The official opening date of Manchester‘s New York-inspired ‘sky park’ at Castlefield Viaduct has now finally been confirmed.
After the National Trust announced its ambitious vision to create an urban green space in the heart of the city centre by tackling the challenge of “greening” the Grade II-listed Castlefield Viaduct and celebrate the history of this well-known landmark, it has now been revealed that visitors will be able to enjoy the park from next weekend.
Construction company MC Construction, Twelve Architects, and four local partners have been working with gardening specialists and apprentices at the National Trust to create the new park – with thousands of plants, shrubs, and trees having been planted over the past five months.
Now, less than half a year after work began to transform the giant 330-metre steel viaduct into an elevated park, the finishing touches are being made.
The temporary urban park at Castlefield Viaduct will open to the public on Saturday 30 July.
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Artist impression images of what Castlefield Viaduct will look like once it opens to the public in summer 2022 / Credit: Twelve Architects & MC Construction (via National Trust)
The park will be or the next 12 months, with green spaces stretching across the elevation, and during this time, visitors will have the opportunity to explore part of the structure and find out more about the viaduct’s heritage, the city’s long relationship with plants and trees, and learn urban gardening tips.
You’ll also get to experience a variety of planting displays as you walk along the viaduct while enjoying the elevated setting above the historic cobbled streets, according to the National Trust, and see the park “develop, evolve, and respond” with the changing seasons.
The plans for Castlefield Viaduct are part of the National Trust’s work to “increase access” for everyone to nature, history and beauty in, around, and near urban areas.
The Castlefield Viaduct dates back to 1892 and was built by Heenan and Froude – the same engineers who worked on Blackpool Tower – but the site closed in the late 1960s, and before the National Trust took over and began to add over 3,000 plants, shrubs, trees, and more, it had sadly been left derelict.
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Castlefield Viaduct before work began to transform the derelict site / Credit: National TrustPlanting underway on Castlefield Viaduct / Credit: Annapurna Mellor (via National Trust)
The industrial heritage of Castlefield has been reflected through all elements of the design of the park.
The National Trust says the design of the planters at the new park gives “a subtle nod” to the industrial architecture of the viaduct, and mirrors the curve of the railway tracks that once transported goods across the structure to the Great Northern Warehouse.
A section of the viaduct has also been left untouched to “provide a sense of how nature has reclaimed the space” since the site closed.
Speaking ahead of the park officially opening to the public next Saturday, Andy Jasper – National Head of Gardens & Parklands at the National Trust – said: “Creating a garden on an industrial heritage structure such as this is new territory for us and we have created a test bed that represents how the park in the sky might be, if the people of Manchester want it.
“With more than 3,000 individual plants planted in completely peat free growing media over the past couple of months, we’ve been literally trialling new planting techniques as we go – working with limited growing depths and thinking about how these plants will deal with the more challenging conditions of being 17 metres in the air.
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“I cannot wait to see what people say, and I am intrigued to see how the plant life will take in its new surroundings.”
A green oasis from industrial foundations, new life is being breathed into Castlefield viaduct: https://t.co/Eu9xBfIBuO
Once carrying heavy traffic into the heart of Manchester, it’s now set to be transformed into an elevated park that celebrates the city’s heritage. pic.twitter.com/ftjYraNaa4
Duncan Laird – Head of Urban Places at the National Trust – added: “This has been an intensely busy few months as we prepared to open the doors of the pilot project, and we are incredibly excited to finally be able to open this space for people to visit for the first time in over 50 years.
“As the trees and plants start to bed in and grow it will slowly begin to match the vision for this space, and we will be keenly listening to visitor feedback that we will use to shape the ongoing evolution of the viaduct.
“We’re at the start of the journey – not the end.”
100 people a day will be able to visit the Castlefield Viaduct from Saturday 30 July.
Entry onto the structure will be free, but a booking system will be in place to help manage numbers, and as part of the experience, visitors will be able to join guided walks – with plans to host various community events, workshops, and consultations in the pipeline.
Featured Image – Howard Bristol (via National Trust)
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‘Hefty’ Foo Fighters ticket prices for surprise Manchester gig divide opinion
Danny Jones
Foo Fighters fans, gig-goers and all-round music lovers in general have been left up in arms after the legendary American rock band announced some surprise shows in the UK and Ireland – including here in Manchester – as ticket prices have labelled ‘shameful’ by some.
In case you missed the news that sent us here in Manchester and all over the nation into bedlam, Foo Fighters recently revealed they would be playing just a handful of shows up and down the country, all at smaller venues than their usual arena tour dates.
Sharing the news fairly last-minute over the weekend, with tickets going on sale this past Sunday and (shock) selling out almost immediately, many have taken issue with the band’s and/or promoters’ approach to the event.
While lots have revelled in the excitement of a show scheduled for this week being dropped on our laps in the eleventh hour, lots of others feel the price point for the tickets is ‘ridiculous’.
