Smash-hit BBC series Waterloo Road is returning to our screens this week.
Set in a comprehensive school of the same name, Waterloo Road originally aired from 2006 to 2015, and was one of the UK’s longest-running TV contemporary dramas that spawned plenty of award-winning and highly-publicised storylines, drew in millions of viewers each week, and amassed a cult-following of fans.
The show was famously set and filmed in Rochdale from series one until the end of series seven, when it moved in Scotland, but production returned to Greater Manchester for the revival.
The show’s original run is also known for launching the careers of many young and emerging actors, some of who fans will notice have reprised their roles in the new series, while a handful of others have gone on to hit the big time in recent years.
Here’s eight stars who got their start on Waterloo Road.
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Phoebe Dynevor & Regé-Jean Page
Siobhan Mailey & Guy Braxton
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Phoebe Dynevor & Regé-Jean Page / Credit: BBC
Did you know that before Phoebe Dynevor and Regé-Jean Page went on to enchant audiences and gain critical acclaim as Daphne and The Duke on the smash-hit Netflix series Bridgerton in 2020, the pair got their start on Waterloo Road?
Trafford-born Dynevor – who also has a famous Manc mum – starred as Siobhan Mailey for 20 episodes between 2009-2010 when she was 14-years-old, and Page played Guy Braxton for eight episodes back in 2015.
While they did not share the screen at the same time, it’s still a coincidence that they had roles in the same show before Bridgerton fame came calling.
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Jenna Coleman
Lindsay James
Jenna Coleman / Credit: BBC
This one’s probably not as much of a surprise to fans of the long-running BBC show.
But before Blackpool-born Jenna Coleman went on to star as Matt Smith’s assistant Clara Oswald in Doctor Who between 2012-2017, and as the title role of Queen Victoria in the ITV drama Victoria between 2016-2019, she made her name on Waterloo Road.
Coleman played the recurring role of “hard girl” Lindsay James on the show in 2009 – with her character most notable for being at the centre of the gang war storyline between Waterloo Road and a local private school.
Adam Thomas
Donte Charles
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Adam Thomas / Credit: BBC
While Manchester-born actor Adam Thomas may be best-known for his starring role in the ITV soap Emmerdale between 2009-2018, his stint on the reality competition I’m A Celebrity… Get Me Out Of Here! back in 2016, let’s not forget he cemented his place on the screen by starring in Waterloo Road.
Thomas played the memorable role of original cast member Donte Charles, and was a series regular appearing in 50 episodes between 2006-2009.
Donte Charles was undoubtedly Thomas’ breakthrough role – and it’s a role he has reprised.
Lucien Laviscount
Jonah Kirby
Lucien Laviscount / Credit: BBC
Burnely-born actor Lucien Laviscount had already become known to audiences through his roles on the children’s drama series Grange Hill between 2007-2008, and on the iconic Manchester-based soap Coronation Street in 2009, prior to starring in Waterloo Road between 2010-2011 – but his character Jonah Kirby is one fans remember for the controversial student-teacher relationship storyline that ended in pregnancy and a runaway marriage.
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Laviscount later went on to compete in Celebrity Big Brother in 2011, and star in and make appearances on a range of TV shows such as Snatch, Skins, Episodes, Shameless, and US series’ Supernatural, Scream Queens, and Katy Keene.
He’s currently starring in Netflix smash-hit series Emily in Paris.
Tom Payne
Bret Aspinall
Tom Payne / Credit: BBC
Essex-born actor Tom Payne famously played the recurring role of sixth-former Brett Aspinall on Waterloo Road for 32 episodes from 2007 to 2008.
But after making his name and departing from the long-running BBC show, he joined the main cast of US zombie drama The Walking Dead as Paul “Jesus” Rovia from 2016-19, before playing Malcolm in crime drama Prodigal Son.
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Katie McGlynn
Jodie “Scout” Allen
Katie McGlynn / Credit: BBC
Rochdale-born actress Katie McGlynn made a name for herself after donning the sparkles as a contestant on BBC’s Strictly Come Dancing, and is mostly recognised for starring as series regular Sinead Tinker on Coronation Street between 2013-2020, but she first became known for her role as Jodie “Scout” Allen on Waterloo Road from 2011-2013.
She also had roles in The Syndicate, and most-recently Hollyoaks.
Jack O’Connell
Dale Baxter
Jack O’Connell / Credit: BBC
Jack O’Connell was most-known to TV audiences for his role as the larger-than-life, fan-favourite character of Cook in the second generation of E4 teen drama Skins between 2009-2013, and for his role in the cult-classic 2006 film This Is England, before going on to star in a range of critically-acclaimed films and series’ and Hollywood blockbusters in recent years.
