Glastonbury has drawn to a close for another year.
As thousands of festivalgoers woke up bleary-eyed today after three days of eclectic shows, and with the usual massive clean-up operation now underway down at Worthy Farm, viewers and critics have been reflecting back on what was another successful year for the UK’s – and probably the world’s – biggest music event.
And by the looks of things, it seems one local star has stolen the show.
We are, of course, talking about none other than Rick Astley – who is now no longer a self-professed “Glastonbury virgin” after taking to the world famous Pyramid Stage on Saturday for one of the festival’s most talked-about sets.
It may have been 36 years since the iconic singer-songwriter from Newton-le-Willows first shot to fame with his massively-popular 1987 hit song ‘Never Gonna Give You Up’, but Rick Astley is arguably a more prominent force in popular culture now than he ever has been before.
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Over the past couple of years, the 57-year-old has been amassing new fans left, right, and centre, and has even claimed the strongest run of album chart positions of his entire career.
Fans will know that Astley had already teamed up with Blossoms to perform a selection of their favourite The Smiths songs back in 2021, and it went down so well the first time, that the Stockport indie rockers decided to bring Astley up on stage with them again for a surprise set to entertain the Glastonbury masses with some of the iconic Manchester band’s most well-known songs.
Taking over from Morrissey on vocals, Rick belted out some of the classics from The Smiths’ back catalogue – including ‘This Charming Man’, ‘Heaven Knows I’m Miserable Now’, and ‘Please, Please, Please, Let Me Get What I Want’ – with the Stockport lads doing a brilliant job of providing the instrumentation.
But still, that’s arguably not what Astley’s Glastonbury debut year will be remembered for the most.
As it was his unexpected drums cover of AC/DC’s iconic 1979 classic ‘Highway to Hell’ that’s got viewers branding it one of the festival’s best moments.
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As Astley took to the Pyramid Stage for his highly-anticipated Saturday slot, the enthusiastic showman had the expansive crowd in the palm of his hands and appeared to win everyone over with his impressive vocals – but it was when he took a seat behind the drum kit for the penultimate song on his setlist that he won over even his harshest critics.
And they weren’t the only one to take to Twitter to sing Astley’s praises, as social media was flooded with viewers complementing his unexpectedly good drumming talents, and his set as a whole.
“I didn’t know how much I needed to see Rick Astley crushing AC/DC’s Highway to Hell on the drums at Glastonbury,” another fan wrote on Twitter.
Someone else even called Astley “the human equivalent of flare jeans” as both are “making a comeback in 2023”, while another person called the cover a “legendary performance”, and more fans called to “Protect Rick Astley at all costs.”
One fan wrote on Twitter in praise: “Watching him play every instrument in every genre while covering vocals without mimicking the original singer like a single trick cover band singer is really quite something.
“Rick has been one of the pleasant surprises of Glastonbury,” another fan summed it up best, adding that he’s “a proper ray of sunshine.”
Featured Image – BBC
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The Warehouse Project named one of the best nightclubs in the world
Danny Jones
Greater Manchester can add another big blue ribbon to its already richly adorned totem of music heritage, as The Warehouse Project has been named one of the best clubs in the entire world.
Not that we’re the least bit shocked, to be honest.
That’s right, our very own Warehouse Project – or WHP to use the more commonly thrown around shorthand – isn’t just the great successor to the likes of The Haçienda, Jilly’s Rockworld and many more Manc live music institutions, it’s become a raver’s rite of passage in its own right.
So it’s no surprise that it landed itself in the International NightLife Association’s best 100 clubs on the planet – but where exactly on the list did it land?
As you can see from the full NightLife International rankings for 2025, Warehouse Project didn’t just make it into the 100 club or even the top half; WHP broke into the best 30 clubs in the whole world.
Finishing in 27th position, specifically, Mayfield Depot‘s major tourist attraction was sandwiched between Ibiza’s Amnesia nightclub and the equally iconic Ministry of Sound in London.
Not bad company to keep, eh?
