Happy Mondays star Bez has tied the knot with his long-term girlfriend Firouzeh Razavi, with a wedding ceremony that saw him dancing down the aisle.
The Salfordian dancer, real name Mark Berry, wore a huge white hat and a white suit, and arrived at the venue sitting on a green leather armchair perched atop a horse-drawn trailer.
Sharing a handful of photos from the happy day, Celebrity Gogglebox star Bez wrote: “It’s official, Frou and I finally tied the knot.
“This is how I arrived, in style, with my horse drawn friends sat on 2 comfortable armchairs, with my best man Johnny to make an honest woman of now, Firouzeh Berry.”
His new bride Firouzeh, a singer and songwriter, also shared a photo from her wedding to Bez, writing: “Wow! I just cannot believe a week has passed since we exchanged our vows of marriage. Time really does fly when you’re having fun.”
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Fans were given another glimpse into the big day thanks to the Happy Mondays Twitter account, which shared a video from the ceremony.
The assembled guests can be heard singing along to Give Me Joy in My Heart (Sing Hosanna) while Bez busts out some of his signature dance moves.
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Rowetta, also of Happy Mondays fame, shared photos of herself with Bez’s mum as well as a series of photos of the ‘beautiful couple, families & friends’.
So it’s been brilliant for Happy Mondays fans to see the group celebrating happier times together.
Congratulations Bez and Firouzeh!
Featured image: Twitter, @happymondays / Instagram @bezmondays
TV & Showbiz
Swordplay and rock ‘n’ roll: A Knight’s Tale comes to Manchester Opera House
Danny Jones
From the moment the curtain rises at Manchester Opera House, A Knight’s Tale bursts into life with exhilarating energy. This stage adaptation of the beloved 2001 film expertly blends medieval spectacle with a bold, modern twist.
Full of jousting tournaments, noble quests, and underdog triumphs, the production delivers both heart and high drama – all with a heady dose of rock ‘n’ roll.
At the centre of it all is William Thatcher, a young squire who dares to defy his lowly birth and enter the world of high-born knights. Played with charm and confidence by Andrew Coshan, William’s journey from peasant to jousting champion is rousing, if occasionally veering into heroic cliché.
Still, Coshan’s likability and natural charisma keep the audience cheering for him through every lance charge and dramatic monologue. The supporting cast also shines.
A standout is Eva Scott, whose comic timing and delivery consistently land laughs, often stealing scenes with her sharp one-liners.
Meanwhile, Meesha Turner brings elegance and spark to the role of Princess Jocelyn. Her powerful vocals during the show’s pop-classic ballads transform the character into a fiery, modern princess you can’t help but root for.
The production’s standout sequences are undoubtedly the jousts, theatrical set pieces that are an absolute masterclass in stagecraft. Using a clever combination of rigging, physical choreography, and dynamic sound design, the creative team conjures a truly immersive atmosphere.
Dramatic lighting and resonant sound effects make you feel the thud of hooves and the crash of lances. The cleverly designed set, featuring an arena-style jousting field, draws the audience into the action in a way that feels fresh and cinematic.
However, the show stumbles slightly in its quieter, more emotional scenes. The dialogue, while laced with humour, sometimes dips into melodrama. The villain, Count Adhemar, feels a touch underwritten, with motivations that don’t quite match the emotional weight the story strives for, but is still well-acted.
Don’t just take it from us: the A Knight’s Tale reviews from Manchester crowds are already very strong.
The stakes between him and William never fully build to the payoff they could – leaving certain dramatic beats a little flat. Musically, the show makes a bold departure from traditional scores. Instead, it leans into a soundtrack of classic rock anthems; think Queen, AC/DC, The Who and more.
At first, it seems like an odd match for a medieval tale, just as it did with the movie, but it works brilliantly. The music injects the show with rebellious energy and gives it a timeless quality. It’s loud, bold, and exactly what this high-octane tale of ambition and identity calls for.
A special mention must go to the ensemble and choreography. The jousting scenes are beautifully choreographed, blending acrobatics, dance, and swordplay with seamless precision. Even in quieter moments, the movement on stage supports the storytelling with subtle grace.
But the unexpected stars of the show? The horses. Designed with clever costume and movement illusions, they create the convincing effect of riders in full gallop – and at times, they very nearly steal the spotlight altogether.
Credit: Supplied
Though clearly aimed at adult audiences, with its cheeky humour and classic rock soundtrack, the show flirts with the spirit of panto, oversized characters, regional accents, and exaggerated physical comedy. And it works.
The regional dialects add warmth and levity, grounding the fantasy in a cheeky, very British sensibility. In the end, A Knight’s Tale is a triumphant and entertaining spectacle, an electrifying mix of medieval mythology and modern musical theatre.
Whether you’re a die-hard fan of the original film or seeing the story for the first time, this production offers a fun, fast-paced, and surprisingly heartfelt night out. It’s not perfect, but it’s hard not to be swept up in the clashing swords, galloping hooves, and power chords.
Put simply, this is a knight to remember – with a soundtrack that slays.
Eurovision 2025 final to be screened live in cinemas across Greater Manchester
Emily Sergeant
The grand final of the Eurovision Song Contest is to be screened live in cinemas across Greater Manchester next month.
Following the success of the previous two years, initially starting back when the internationally renowned televised event was held on British soil in Liverpool in 2023, cinemas up and down the UK are, once again, set to come together to celebrate 2025’s edition of the major night in the music calendar by hosting the ultimate viewing events.
The epic Eurovision Song Contest Grand Final on Saturday 17 May will be broadcast live on BBC One, and streamed into more than 100 cinemas nationwide – including several in Greater Manchester.
Distributed by CinemaLive, the live stream events will allow Eurovision fans to gather under one roof and share in the unbeatable experience of celebrating the brightest and boldest music party of the year on the big screen.
The Eurovision 2025 final will be screened live in cinemas across Greater Manchester / Credit: CinemaLive | Krists Luhaers (via Unsplash)
You may remember that Switzerland is hosting Eurovision this year, following the nation’s well-deserved victory at the 2024 contest with the song ‘The Code’ performed by Nemo.
But thanks to these live stream events, you won’t need to make the trip to Basel to get in on the action, as you’ll just need to nip down to your nearest participating cinema instead.
Not only will the long-awaited final of the show be streamed live onto the big screen in 5.1 surround sound, but fans are invited to bring their Eurovision parties from the front room to the cinema instead, as organisers say fancy dress is ‘heavily encouraged’, as are enthusiastic sing-alongs too.
Speaking ahead of the event next month, John Travers from distributors CinemaLive, said: “We’re delighted to be working with the BBC to bring Eurovision’s grand final live into cinemas across the UK for the third year in a row.
“There’s simply no better way to enjoy the biggest night in music than in a cinema.”
Tickets are now live and available to book at your local cinema here.
Some of the participating Greater Manchester cinemas include Vue Manchester Printworks, Everymans in Manchester city centre and Altrincham, The Light in Stockport, and Cineworld in Didsbury, among others.
Daisy Jackson -
12th September 2022 
