‘Please help’ – plea to save one of Manchester’s oldest theatres as beautiful building falls into disrepair
'We need to honour the important legacy of this renowned venue, still independent in the heart of Manchester, and not let another cultural institution be turned into flats.'
A fresh appeal and Crowdfunder has been launched to try and save one of Manchester’s oldest and most beautiful theatre buildings.
The Hulme Playhouse Theatre and the Nia Centre are at risk of closing down once again as both the list of repairs and the cost of living rise.
The venue, used now as a community hub and events space operated by NIAMOS, is in ‘desperate need of repair’ and they need to raise £50,000 for the urgent work.
Without it, it’s feared that the ‘cold and leaking’ building could be lost forever and ‘another cultural institution could be turned into flats’.
At present, the historic Grade II-listed building doesn’t have a heating system, and winter has brought new pressures.
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NIAMOS, a group of local residents and community volunteers, say they want to ‘honour the important legacy of this renowned venue’.
NIAMOS have launched a Crowdfunder for the Nia Centre and Playhouse Theatre. Credit: NIAMOS
The beautiful building in Hulme was first opened in 1902 and is one of only two remaining W. H. Broadhead theatres.
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At one time, Broadhead owned an empire of theatres, and designed the space to resemble a factory from the outside, hoping to help working class audiences in Manchester feel at home.
In 1956, the BBC took over and turned it into BBC Soundstage North, where The Beatles’ first-ever live radio performance was broadcast from.
Then the legendary Nina Simone opened it theas The Nia Centre in 1991, becoming the first African and Caribbean-led theatre in Europe.
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The space is used for community events. Credit: NIAMOS
The cultural significance of this building really can’t be overstated, and the NIAMOS team are desperate to save it.
They said in their Crowdfunder: “Our mission is to preserve the heritage of the Nia Centre and Playhouse Theatre, by keeping the building and the Arts it facilitates accessible to all communities, all ages and capabilities.”
NIAMOS’ message continued: “We need help to be able to keep all the incredible projects that happen in the building going and make sure the space stays open as a hub for the Hulme community and beyond! We need to honour the important legacy of this renowned venue, still independent in the heart of Manchester, and not let another cultural institution be turned into flats.
“We want to make sure the building stays open as much as possible over winter and improve the equipment that local and young artists have access to through us, including music production, sound and lighting engineering, arts workshops, film and media production and acting classes.
“The building is in desperate need of repair and a heating system which we currently do not have at all! Alongside all of this, the running costs of the building and the rising cost of living mean we are under pressure this winter.
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“We rely on volunteer support to run and host events for our community and our voluntary members have worked extremely hard to keep the building afloat, but our members cannot give as much of their time as we need and with the challenge of a cold and leaking building we are in need of help to save this space from closing down!!
“When the current directorship took over the running of the building they also took on significant debts, this has meant we have been two steps forward and one step back. Despite all the hard work of the people who have been running the space voluntarily we need help over the quieter winter months.
Credit: NIAMOS
“We need to stay open long enough to apply for further funding bids, including long term support from the Heritage Lottery fund, as we are a grade II listed building. We have an amazing programme of events and projects we want to put on this year that will build on sustaining us financially and provide opportunities for community artists and creatives.
“Keeping this building open and functional is of great importance for Hulme and the surrounding areas communities; we need your help! Developing heating solutions and doing necessary repairs in the building will enable us to stay open during the colder months and help us with our aim of making the building more conscious and sustainable.
Manchester City Council green-light new venue at Medlock Square, with Mamma Mia! The Party to open the immersive space
Danny Jones
The smash-hit ‘Mamma Mia: The Party’ is set to land in Manchester next year as the maiden event of another brand-new space set to open as part of the upcoming Medlock Square development.
Etihad Campus has seen a lot of moving pieces over the past few years, be it the building of Co-op Live, the ongoing expansion of Man City’s home ground, the soon-to-launch hotel attached to the stadium and now Medlock.
But those in control of the land are content with stopping there; this looks to be just the start of a whole new evolution for the East Manchester area, with an as yet untitled new immersive arts, experience and events venue also set to join the new slate of projects.