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Before all of that though, he played the role of Dale Baxter in a single episode of Waterloo Road in 2007.
Matty Healy may be the son of northern actors Tim Healy and Denise Welch, and is of course most-known for entertaining crowds as the frontman of Manchester-based indie pop rock band The 1975 – who have garnered critical acclaim, several chart-topping albums, multiple awards, and a worldwide fan base since hitting the mainstream back in 2012 – but he’s even been spotted as making a couple of appearances as an extra in earlier series’ of Waterloo Road.
The reason for his role as an extra on the BBC drama is likely due to his mum starring as long-standing French teacher Steph Haydock on the show for six series between 2006-2010.
Featured Image – BBC
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Audio North’s favourite albums of 2025
Danny Jones
It’s that time of the year again: time to round up the best, or at least our favourite albums of 2026 here at Audio North.
We’re ready for your spiky opinions and intense judgement.
For those of you who haven’t been following over the past year or so, members of The Manc, The SheffandThe Hoot have banded together in our love of music to create the one-stop shop for all the best Northern tunage there is, going to as many gigs and chatting with as many artists as possible.
However, we’d never dare limit an audiophile’s listening to one region, so you can expect plenty of globe-trotting, genre-hopping and head-bopping excellence on this list. Without further ado, here is Audio North‘s round-up of the best records of the year for 2025.
Lux by Rosalía – Emily
5/5
I am not a trusted voice in music criticism, nor do I claim to be, so take what this verging-on-30-year-old white girl who only speaks English and has no relationship to religion whatsoever, says with a pinch of salt… but I think this might be one of the best albums of the decade, never mind this year.
When was the last time a genre-bending concept album about feminine spirituality and female saints sung in 14 DIFFERENT languages managed to wiggle its way into the cultural zeitgeist and onto the global charts? Yeah, never.
But that’s exactly what’s happened with Spanish singer Rosalía’s fourth studio album, Lux. It sees the hugely influential musician return to her roots by showcasing her classical training, with touches of flamenco mixed in with contemporary pop and orchestral sound – and to me, it’s exactly where she belongs.
Go on, give it a listen if you haven’t already.
We’re Never Getting Out by Deaf Havana – Danny
4.5/5
Since early adolescence onwards, Deaf Havana have been with me through every major milestone, significant moment and formative part of my life, good, bad, and everything in between, so it only feels fitting that I’d enter my third decade on this planet with one of their records to start me off right.
In fact, not only did they release this in my birthday month, but they also happened to play Manchester not long before the big day. I couldn’t have asked for a better 30th gift, but getting to hear this long-awaited batch of new tunes live and seeing frontman James Veck-Gilodi back at his best felt special.
They’ve been through many iterations over the years and I’ve loved them all in their own way; their previous two albums definitely felt like a return to form after perhaps somewhat of a blip (for various background reasons), but it still staggers me how Matty and James’ stuff never fails to connect with me more than any other artist, no matter the age, stage or style.
To be completely truthful, I’ll always lean towards their heavier guitar-driven stuff – and they’ll never abandon it – but I guess there’s a comfort in knowing just how challenging a period of life James has gone through, yet he still continues to be the most raw, introspective and eternally honest lyricist.
For my money, the best and most underrated songwriter of a generation. Help hail him if you want it, or don’t; even if not, it feels like he gets to stay mine, or at least for those of us initiated, OURS.
Thanks for everything up until now, and you know what? Sod it, I’ll take the liberty of speaking on behalf of all Deaf fans when I say we’re SO bloody happy you’re back with us, even if ‘The Present Is still feels like* a Foreign Land’.
Would I have called myself a Lily Allen fan six months ago? No. But I have always called myself a fan of a diss track and a good gossip, so when I learned of her divorce album, I consumed it HARD.
West End Girl is a solid pop album, but also a masterclass in knowing your worth, speaking your truth, and serving revenge ice-cold. And bringing the receipts, too.
It’s also a masterclass in music marketing – not only did it drop right before the release of her ex-husband’s biggest project of his career, but her tour posters were then placed directly opposite Stranger Things posters, so her face reflected back over his.
He effectively vanished from his own press tour, and possibly the face of the planet? Has David Harbour gone into witness protection in ‘The Upside Down’? I would.
Love and light, Lily, and thank you for delivering the best.
Before you ask, yes, I have endured a breakup this year and, coincidentally, around the same time as Ms Dean released this absolute masterclass of a sophomore album.
