‘Please help’ – plea to save one of Manchester’s oldest theatres as beautiful building falls into disrepair
'We need to honour the important legacy of this renowned venue, still independent in the heart of Manchester, and not let another cultural institution be turned into flats.'
A fresh appeal and Crowdfunder has been launched to try and save one of Manchester’s oldest and most beautiful theatre buildings.
The Hulme Playhouse Theatre and the Nia Centre are at risk of closing down once again as both the list of repairs and the cost of living rise.
The venue, used now as a community hub and events space operated by NIAMOS, is in ‘desperate need of repair’ and they need to raise £50,000 for the urgent work.
Without it, it’s feared that the ‘cold and leaking’ building could be lost forever and ‘another cultural institution could be turned into flats’.
At present, the historic Grade II-listed building doesn’t have a heating system, and winter has brought new pressures.
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NIAMOS, a group of local residents and community volunteers, say they want to ‘honour the important legacy of this renowned venue’.
NIAMOS have launched a Crowdfunder for the Nia Centre and Playhouse Theatre. Credit: NIAMOS
The beautiful building in Hulme was first opened in 1902 and is one of only two remaining W. H. Broadhead theatres.
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At one time, Broadhead owned an empire of theatres, and designed the space to resemble a factory from the outside, hoping to help working class audiences in Manchester feel at home.
In 1956, the BBC took over and turned it into BBC Soundstage North, where The Beatles’ first-ever live radio performance was broadcast from.
Then the legendary Nina Simone opened it theas The Nia Centre in 1991, becoming the first African and Caribbean-led theatre in Europe.
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The space is used for community events. Credit: NIAMOS
The cultural significance of this building really can’t be overstated, and the NIAMOS team are desperate to save it.
They said in their Crowdfunder: “Our mission is to preserve the heritage of the Nia Centre and Playhouse Theatre, by keeping the building and the Arts it facilitates accessible to all communities, all ages and capabilities.”
NIAMOS’ message continued: “We need help to be able to keep all the incredible projects that happen in the building going and make sure the space stays open as a hub for the Hulme community and beyond! We need to honour the important legacy of this renowned venue, still independent in the heart of Manchester, and not let another cultural institution be turned into flats.
“We want to make sure the building stays open as much as possible over winter and improve the equipment that local and young artists have access to through us, including music production, sound and lighting engineering, arts workshops, film and media production and acting classes.
“The building is in desperate need of repair and a heating system which we currently do not have at all! Alongside all of this, the running costs of the building and the rising cost of living mean we are under pressure this winter.
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“We rely on volunteer support to run and host events for our community and our voluntary members have worked extremely hard to keep the building afloat, but our members cannot give as much of their time as we need and with the challenge of a cold and leaking building we are in need of help to save this space from closing down!!
“When the current directorship took over the running of the building they also took on significant debts, this has meant we have been two steps forward and one step back. Despite all the hard work of the people who have been running the space voluntarily we need help over the quieter winter months.
Credit: NIAMOS
“We need to stay open long enough to apply for further funding bids, including long term support from the Heritage Lottery fund, as we are a grade II listed building. We have an amazing programme of events and projects we want to put on this year that will build on sustaining us financially and provide opportunities for community artists and creatives.
“Keeping this building open and functional is of great importance for Hulme and the surrounding areas communities; we need your help! Developing heating solutions and doing necessary repairs in the building will enable us to stay open during the colder months and help us with our aim of making the building more conscious and sustainable.
Matilda The Musical at Palace Theatre Manchester – a lesson in letting your imagination run wild | Review
Emily Sergeant
I think growing up is overrated. I’m just going to start off by saying that, okay? Right… now onto the actual review.
Matilda The Musical has finally arrived in Manchester, and it’s every bit as imaginative as the title character herself.
The Royal Shakespeare Company’s smash-hit musical production – which is, of course, based on Roald Dahl’s beloved book of the same name – has been seen by more than 12 million people in over 100 cities around the world since it first debuted back in 2010, and it continues to play to packed houses in London’s West End and on Broadway each week… but now, it’s Manchester’s turn.
The critically-acclaimed musical is currently out on a tour of the UK and Ireland, and has just arrived for a special four-week run here at Manchester’s iconic Palace Theatre.