You see another glimpse of the purpose-built mini arena, of sorts, down below.
With plans having now been approved by the City Council, the ‘immersive’ space will be situated between the Etihad, Co-op Live and Medlock Square itself, holding up to 600 guests per performance.
Currently set to open in late 2027, following the rest of the square’s launch window being fully rolled out, we still don’t know the name of this next addition, but the structure itself will dovetail with the surrounding buildings and areas as part of seasonal activations, live shows and sports screenings, as well as pop-ups, brand collaborations and more.
Looping back, the interactive, multimedia extravaganza that is ‘Mamma Mia! The Party’ will finally be making its Manc debut as part of the 10th anniversary of the all-singing, all-dancing and even all-dining in-demand production.
As per an official press release from the Medlock Square media team, the show will combine “live music, theatre, food and storytelling” and “offer visitors an unforgettable night out.”
The original UK production at The O2 in London has now surpassed more than 1,500 performances, with a total of 700k guests attending these shows in 110 countries across the globe. Safe to say it’s rather popular.
As for Medlock Square and the surrounding Etihad Campus, Manchester City supporters have also been given another look at the soon-to-open, immersive hotel tie-in experience.
With a skywalk, rooftop bar, a new MCFC shop and various other bits set to spill out onto Medlock Square, it all feels like a period of wholesale changes over in the blue half of the city – especially with the football club bidding farewell to their manager Pep Guardiola after more than a decade.
Following the new and improved North Stand being named after him in the first of many tributes, the City Football Group (CFG) are also set to commission a statue in his honour over the coming months.
Meanwhile, Medlock Square is also due to open later this year, although an official completion date has not been confirmed.
You can stay up to date with all the latest on Mamma Mia! The Part’s Manchester shows right HERE.
Not forgetting a brand-new women’s football facility, too, there is so much stuff going on over at the Etihad that it can be hard to keep track, but here’s the latest look at some of the rooms set to feature in the hotel of the same name.
Featured Images — Publicity pictures (CGIs via Medlock Square)
Theatre
Annie at Palace Theatre Manchester – a charming interpretation of an old classic | Review
Clementine Hall
For a musical built on nostalgia, this Annie that’s just arrived at the Palace Theatre in Manchester feels surprisingly lively – here’s our full review…
Annie is a show tied up with countless childhood memories. Whether you performed it in the school choir, watched the film starring Carol Burnett, or saw it on stage, we’ve all got our own memories of Annie since it first opened in 1977.
So to bring it to a modern theatre audience who no doubt feel some connection to the characters and score is no mean feat.
If you’ve seen any of the posters plastered around the city, you’ll see British drag queen ‘La Voix’ take centre stage as the slippery and gin-fuelled Miss Hannigan.
Images: Press shots (supplied)
This is obviously a strategic move to get bums on seats, and although La Voix is of course a ferocious and standout performer, the production is so much more than that.
They say never to work with children in showbiz, so leading a group of 10-year-old orphans in a snappy and perfectly choreographed rendition of‘It’s a Hard Knock Life’ is really a huge achievement in itself.
All the kids are wonderful, but Victoria Alsina, who plays the titular role, deserves particular credit. It’s a huge role for any actor, never mind a child, and she handles it with confidence, charm, and just the right amount of grit.
As expected, La Voix gets some of the biggest laughs of the night. Her Miss Hannigan leans heavily into the character’s chaos and bitterness, but never feels one-note. It’s a performance packed with quick-fire comedy, and the vocals are tight.
Images: Supplied
That said, Annie would be in trouble if it relied solely on stunt casting. Thankfully, it doesn’t.
The wider cast is consistently strong, the ensemble numbers are full of energy, and the costumes are nothing short of fabulous. The real challenge with Annie is making a story that’s approaching its 50th birthday feel fresh. This production doesn’t reinvent the wheel, but it doesn’t need to.
Instead, it focuses on delivering the songs people came for, giving the cast room to shine, and reminding audiences why the show has stuck around for so long.
La Voix might get people through the doors, but it’s the strength of the production as a whole that sends them home happy.
Daisy Jackson -
27th January 2023 