Although they’re not quite on the level of the controversial Oasis/Harry Styles sagas, at £99 including all fees, they’re still up there with the most expensive gig tickets venues like these will ever charge.
Most poignantly, the tickets were sold strictly in person via the box office, with fans queuing up outside a trio of venues.
Taking place at the O2 Ritz, which has a capacity of roughly 1,500, the Foo Fighters’ Manchester date is not only one of the most in-demand gigs, but also promises to be one of their sweatiest – and, apparently, most divisive.
For some, this is a very cool bit of marketing and at least an attempt to curb online ticket touts, plus helping support live music spaces directly; on the other hand, the significant fee remains a sticking point they refuse to move past.
Responding in the comments underneath the post by the Ritz, one person wrote: “That ticket price is f****** disgusting. It’s not costing them f*** all to play there, if Harry Styles can play the Co-op Live for £20 then they should”; another simply added, “99 quid is wild, do better.”
Safe to say it has split opinions across the board.
i really want to know who is paying £100 to see foo fighters at o2 academy ritz and what they do for work to justify that
Big fan of the foo fighters but having only in person tickets and then still charging £100 is a joke. Then to move other bands earlier to slot them in isn’t fair
As you can see, it’s also affected other acts set to play these same rooms this month, too.
Others have also doubted whether the ‘face value exchange’ tactic really works all that much, as a few people on social media reported having already found a number of tickets being listed on resale on certain platforms.
What do you make of artists charging these kinds of prices for exclusive one-off shows like this, or the cost of gig tickets in general these days?
Better yet, did any of you succeed in grabbing tickets to see Foo Fighters at the Ritz here in Manchester this Friday, 27 February?
Featured Images — Audio North/Publicity picture (via Foo Fighters/O2 Ritz)
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Manchester Sinners actress Wunmi Mosaku scoops BAFTA alongside other ‘surprise’ northern winners
Emily Sergeant
Manchester-raised actress Wunmi Mosaku was one of the well-deserved winners at the 2026 BAFTA Film Awards last night.
Born in the Nigerian city of Zaria to Yoruba parents, Oluwunmi Olapeju Mosaku – known professionally as Wunmi Mosaku – moved to England when she was just a year old, and settled in the Manchester community of Hulme, going on to be educated at Trinity Church of England High School and Xaverian Sixth Form College, before heading off to the Royal Academy of Dramatic Art (RADA) in London to study acting.
The 39-year-old has been a celebrated actor of the screen for nearly 20 years this year, with some of her most notable roles being in TV series like Vera, Luther, and Lovecraft Country, as well as being a member of the Marvel Cinematic Universe (MCU).
But it was for her role as Annie Ryan Coogler’s 2025 hit horror film Sinners that has truly become one of her breakout roles – a role she won the Best Supporting Actress award for at last night’s BAFTAs.
Wunmi was already a BAFTA TV Award winner or her role as Gloria Taylor in the 2016 TV film Damilola, Our Loved Boy, but this was her first win on the Film side, and it was a win that has turned the Best Supporting Actress ‘Oscar race’ into one of the more up-in-the-air categories this Awards Season.
Taking to the stage to accept the award, Wunmi thanked her family, her fellow nominees and co-stars, director, and wider team, as well as explaining what the role of Annie meant to her.
“I found a part of myself in Annie,” she said in her speech. “A part of my hopes, my ancestral power, and connection, parts I thought I had lost or tried to dim as an immigrant trying to fit in. Through her, I deepened my belief in my potential, my capacity to love and hope in the darkest moments of grief.”
Wunmi’s win wasn’t considered the only ‘surprise’ win of the night in the major acting categories either – nor was it the only major win for a northern actor – as the Best Actor in a Leading Role award went to Hull-born actor Robert Aramayo for his role in the 2025 biographical drama film, I Swear, based on the true life story of John Davidson – a Scottish man with severe Tourette’s syndrome, and follows his life at a time when his condition was barely identifiable.
Robert’s win was considered so ‘surprising’ by many given the fact he is not nominated for any of the other major televised award ceremonies this year – including the Oscars – with the two main frontrunners of the season being heavy-hitters being Timothée Chalamet and Leonardo Dicaprio.
Aramayo also took home the EE Rising Star Award, which is voted on for by the British public.
Sean Penn was another shock – but again, well-deserved – winner of the night, taking home Best Supporting Actor for One Battle After Another, with his win being similar to Wunmi’s in that he is the third winner of the Best Supporting Actor category so far this season.
Elsewhere in the ceremony, some of the other big winners of the night were One Battle After Another, which scooped Best Film, Best Adapted Screenplay, and Best Director for Paul Thomas Anderson, among others, while Hamnet took Best British Film, and the film’s lead Jessie Buckley won Best Actress in Leading Role – with the latter being, arguably, the only expected and predicted acting win of the night.
Emily Sergeant -
22nd July 2022 
