The Witcher: Blood Origin, the brand-new spin-off based on the wider Witcher books and serving as a prequel to the mainline series, has managed to earn the worst Rotten Tomatoes score ever. Yikes.
Launching on Christmas Day, the new mini-series takes place more than a thousand years before the Netflix show, the games and original books.
The expanded lore of the popular dark and gory fantasy world is vast and fiendishly studied by die-hards, so a show diving into that should be a no-brainer, right?
Well, sadly, through a combination of seemingly genuine bad reviews and people simply being outraged that the main Witcher series no longer features its star, it looks like the new show is being heavily review-bombed.
Despite being currently sat at 33% and 10%, its audience score dropped at low as 8%. (Credit: Rotten Tomatoes)
In case you were unaware of some of the latest blockbuster shenanigans happening in Hollywood over the last few weeks, Geralt of Rivia himself, Henry Cavill, recently stepped away from the show to reportedly prioritise on training for his return as Superman.
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However, shortly after, it was announced by new DC Studios chairmen James Gunn and Peter Safran that they were dropping the 39-year-old actor as they hoped to pursue a new star to take on the role — you know, the same one he’d just stepped away from his reported £350,000-an-episode deal to focus on.
Yes, we know he’s a millionaire, but die-hard Henry stans obviously felt terrible for him, leaving one dream job for another beloved franchise that essentially helped put both himself and modern DC movies on the map, only to find out that he was no longer needed.
Furthermore, fans are now speculating that Cavill quit The Witcher after two highly-successful and well-paying seasons following disputes with the showrunners. A relative on-set expert as a genuine lover of the books and the games, Cavill is said to have struggled to “see eye to eye with the producers”.
Speaking to Hollywood Reporter, the Man of Steel and Mission: Impossible – Fallout star said “the toughest part for me was finding that balance between the showrunners’ vision and my love for the books”, even going on to add that “some of the writers were not [interested] or actively disliked the books and games, even actively mocking the source material.”
If this is to be believed then it’s no wonder that showrunner Lauren Schmidt-Hissrich, who is also overseeing the Blood Origin spin-off, seems to have annoyed not onlythosewho love Henry Cavill but now Witcher fans in general.
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While plenty of the Rotten Tomatoes reviews limit themselves to calling out those involved in the production for their ‘incompetence’ and ‘lack of respect’, the online consensus beyond the popular review aggregator seems to be that the writing simply isn’t up to snuff.
i wanted to at least give it a shot and i just… i know i've seen worse shows in my life but i can't think of many right now that are worse
The CGI looks hideous & cheap. Writing & dialogue is a mess. Acting isn't very good with Michelle Yeoh's talents wasted. The story is rushed into four hours. Netflix completely changed the origin of The Witchers.
This show is yet another slap in the face to longtime fans.
2022 really has been a race to the bottom when it comes to entertainment, especially the fantasy genre. First Rings of Power, then Willow, now Witcher: Blood Origin – each of them more terrible than the last.
As always, it’s worth watching and forming your own opinion before letting other people’s takes colour your own impressions but it’s fair to say it isn’t looking good for the future of the franchise’s TV adaptations.
Whether the negativity is being largely driven by review-bombing by the Henry Cavill faithful or not, it looks unlikely that there’ll be a resolution as Liam Hemsworth has already been named as the replacement for the main character, Geralt.
Moreover, since Cavill left/was dropped from both projects, he is once again being tipped to play an equally iconic pop culture protagonist in particular. Have a guess…
Gregg Wallace now faces claims of ‘groping’ and ‘touching’ as misconduct investigation continues
Danny Jones
The allegations against Gregg Wallace continue to mount as the former MasterChef host is now facing fresh claims of ‘groping’ and inappropriate ‘touching’.
Wallace stepped down from the show last week after pressure from an initial accusation ultimately resulted in a total of 13 individuals coming forward to lodge formal, historical complaints.
Spanning across a 17-year period, with the 60-year-old having worked on MasterChef and other TV projects for nearly two whole decades, these latest allegations were put to his representatives on Tuesday but Wallace still strongly denies engaging in anything of a “sexualised nature”.
According to the latest in the BBC News investigation, he is now accused of numerous instances of both sexually-charged comments and behaviour. Actor, comedian, writer and fellow TV personality Emma Kennedy also says she believes he “does not understand” when he’s being inappropriate.
“As she was bending over, Gregg put his hands over her buttocks, and then turned to me and went ‘Cor!’”@EmmaKennedy tells #TimesRadio she believes Gregg Wallace “fundamentally does not understand” when he is being inappropriate.@AyeshaHazarikapic.twitter.com/xqzwfQsDGz
Speaking to the corporation, one woman referred to only as ‘Lisa’ says that while filming for the Eat Well For Less show at a supermarket back in 2015, Wallace “brushed past me at the checkout, and touched my bum with his waist and penis and laughed and said ‘oooh you liked that didn’t you’.”
