile stares straight at the audience with a glittering secret in her eyes.
She’s the most beautiful, other-worldly dancer I’ve ever seen.
Cristo Civancos Prunes is excellent as Prince Siegfried, a man so classically handsome and sure-footed you could put him on the cover of a romantic novel at the airport and it’d sell a million copies.
And Marek Bobosik shines as the cunning Von Rothbert too, even if his character is let down by an underwhelming costume that’s more ‘onesie at a Halloween party’ than ‘lead villain in a world-class ballet’.
The Dance of the Cygnets fell flat on opening night of Swan Lake in ManchesterVon Ruthbert’s costume
It’s not a perfect performance – during Dance of the Cygnets, possibly the world’s most iconic dance sequence, the four cygnets stumble and lose time. Our glittering principal also loses her footing once, prompting a sharp intake of breath from the audience, but regains it quickly.
And the first act, before we even meet Odette and are instead watching the wealthy types parade in front of one another in a ballroom, drags on – in fact, there are a lot of empty seats after the first of two intermissions, with many calling it a night early.
Compared to the English National Ballet, which brought Swan Lake to Manchester in 2022, this production could do with a little more polish and pizzazz.
But it’s still a truly magical sight to behold – even if you just come for Odette.
Get your tickets for Swan Lake at the Opera House Manchester HERE.
Oli Lowe -
9th December 2024 