Touring to celebrate its 15-year anniversary, the multi-award winning musical about a determined young heroine with a vivid imagination is written by Dennis Kelly, and developed and directed by Matthew Warchus, with music and lyrics by comedian Tim Minchin.
Matilda The Musical is now on stage at Manchester Palace Theatre / Credit: Publicity Picture (Supplied)
Despite being a fan of musical theatre, and even of the production’s popular soundtrack prior, Matilda The Musical was one I was yet to experience live on stage before last night.
Understandably because of this, it was one I was therefore really anticipating watching – and 15 years on, it’s truly not hard to see why it’s so beloved by so many.
Manchester audiences who gathered inside the storied walls of the Palace Theatre on opening night last night (26 March) were enchanted from the moment the colourful, eclectic stage lit up and the sets came to life, immersing you in the world right from the get-go.
It’s a production every bit as imaginative as the main character herself / Credit: Publicity Picture (Supplied)
Now, it would be fair to say that so much could go wrong in this production, given how many moving parts are involved in the stage design and choreography, but it’s a complete credit to every single member of the company that not once, as an audience member, did you ever feel anything would go wrong – that’s how technically impressive the staging was.
Those technical elements barely scratch the surface of just how much this show grabs you by the heart and makes you cling onto the magic of childlike imagination, though. This is where it really shines.
Through well-known songs like ‘Naughty’, ‘Revolting Children’, ‘When I Grow Up’, and ‘Quiet’, you are left feeling in awe of the incredibly (almost unbelievably, to be honest) talented ensemble cast of young performers on stage before you.
Led last night by Mollie Hutton as Matilda, who brought her own charm and cheekiness to the iconic role, each youngster really is living proof that ‘even if you’re little, you can do a lot’.
It’s now on stage in Manchester up until Saturday 25 April / Credit: The Manc Group
Tessa Kalder as Miss Honey, Richard Hurst as Miss Trunchbull, and Esther Niles as Mrs Phelps were all stand-out performances too, as were Adam Stafford and Rebecca Thornhill as Matilda’s parents, Mr and Mrs Wormwood.
It’s a show full of humour, eccentric characters, and captivating sets… and it’s well worth your time, whether a theatre-lover or not.
The beaming smiles from the cast at the end during the curtain call say it all.
Matilda The Musical is now playing at Manchester Palace Theatre until Saturday 25 April 2026, and you can get last-minute tickets online here.
Featured Image – Publicity Picture (Supplied)
Theatre
Oasis are back…in surreal new Britpop comedy ‘The Battle’ at the Opera House Manchester
Clementine Hall
The greatest pop rivalry of all time has been turned into a quick-witted, razor-sharp comedy.
And do you know what? It’s a proper laugh.
Oasis vs Blur, north vs south… it really is a tale as old as time, and one that symbolised a divided nation back in 1995.
This new play, written by past record industry bod John Niven, explores the testosterone-fuelled tantrums that came after the decision to release Blur’s Country House singlealongside Oasis’ Roll With It.
Image: Supplied (Helen Murray)
We’re plunged into backstage Britpop bickering right at the very start at none other than the Brit Awards, which is quite apt for a Manchester audience who have just witnessed the city hosting the awards for the first time.
From the offset, Paddy Stafford and George Usher who played Noel and Liam Gallagher, proved themselves as standout performances.
The physical mannerisms, the vocal nuances, they both had it down to an absolute T and looked exceptional in parkas, might I add.
Images: Supplied (Helen Murray)
By portraying such icons, in Manchester no less, you’re opening yourself up to a lot of criticism but their performances, which could’ve been perceived as awkward impressions, were the highlight of the evening.
The first act explores the rivalry between the two bands in depth, featuring countless slinging matches that are peppered with quick-witted remarks and plenty of swearing.
The between-scenes animations by John O’Connor portray radio DJs stoking the hysteria with the latest gossip, which is a nice way to keep the audience in check with whats going on amidst the chaos.
Image: Supplied (Helen Murray)
But it’s in the second act when things start to get really, really weird – and equally as fun.
I’m not going to spoil it for you, because that’s the whole point.
But what I will say is if you’re going for an Oasis singalong then you’re not going to get it, but you may want to brush up on your Take That lyrics.
The Battle is on at the Opera House Manchester until Saturday 21 March and you can get your tickets here.
Daisy Jackson -
27th January 2023 