Writing in the caption, the organisation said: “From Ibiza to Singapore, Miami to Marrakech, and every nightlife capital in between, this year’s ranking showcases the venues that continue to elevate global nightlife with innovation, quality, and unforgettable experiences.”
“Cheers to all the clubs that made it onto the list”, they continued, thanking sponsors, artists and collaborators alike before adding, “Your commitment drives the industry forward.”
With the likes of Worried About Henry, Homobloc, Barry Can’t Swim, and the first-ever winter edition of Repercussion having already passed this year, the 2025 programme really has been electric.
But they’re not done yet; you can see the rest of what is on this year’s lineup down below.
One of the biggest dates on the current WHP calendar is, of course, their massive New Year’s Eve Party, which returns for 2025.
The team behind Warehouse is yet to respond to the prestigious international recognition, as they’re clearly still too busy putting on some of the best nights not just in town or the UK, but anywhere around the club.
You can get a closer look at the in-depth list of NightLife International’s top 100 clubs HERE.
Speaking of Manc nightlife, it’ll be interesting to see where a returning cult favourite will place itself on the leaderboard when it makes its full comeback very soon…
Featured Images — The Manc Group/Press shots (supplied via WHP)
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Kendal Calling reveals fantastic 2026 lineup, including Biffy Clyro, Wolf Alice, The Kooks and more
Danny Jones
The lineup for Kendal Calling 2026 has been officially revealed in full, and let’s just say the list of headliners alone is absolutely box office.
It feels like we say this every year, but this could be one of their best to date.
With the likes of Scottish rock legends Biffy Clyro (after years of courting them), Mercury Prize-winning Wolf Alice, as well as indie veterans The Kooks and Two Door Cinema Club topping the bill on the main stage, next year’s Kendal Calling is shaping up to be a tasty one.
Next summer will mark the 21st year of the annual music and arts festival, and after a wonderful 20th anniversary edition in 2025, we have every faith the KC crew are going to nail it yet again.
Announcing a total of 120 acts – yes, this lineup is already STACKED – the roster is packed with everything from timeless indie stalwarts, Northern favourites, some pop surprises and plenty more.
For instance, we were genuinely buzzing to see not only the one and only Scissor Sisters, but also Gabrielle, and even noughties throwback, Vanessa Carlton.
We’re now hoping and praying she doesn’t pull out and quite literally travels ‘A Thousand Miles’ over to the Lake District.
After making their own comebacks this year, the likes of The Libertines, Deaf Havana, Hard-Fi and several others have joined the lineup, which is spread across more than a dozen stages, including non-musical acts and other bits of live entertainment.
We were very much spoilt for choice for our favourite festivals this year, but you only have to read our review of ‘KC20’ to know how much it meant to be there.
You can see the Kendal Calling 2026 lineup poster down below.
‘26's Adventure Revealed! 🙌 Like & RT for your chance to win VIP upgrades, boutique camping & a £200 bar tab!
Biffy Clyro, Wolf Alice, Two Door Cinema Club, The Kooks, Scissor Sisters, The Libertines & more head to the Lakes! pic.twitter.com/HoI0qpgrxQ
If you look closely, you can also see that there’s a special guest slot thrown in there, too, though we’re stumped as to even the slightest hint of who it could be.
We’re sure you’ll have your theories and guesses in the chamber already, but let’s just say that after seeing how well they’ve done with surprises in the past, we cannot wait.
Commenting on the drop, co-founder Ben Robinson said: “I’m so excited to reveal next year’s line-up! Our brilliant team has secured a line-up worthy of the jaw-dropping faith the Kendal Calling family puts in us each year.
“Selling 98% of the tickets before announcing a single artist is the biggest compliment we could ever receive, so here’s an early Christmas present to say thank you!”
Like the man said, most full weekend passes have already gone, but if this lineup tickles your interest, you can still register for the final release of Kendal Calling 2026 tickets right HERE.
Emily Sergeant -
26th June 2023 