Despite insisting she felt like she just had to get on with her job at the time, she says: “I wasn’t ok about it. When I finished the shoot, I felt it was slimy, disgusting. He just didn’t need to touch my body, it made me uncomfortable.” She also says she raised the issues with a senior colleague but nothing happened.
In a separate incident, Wallace is also accused of touching another woman inappropriately after he asked her to walk him to the car park after an event. “As we walked down, he started putting his arm around me, saying ‘Go on, hold my hand, don’t you want to stand next to me?’ It was totally out of the blue, and totally unwanted”, she said.
The anonymous woman said she was later pulled into a group hug in an elevator, during which she claims the long-serving MasterChef co-presenter and household name “put his hand on my bottom and groped me”, adding, “It made me feel gross, it was horrible.”
She went on to say that although she still struggles to see his face on TV and feels “sad that so many people are coming forward”, she’s also relieved that so many have spoken out about their experiences.
MasterChef production company, Banijay UK – who are working in full cooperation with the BBC as part of their own internal investigation – state they have no record of these issues being raised at the time of the incidents, reiterating that this is the case for all 13 women who have now filed complaints.
Banijay and BBC have agreed to pull the two already recorded 2024 MasterChef Christmas special episodes that were scheduled to air on BBC One this month.
Meanwhile, while Wallace is still yet to respond to these most recent allegations, he still categorically denies the claims already put forward.
The former greengrocer and restaurant owner did, however, apologise for a recent response video he made during which he received additional backlash for citing those who complained as “a handful of middle-class women of a certain age” – a comment which a No.10 official branded “misogynistic”.
Fawlty Towers – The Play is coming to Manchester Opera House next year
Danny Jones
John Cleese’s much-loved Fawlty Towers – The Play is landing at the Manchester Opera House next year and we cannot wait.
The critically acclaimed theatre adaptation of the iconic sitcom, still revered as one of the greatest UK comedies of all time, first came to fruition back in 2016 and is now set to land here in Manchester city centre for the first time ever.
We’ve been treated to Fawlty Towers The Dining Experience at The Lowry Theatre in Salford before, but this is the first time the smash-hit West End stage production has headed North and judging by the reviews, audiences are about to be belly-laughing all the way to Torquay.
Coming to Manc crowds this time next winter, you can expect this one to be a sell-out.
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Still busy playing a fully booked-up run at London’s Apollo Theatre Shaftesbury Avenue, the twice-extended West End show is packing up its stage for a massive tour across the UK and Ireland.
Announcing dozens of dates next year and well into the summer of 2026, including shows in Leeds, Liverpool, York, Stoke, Sunderland and many more, the show has earned four and five-star reviews from countless publications.
The Arts Desk have hailed it as a “comedy masterpiece [that] makes a seamless transition to the stage”, with actor Adam Jackson-Smith playing the lead role of Basil Fawlty and the entire cast said to leave viewers cackling with some of the best bits from iconic TV series recreated in the flesh.
Speaking on the stage adaptation, John Cleese said: “When we came up with the idea of bringing Fawlty Towers to the stage, I never thought it would get the reception that it has.
“On 23 December it will be 50 years to the day since we recorded the pilot at BBC Television Centre and I’m delighted the audiences we’ve had in the West End still think it’s as funny as ever. The announcement of the tour means many more people will now have the chance to laugh themselves helpless.”
John Cleese, now 85.
Set to hit the road 50 years on from the broadcast of the first episode on BBC Two back in September 1975, before going on to win countless awards including two BAFTAS and even being voted the best British programme of all time as part of a British Film Institute poll, it all feels very full circle.
Brought to life on stage by a creative team consisting of Cleese and fellow writer Connie Booth and directed by Caroline Jay Ranger – best known for her work on Blood Means Nothing (2019), My Week with Maisy (2024), Early Doors: Live (2021) and the Monty Python live show, there’s non-stop talent both on and off the stage.
One of the best part parts about a series that was stretched across just 12 half-hour episodes of TV is that you can just about manage to squeeze in the majority of the most memorable highlights into the approximately 1h50m run-time.
You can see the cast’s recent interview on This MorningHERE and for a short trailer for a better look at what to expect down below:
Fawlty Towers – The Play comes to the Manchester Opera House on Tuesday, 4 November 2025 and will be there until Saturday, 8 November.
General admission is live as we speak, with ticket options starting from £20 and going all the way up to £147.50 for the best premium seats and experience in the house.
Danny Jones -
28th December 2022 
