Let’s start with a summary of Come From Away – this is a theatre show about a small town on the coast of Canada, that when disaster shook the world on September 11th 2001, offered accommodation to over 7,000 passengers whose flights had been diverted due to the American airspace being closed.
On the surface, you wouldn’t read the above summary of events and think ‘Let’s turn that cheery story into a musical’ but you simply have to believe me when I tell you that it just works.
Come From Away isn’t a story about disaster or tragedy (although both do feature heavily for obvious reasons) – it’s a story about community, hope and how when faced with the toughest of circumstances people are capable of extraordinary things.
The show opens in the unsuspecting town of Gander, Canada on the morning of 9/11. Gander was once home to the world’s largest airport, in a time gone by, when planes used to have to stop immediately after crossing the Atlantic.
This meant that Gander was the first place in North America that people such as The Beatles or even The Queen, ever landed. However, as we begin our story, Gander is now a small town with a population of about 11,000 and a derelict Airport, barely fit for purpose.
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These circumstances changed very quickly when at 8:46am on September 11th 2001, a terrorist attack was committed on the World Trade Centre, New York. With the US airspace immediately closed, with all airborne planes now suspected to be terrorist weapons, all flights crossing the Atlantic had to be diverted to the nearest Canadian airport… Gander.
Come From Away at The Lowry – a 9/11 musical full of heart and hope
This creates a scenario whereby within minutes a quiet unassuming town on the coast of Canada is expected to welcome over 7000 passengers from 38 different flights, without warning, without proper preparation and without any indication as to how long they’ll be staying.
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When this tale is brought to life, it’s one that will bring you to tears. I have never in my life cried so much at a musical, which I know might not sound like the most resounding endorsement but it’s truly meant to be. There were of course sad tears, heartbreaking tears and sorrowful tears but there were also tears of joy, tears of quiet happiness and tears of hope.
When you think of the horrific events of 9/11, your thoughts immediately turn to the epicentre, to New York. I’d never considered the wider implications of that day, how thousands of people flying must have had their lives turned upside down, how panicked loved ones all across the world must have been, how communities globally were affected and how a small town in a completely different country was called into action.
I don’t want to give too much away in regards to the actual characters within this story or how their journeys play out through what must of been an incredibly tough time, but what I will say is that the characters in this story, all of whom are directly based on real people (more on that later), are some of the most inspirational human beings I’ve ever come across.
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Come From Away is at The Lowry until 5 January
The show stars an extraordinary ensemble performance, with no leads or ‘main characters’, instead each of the twelve actors play a multitude of characters, whose stories inevitably intertwine with one and others.
The staging and choreography for this show are also fantastic, very minimalist with the set mainly being made up of just chairs and small props, leading the audience to use their imaginations to fill in blanks.
I sadly can’t guarantee this at every performance of Come From Away but at the curtain call the night we watched, the real residents of Gander from whom the story is based on, came onto stage and gave a speech about how ‘none of them are heroes but instead just people who decided to do the right thing’… Which inevitably led to more tears from me and an even deeper appreciation of the show.
I think this story is truly needed in the world we’re living in at the moment, with global tensions high, an economy that doesn’t favour most of us, and a lot of the world feeling more separated than ever before. This story, this beautiful, heartwarming and inspirational story shows us how even through the toughest of circumstances, we can work together for the betterment of everyone.
Please go and watch Come From Away. It’s one of the most beautiful stories I’ve seen brought to the stage and it deserves endless support from us Mancs whilst here in Salford.
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It’s running throughout the festive season till 5 January and I guarantee you’ll walk away from it feeling just that little bit more hopeful about the world we live in.
Manchester City Council green-light new venue at Medlock Square, with Mamma Mia! The Party to open the immersive space
Danny Jones
The smash-hit ‘Mamma Mia: The Party’ is set to land in Manchester next year as the maiden event of another brand-new space set to open as part of the upcoming Medlock Square development.
Etihad Campus has seen a lot of moving pieces over the past few years, be it the building of Co-op Live, the ongoing expansion of Man City’s home ground, the soon-to-launch hotel attached to the stadium and now Medlock.
