Netflix’s latest Harlan Coben adaptation, which has been filmed all around Greater Manchester over recent months, officially has a release date.
Following the success of the best-selling thriller author’s previous shows on the streaming platform, both of which were also filmed at least in part around the region, they confirmed that a further two shows would be coming too.
The drama series is called Missing You and is based on Harlan Coben’s 2014 novel of the same name. Believe it or not, this is the NINTH time that Netflix has adapted one of his books (yes, nine!), with this being the third time they have filmed one of his works in and around Manchester.
Much like the story itself, the trio seem to have a bit of a love affair going on between them – though we promise you this one will be much more complicated…
Set to release on 1 January 2025, Missing You stars Rosalind Eleazar in the lead role as Kat Donovan, a detective specialising in Missing Persons.
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You won’t want to miss these first looks at Harlan Coben’s newest thriller MISSING YOU.
Starring Rosalind Eleazar, Richard Armitage, Ashley Walters, Lenny Henry, and Jessica Plummer, coming soon to Netflix. pic.twitter.com/IAcClK1rJQ
Starring alongside other big British names like Ashley Walters, Richard Armitage, Sir Lenny Henry; Steve Pemberton, Jessica Plummer and James Nesbitt, the series is once again produced by Quay Street Productions (part of ITV Studios).
Without giving too much away, here’s the synopsis: 11 years ago, Detective Kat Donovan’s fiancé Josh – the love of her life – disappeared and she’s never heard from him since. Now, swiping profiles on a dating app, she suddenly sees his face and her world explodes all over again. Creepy, right?
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Josh’s reappearance forces her to dive back into not only his life since going missing but the mystery surrounding her father’s murder and uncover long-buried secrets from her past too.
Although many of Coben’s stories take place in the US, the Netflix adaptation is also transposed to a UK setting and so filming took place all over Greater Manchester, including the city centre, Le Mans Crescent and Victoria Square in Bolton, as well as various other spots around the North West.
Coben serves as executive producer through his company, Final Twist Productions, with help from the likes of Danny Brocklehurst (Brassic) and Guy Hescott (The Red King, Without Sin); Victoria Asare-Archer from Stay Close is the lead writer and directing is split between Nimer Rashed (Fool Me Once) and Isher Sahota (Ridley, Grace).
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Set across five hour-long episodes, if Netflix’s follow-up to Fool Me Once – which was recently named the most-watched show on the platform in the first half of 2024 – is even half as popular as its previous programme, it’ll still be a huge success.
As for Quay Street, the locally-based production house has a long track record of delivering top-quality drama thanks to its founder and multi-award-winning producer, Nicola Shindler OBE, who set up the company back in 2021.
Her credits have included Fool Me Once, It’s A Sin, Stay Close, Ridley Road, Finding Alice, The Stranger, Happy Valley and cult favourite Queer As Folk (1999-2000).
With a pedigree like that, we’re confident the latest Harlan Coben adaptation from Netflix will be just as good as the last one, and we can’t wait to play another round of ‘guess where in Manchester that was filmed’. Speaking of, it’s not the only local production of late.
Review | The Karate Kid at Palace Theatre and Opera House, Manchester – very much wax ON
Lonnie Bowes
The theatrical version of The Karate Kid has arrived at the Palace Theatre and Opera House, bringing a well-known story of discipline, resilience and mentorship to a live audience.
Best known for its iconic cinematic legacy, The Karate Kid translates surprisingly well to the stage. It leans less on spectacle and more on character, movement and emotional growth.
At the production’s heart, the story still revolves around a young outsider trying to find confidence and belonging in an unfamiliar environment, guided by an unexpected mentor.
The narrative follows Daniel, played by Gino Ochello, marking his first professional stage debut, as he struggles to adjust to a new life, facing intimidation and self-doubt before encountering the legendary Mr Miyagi, played by Adrian Pang.
What unfolds is more than just a story of learning karate; it becomes a study of patience, balance and inner strength for Daniel. The central relationship between student and teacher remains the production’s strongest theme, grounding the story in warmth and sincerity.
The bond between student and Sensei is clear to see throughout. Focusing more on the movement side of things, the musical definitely has its fair share of action; the production shines with storytelling through choreography.
The fight sequences are carefully staged. The whole production walks a balanced line between movement and tension that feels immediate without losing theatrical elements.
These scenes are not about aggression alone but about control, reflecting the philosophy at the core of the story: balance. If you’ve seen the movies or the likes of Cobra Kai, you’ll know the vibes.
The cast works cohesively to maintain this balance. Ochello playing Daniel captures a mix of genuine vulnerability and determination as he attempts to settle into his new life in California, a million miles from the streets of Jersey he once knew.
While Adrian Pang portrays Mr Miyagi does this with a quiet authority. Their dynamic evolves on stage flawlessly, allowing the audience to invest in their journey rather than simply anticipating the next fight.
Visually, the production makes effective use of staging and design. The set shifts fluidly between locations, using lighting and more than a few well-timed transitions to keep the pace moving.
Subtle changes in atmosphere mirror the cast’s internal world, moving from insecurity and isolation to confidence and connection as the story progresses. The music throughout further supports this, blending nostalgia from the old flicks we all knew and love, with a new contemporary stage feel.
As the story builds toward its familiar ending, the focus remains less on winning and more on personal growth. The final moments emphasise discipline, self-belief and restraint rather than triumph alone.
A well-deserved standing ovation. (Credit: The Manc)
Reinforcing why the story has endured across generations and how the themes explored remain powerful pillars of life in today’s world.
Ultimately, The Karate Kid on stage at the Palace Theatre succeeds not by trying to replicate the film exactly, but by reinterpreting its themes for a live audience. It’s a production that leans into character, movement, friendship and emotional resilience.
It reminds viewers that its real power lies not in the fights, although sometimes necessary as a last resort, but in what they represent on the inside. We had a much deeper experience than we expected, and loved pretty much every minute of it.
BBC announces David Attenborough is returning to narrate Blue Planet III
Emily Sergeant
The BBC has announced that Sir David Attenborough will be returning to narrate Blue Planet III.
The original Blue Planet was broadcast across the globe to huge success more than 25 years ago now, and then in 2017, the follow-up Blue Planet II revolutionised our perception of life in the oceans.
But, as the BBC said, this was ‘only the beginning’, as it’s now announced that Sir David Attenborough will provide the narration for the forthcoming Blue Planet III.
This brand-new series is set to build on the groundbreaking legacy of the previous two series by ‘redefining the realm of possibility’ in underwater wildlife filmmaking.
Producers say it will reveal new and untold stories from magical underwater worlds.
Blue Planet III is coming – and Sir David Attenborough is providing narration for the new series!
“Combining our deeper understanding of the oceans with a whole new generation of camera technology including splash drones, long-term remote underwater cameras and a ‘mini dome’, we can now showcase stunning stories and extraordinary behaviours, previously impossible to film or only recently discovered,” a description for Blue Planet III on the BBC website reads.
Where Blue Planet II exposed the threats to our oceans, Blue Planet III will also explore stories of adaptation and resilience in this changing world, along with stories of hope and recovery.
Speaking ahead of the series’ release, Jack Bootle, who is the BBC’s Head of Specialist Factual Commissioning, commented: “I’m thrilled that David is taking the helm of Blue Planet once again.
“His extraordinary talent for storytelling has shaped the way generations of audiences understand and connect with the natural world, and his voice remains synonymous with the very best of the BBC’s natural history output.
“I’m absolutely delighted that he’ll be once more bringing his unique skill and authority to Blue Planet III.”
Danny Jones -
12th October 2024 