The Art of Loving is a perfect analysis of love in all forms. Her heartfelt yet humoured lyricism explores its constant ups and downs, from delightfully romantic songs like ‘So Easy (To Fall In Love)’to more gut-wrenching, raw confessions like ‘Let Alone The One You Love’.
But perhaps the most prominent theme of love throughout is self-love; Olivia portrays herself as not a victim but a student, and we, as listeners, are reassured that we’re all in the same boat and that if we trust the process, the right sort of love will find us eventually.
It’s no surprise that Olivia Dean is one of the most exciting artists in the world right now, oozing class, charm and impeccable talent – we can’t wait to see her live again and to see what she does next.
A Complicated Woman by Self Esteem – Kris
5/5
Self Esteem has kicked the door off its hinges this year with her third studio album, A Complicated Woman, with standout critical acclaim. The album explores identity, womanhood and burnout against a backdrop of delicious pop-bops and powerfully honest lyrics with a theatricality that few other musicians can muster.
I only properly “discovered” Self Esteem this year, and she has absolutely knocked my musical socks off. I had the joy of watching her sensational performance at Glastonbury, shedding a number of tears at the likes of ‘I Do And I Don’t Care’, ‘In Plain Sight’ and ‘Focus Is Power’.
Her lyrics and her music have a way of mining the depths of your emotions and dragging feelings out of you that you didn’t even know existed. ‘The Deep Blue Okay’ is the perfect closer, reminding us that self-preservation is acceptable and OK.
In a world where there is constant pressure, internally and externally, to be perfect, this whole album reminds us that sometimes being imperfect and trying is what matters. Every day we get to have is big.
Whilst Sheffield-born Self Esteem might be a complicated woman, there is nothing complicated about this album being an absolute knock-out.
I’m usually a pop-punk, obsessed with Oli Sykes kinda girl, but Addison Rae… You are my Queen.
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The soundtrack to my summer, Addison Rae brought us all classics like ‘Summer Forever’, ‘Diet Pepsi’, ‘Headphones on’, and the absolute fan favourite ‘Fame Is A Gun’ on the self-titled album, Addison.
She followed me to all my holidays, and the album itself takes you on a journey of what it’s like to be a woman; it’s empowering, showcasing what it’s like to be young, being in love, not wasting time and maybe a little bit of money – it’s a joyful masterpiece.
I fell short of seeing her live in Manchester earlier this year, but it didn’t stop me from scrolling through TikTok the next morning.
Addison, thank you for being the noise of one of my favourite summers – now put your ‘headphones on’ and enjoy.
People Watching by Sam Fender – Lonnie
4/5
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People Watching… WHAT an album. Where do I even start? Sam Fender really has knocked it out of the park on this one – Wythenshawe Park, specifically.
It’s raw, emotional, yet still full of energy. I was lucky enough to see Fender for that wonderful day fest in Wythy back in August, where he did this album the utmost justice.
The title track ‘People Watching’ is a full-on banger: high energy and massive sound. It also carries a message that will hit people from all walks of life. Knowing it’s about a late mentor and friend of Sam’s made it land even harder.
‘Rein Me In’ is another standout, touching on self-sabotage in love, which most of us can acknowledge we have done at one time or another. It’s honest, extremely relatable, and hits home without trying too hard; having Clem’s favourite Olivia Dean then hop on it was just the stuff of dreams.
Overall, the album feels incredibly human. Reflective without being boring, emotional without being over the top. It’s the sort of record you stick on and let play, and it’ll hit different ways depending on where your head is. A brilliant album and one of Sam Fender‘s strongest to date.
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Hopefully! by Loyle Carner – EmJ
4/5
Hopefully! has been one album I’ve listened to time and time again this year. Loyle Carner (real name Benjamin Coyle Larner) continues to prove why his music connects so deeply with so many people.
From the moment I pressed play on the record, I was met with an immediate sense of comfort. The opening track, ‘feel at home’, begins with a child-like sound of wind chimes before switching into a jungle/breakbeat rhythm – a more experimental direction for Loyle, but one that feels completely natural.
Sonically, the album is interesting. There are moments that lean into a murky, slightly off-kilter sound that will remind many listeners of King Krule and Mac DeMarco – more in mood and atmosphere than direct influence. It shows Ben pushing himself creatively without losing what makes his music feel so personal.
Throughout the album, you can hear the weight in Loyle Carner’s voice. Often sounding like there’s a lump in his throat, his thoughts feel raw, unpolished and imperfect, and that’s exactly what makes the record resonate with me.