But those in control of the land are content with stopping there; this looks to be just the start of a whole new evolution for the East Manchester area, with an as yet untitled new immersive arts, experience and events venue also set to join the new slate of projects.
You see another glimpse of the purpose-built mini arena, of sorts, down below.
With plans having now been approved by the City Council, the ‘immersive’ space will be situated between the Etihad, Co-op Live and Medlock Square itself, holding up to 600 guests per performance.
Currently set to open in late 2027, following the rest of the square’s launch window being fully rolled out, we still don’t know the name of this next addition, but the structure itself will dovetail with the surrounding buildings and areas as part of seasonal activations, live shows and sports screenings, as well as pop-ups, brand collaborations and more.
Looping back, the interactive, multimedia extravaganza that is ‘Mamma Mia! The Party’ will finally be making its Manc debut as part of the 10th anniversary of the all-singing, all-dancing and even all-dining in-demand production.
As per an official press release from the Medlock Square media team, the show will combine “live music, theatre, food and storytelling” and “offer visitors an unforgettable night out.”
The original UK production at The O2 in London has now surpassed more than 1,500 performances, with a total of 700k guests attending these shows in 110 countries across the globe. Safe to say it’s rather popular.
As for Medlock Square and the surrounding Etihad Campus, Manchester City supporters have also been given another look at the soon-to-open, immersive hotel tie-in experience.
With a skywalk, rooftop bar, a new MCFC shop and various other bits set to spill out onto Medlock Square, it all feels like a period of wholesale changes over in the blue half of the city – especially with the football club bidding farewell to their manager Pep Guardiola after more than a decade.
Following the new and improved North Stand being named after him in the first of many tributes, the City Football Group (CFG) are also set to commission a statue in his honour over the coming months.
Meanwhile, Medlock Square is also due to open later this year, although an official completion date has not been confirmed.
You can stay up to date with all the latest on Mamma Mia! The Part’s Manchester shows right HERE.
Not forgetting a brand-new women’s football facility, too, there is so much stuff going on over at the Etihad that it can be hard to keep track, but here’s the latest look at some of the rooms set to feature in the hotel of the same name.
Featured Images — Publicity pictures (CGIs via Medlock Square)
Theatre
Annie at Palace Theatre Manchester – a charming interpretation of an old classic | Review
Clementine Hall
For a musical built on nostalgia, this Annie that’s just arrived at the Palace Theatre in Manchester feels surprisingly lively – here’s our full review…
Annie is a show tied up with countless childhood memories. Whether you performed it in the school choir, watched the film starring Carol Burnett, or saw it on stage, we’ve all got our own memories of Annie since it first opened in 1977.
So to bring it to a modern theatre audience who no doubt feel some connection to the characters and score is no mean feat.
If you’ve seen any of the posters plastered around the city, you’ll see British drag queen ‘La Voix’ take centre stage as the slippery and gin-fuelled Miss Hannigan.
Images: Press shots (supplied)
This is obviously a strategic move to get bums on seats, and although La Voix is of course a ferocious and standout performer, the production is so much more than that.
They say never to work with children in showbiz, so leading a group of 10-year-old orphans in a snappy and perfectly choreographed rendition of‘It’s a Hard Knock Life’ is really a huge achievement in itself.
All the kids are wonderful, but Victoria Alsina, who plays the titular role, deserves particular credit. It’s a huge role for any actor, never mind a child, and she handles it with confidence, charm, and just the right amount of grit.
As expected, La Voix gets some of the biggest laughs of the night. Her Miss Hannigan leans heavily into the character’s chaos and bitterness, but never feels one-note. It’s a performance packed with quick-fire comedy, and the vocals are tight.
Images: Supplied
That said, Annie would be in trouble if it relied solely on stunt casting. Thankfully, it doesn’t.
The wider cast is consistently strong, the ensemble numbers are full of energy, and the costumes are nothing short of fabulous. The real challenge with Annie is making a story that’s approaching its 50th birthday feel fresh. This production doesn’t reinvent the wheel, but it doesn’t need to.
Instead, it focuses on delivering the songs people came for, giving the cast room to shine, and reminding audiences why the show has stuck around for so long.
La Voix might get people through the doors, but it’s the strength of the production as a whole that sends them home happy.
Oli Lowe -
9th December 2024 
