Industry insiders are warning that soaring beer prices across the UK means the price of a pint could rise by 50p.
With an increasing number of pubs currently under pressure to stay afloat and at risk of going bust due to the rising costs of beer, energy, food, and labour as the hospitality industry continues to wade through the effects of the COVID-19 pandemic, it’s believed that consumers across the country – including in Greater Manchester – could start having to pay more for a pint.
According to the British Beer and Pub Association, the average price of a pint in the UK is £4.07, but in Manchester, around £3.93 is said to be a more common cost.
In the capital, the association says Londoners pay £4.84 on average, but some pubs are said to already be charging over £6, and if the cost of a pint does could go up by a maximum of 50p as is estimated, then this means customers may have to pay over £7
Trade organisation UKHospitality said pubs were facing “unprecedented” price rises.
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Earlier this week, the chairman of the City Pub Company Clive Watson said that ‘pub inflation’ was currently running at about 10%.
Kate Nicholls – Chief Executive UK Hospitality – explained: “This is weighing very heavily on these businesses, which have had nothing but a torrid time, and the price of a pint and a meal out will have to rise.”
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Nik Antona – CAMRA’s National Chairman – said the sector is continuing to deal with a crisis in “employment, supply chain, and cost of goods”, which is causing the price of a pint to rise, and admitted that: “This could spell disaster at the pump for small brewers and publicans if consumers make the decision to stay at home to cut corners.”
Pubs were facing “unprecedented” price rises / Credit: Max Pixel
Pub landlords across the country are already telling of their recent need to hike pint prices, and are expressing their concerns at this continuing.
Dave Mountford, co-founder of the Forum of British Pubs and manager at The Boat Inn in Derbyshire, warned that drinkers will face rises of more than 50p, adding: “We’re putting prices up now and soon we’ll break the £4 a pint on cask ale for the first time ever.
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“Our most expensive pint is a premium lager and it’s £4.80 – it was £3.75 two years ago.”
James Calder – Chief Executive of Society of Independent Brewers – explained: “We have seen huge spikes in people costs, transport, raw ingredients, and energy, and with most brewers running very tight ships already, our sector unfortunately needs to be able to pass on these price rises to customers including the pubs in between, otherwise they will go bust.
“No business likes to raise its prices but right now it is a necessity to survive.”
Because of all these constraints, industry experts have urged the government to scrap the 12.5% VAT rate on pubs, restaurants and hotels, and have called for the scheduled rise back up to 20% in April to be scrapped, as they claim these measures could help ease pressure.
Featured Image – Unsplash
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Review | ‘This is a night to remember, Manchester’ – Jason Derulo’s Co-op Live debut
Amy Williams
Who’s ready for another throwback night? Because this was absolutely a night already full of nostalgia and one to remember.
American singer-songwriter Jason Derulo hit Co-op Live last night as part of his ‘The Last Dance World Tour’, famous for hit songs like ‘Whatcha Say’, ‘Talk Dirty’, and ‘Savage Love’ – we all remember the Covid TikTok dance, don’t we? – as well as many more.
With over 250 million singles sold and tens of billions of streams, you best believe his one night in Manchester was sold out.
Running through the big hits and everything in between, he and his dancers made it a proper party atmosphere on this fine Saturday evening.
He did his throwback songs and more; from the moment he said, “We’re throwing it back to the beginning, back to 2009″, we knew his first debut single, ‘Whatcha Say’, was about to grace our ears, and that it did.
He also brought back absolute classics like ‘Ridin’ Solo’ (I definitely lost my voice during this one) In My Head and It Girl.
The Last Dance run of shows has seen him visit places like Leeds, London, Glasgow and Birmingham, finishing his UK leg right here in Manchester, before he carries on to Europe, but we’re confident our date had the best crowd so far.
And just when you think this couldn’t get any better, he brought his little boy on stage to say hi to everyone, too – shattered everyone’s hearts.
He has that many hit songs, it wasn’t possible to get through them all, so his DJ halfway through did a mash-up of songs he’s also written and featured in, including ‘I Gotta Feeling’ by Black Eyed Peas, ‘Secret Love Song’ with Little Mix and ‘Replay’ by Iyaz.
We knew his voice was amazing – but can we have a moment for this man’s dance moves, keeping everyone on their feet at Co-op Live tonight, and his dancers made everyone want to start dance lessons tonight too, an absolutely incredible performance by all.
Jason Derulo told the audience, “This is a night to remember Manchester’, and that it absolutely was.
The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
Emily Sergeant -
28th January 2022 
