Securing a slot for a coronavirus (COVID-19) test is no easy task.
According to the latest government figures released last week, around 220,000 tests are processed each day, with a testing capacity of more than 350,000 – which includes swab tests and antibody tests – and the aim is to increase that to 500,000 a day by the end of October.
This isn’t quite the case at the moment though however.
An increase in demand for tests over the past few weeks has led to local shortages – particularly in Greater Manchester – with some people being directed to test sites hundreds of miles from their homes.
Addressing the situation in the House of Commons, Health Secretary Matt Hancock said that the system is facing an “enormous challenge” after a “sharp rise” in those seeking a test. He admitted that there were a number of current “operational challenges” with the testing process, which the government was “working hard” to fix.
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He continued: “I don’t deny that it is an enormous challenge and when you have a free service it’s inevitable that demand rises.
“The challenge is to make sure that we prioritise the tests we have as a nation to those who most need it.”
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Here at The Manc, we always want to hear the viewpoints and experiences of our audience.
After observing the ongoing nationwide conversation around the difficulty many are experiencing in securing slots for coronavirus (COVID-19) tests, we were keen to take a more regional look and find out how Greater Manchester residents have found the process, so we took to Twitter this morning to ask: Has anyone in Greater Manchester struggled to get a coronavirus test?
How’s the process been in general?
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Has anyone in Greater Manchester struggled to get a Coronavirus test? How's the process been in general?
In response to our question, we received a range of responses from residents across the region detailing their own personal experiences, particularly with relation to the online booking system and how easy it is to use, booking tests over the phone, the range of slots available and of course, the location of testing centres.
Overall, the responses were mixed, although it is fair to say that the majority did seem to indicate some level of dissatisfaction with the process.
While it is hard to disguise the dissatisfaction expressed by many, it’s not all doom and gloom as we did receive a few replies reporting positive experiences with the booking system.
Heywood has a walk in centre set up. Got booked in for the following day very easily. However, that was about 3 weeks ago so don’t know if it’s still the case.
Interested in checking out the rest of the responses?
Keen to have your say?
We unfortunately were not able to include every reply to our question in this article, but there’s still time to chip in, so make sure you head on over to @TheMancUK to read the other responses, leave your thoughts and discuss with other Mancunians in the same or different positions to you.
For the latest information, guidance and support during the coronavirus (COVID-19) pandemic in the UK, please do refer to official sources at gov.uk/coronavirus.
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The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Microdot exhibit for BRITs 2026: the artwork of Oasis, Verve and more up in Manchester Piccadilly
Danny Jones
If you’ve passed through Manchester Piccadilly of late, you might have noticed two things: one, it’s really quiet, and two, there’s loads of cool Britpop merch and memorabilia on display, including original Oasis, The Verve, Inspiral Carpets art and more – all courtesy of Microdot.
Set up as part of the city’s own BRITs celebrations, along with a raft of other nationwide festivities, as the annual music award ceremony prepares to make its Manc debut at the Co-op Live this month, the showcase features special edition frames and more, all pride of place in the middle of the train station.
This collection, simply entitled ‘A Microdot Design’, is all done by the legendary Brian Cannon, the graphic designer and art director behind so much recognisable visual material within the genre.
We recently had the honour of speaking to the man himself in person ahead of Piccadilly’s temporary closure; you can see our interview with him right here:
The Wigan-born artist and visionary didn’t just make promotional materials for some of the biggest bands in the 1990s; he’s responsible for what has gone on to become some of the most familiar iconography in British music history.
With this pop-up exhibit available for a limited time only, we strongly urge you to go along and, for once, take your time rather than rushing around the station as you peruse the boards placed right near the main entrance.
Charting his work from circa 1990 up until now, it’s crazy to see just how many of Brian and Microdot’s fingerprints are all over so many different bands and artists.
From native names like Oasis, The Verve and the Inspirals, as mentioned, as well as the likes of Cast, Super Furry Animals, Suede and Ash, plus so many more, this guy has been nothing short of prolific over the past few decades.
Audio North took a little tour of the King Street South unit last year in the lead-up to Oasis Live ’25 reunion world tour, and we felt like kids in a Britpop sweetshop.
While this site has sadly since closed, shutting up shop back in July, Brian’s mini, modest, but nevertheless magic Microdot Boutique up in the Lake District is still standing.
Located in the popular North West town and tourist attraction, Kendal, it’s worth a trip there to see more of his portfolio alone.
Currently on display at Manchester Piccadilly ahead of the full 2026 BRITs Week and shindig at Co-op Live, it’s one of the best completely free things you can do in town at the moment – but the exhibition finishes on Sunday, 1 March, so make sure you don’t miss it.
Speaking of the BRIT Awards, if you’re wondering what else is on as 0161 gets ready welcome them for their two-year stint (at least), look no further…