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Vulnerability has always been at the heart of Loyle’s music, but it feels especially front and centre here. The album flows effortlessly, and it’s one of those records you end up listening to front-to-back without even realising.
Tyler, The Creator’s latest album, DON’T TAP THE GLASS, is another reminder of why his evolution has been so compelling to watch. I’ve been listening to his music since the Odd Future days, and what’s impressive is how he’s managed to grow without losing that edge.
The album is inspired by people’s fear of dancing in public due to social media; it’s an album about letting loose and expressing yourself. Production is layered and interesting, but never distracting, giving Tyler room to say exactly what he wants to say.
‘Sugar On My Tongue’ stands out immediately. It’s the kind of track that grows with every listen and sticks around long after the album ends.
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This isn’t Tyler trying to prove anything. It’s an artist fully comfortable in his sound, still pushing himself forward while staying true to where he started.
Hearts Sold Separately by Mariah the Scientist – Thomas
4.5/5
With this project featuring my top song, album and artist of the year, ‘Is It a Crime’ if I didn’t choose this to be my album of the year? Yes. Mariah has resorted to every artist’s favourite era of inspiration, calling back to the 80s for some echoey drums, chimes and synths which dominate this record’s soundscape.
This album’s magnum opus, ‘Burning Blue’, sees her letting down her guard as she finds true love with ‘Eternal Flame’ and ‘Like You Never’ continuing this theme. Fittingly, Ms Scientist uses this album to discuss her expertise in one specific chemical reaction, love.
Roll on January, when I’ll be belting out Hearts Sold Separately for its entire duration when she plays Manchester Academy.
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Getting Killed by Geese – Lilly
5/5
As an avid rock fan, I’ve been hungry for an album that flips the genre on its head and finally provides us with a fresh new perspective. Thankfully, Geese DELIVERED this year, and brought out their third wild and weirdly wonderful LP, Getting Killed, which has since gone platinum in my house.
Each song on the album feels like its own religious experience; it’s a perfectly crafted amalgamation of art-rock and post-punk with references to prime funk and soul, conveyed through groovy basslines and sonic shifts.
Cameron Winter’s uniquely brilliant vocal range shines through once again, accompanied by his absurdist lyricism and the band’s overall 70s flair; Getting Killed isn’t just a good rock album in my eyes, it’s a modern-day classic.
With a name like ‘Geese’… It’s hard to forget a band like these lot – and once you hear this album, they’ll be cemented in your brain forever.
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Go on, then – how did we do?…
Let us know your favourite albums of 2025 down below, and here’s to what we’re sure will be another brilliant year of music in ’26.
Featured Images — Audio North/Publicity pictures (various)
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Manchester City have announced a special away day fan zone for festive fixture
Danny Jones
In a real added bonus for away fans making the roughly two-hour journey to their only fixture over the festive period, travelling Man City supporters are being treated to a dedicated away-day fan zone for their upcoming game against Nottingham Forest.
Now this is the kind of backing we want to see from big teams.
That’s right, for those visiting Nottingham for the meeting against the fellow Premier League side and one-time European Cup winners, Manchester City will be putting on a special and exclusive fan zone.
Confirmed on Christmas Eve ahead of the match this coming Saturday, 27 December, the club revealed a quick glimpse of the pop-up supporters’ park.
As detailed in the announcement, the public events space known as ‘The Nest’ will be open exclusively to away-ticket holders heading to the City Ground.
Perfect for a quick pit-stop before and after the clash, the venue is one of the closest you’ll find to the stadium itself and, better still, is located roughly just a 10-minute walk away from the railway station.
There will be a huge bar offering a wide selection of alcoholic and soft drinks, plus plenty of street food to enjoy. Here’s hoping the players don’t indulge in too many of those this Christmas, especially following Pep Guardiola’s ‘fatty’ comments.
They kick off at 12:30pm, but will everyone make the weight?…
Once again, Man City have advertised this as an away-day ticket-holder-only event, so we would probably call ahead and double-check if you’re a Blue who just so happens to live/be in the area and want to go along.
It also goes without saying that this will serve as an ideal and presumably trouble-free place to celebrate after the result, as it’s a strictly sky-blue event and we’d wager the title contenders and serial trophy winners to come out on top.
So, if you needed any extra assurance that making the approximately 81-mile trip to Nottingham, we’d say potentially going top at Christmas and cheersing a few pints with your mates on a would-be concourse designed just for you is plenty of added motivation.
As for those of you staying firmly in Greater Manchester this holiday season, there’s no reason you can’t still have a little away day of your own:
Emily Sergeant -
3rd January 2023 
