The Witcher: Blood Origin, the brand-new spin-off based on the wider Witcher books and serving as a prequel to the mainline series, has managed to earn the worst Rotten Tomatoes score ever. Yikes.
Launching on Christmas Day, the new mini-series takes place more than a thousand years before the Netflix show, the games and original books.
The expanded lore of the popular dark and gory fantasy world is vast and fiendishly studied by die-hards, so a show diving into that should be a no-brainer, right?
Well, sadly, through a combination of seemingly genuine bad reviews and people simply being outraged that the main Witcher series no longer features its star, it looks like the new show is being heavily review-bombed.
Despite being currently sat at 33% and 10%, its audience score dropped at low as 8%. (Credit: Rotten Tomatoes)
In case you were unaware of some of the latest blockbuster shenanigans happening in Hollywood over the last few weeks, Geralt of Rivia himself, Henry Cavill, recently stepped away from the show to reportedly prioritise on training for his return as Superman.
ADVERTISEMENT
However, shortly after, it was announced by new DC Studios chairmen James Gunn and Peter Safran that they were dropping the 39-year-old actor as they hoped to pursue a new star to take on the role — you know, the same one he’d just stepped away from his reported £350,000-an-episode deal to focus on.
Yes, we know he’s a millionaire, but die-hard Henry stans obviously felt terrible for him, leaving one dream job for another beloved franchise that essentially helped put both himself and modern DC movies on the map, only to find out that he was no longer needed.
Furthermore, fans are now speculating that Cavill quit The Witcher after two highly-successful and well-paying seasons following disputes with the showrunners. A relative on-set expert as a genuine lover of the books and the games, Cavill is said to have struggled to “see eye to eye with the producers”.
Speaking to Hollywood Reporter, the Man of Steel and Mission: Impossible – Fallout star said “the toughest part for me was finding that balance between the showrunners’ vision and my love for the books”, even going on to add that “some of the writers were not [interested] or actively disliked the books and games, even actively mocking the source material.”
If this is to be believed then it’s no wonder that showrunner Lauren Schmidt-Hissrich, who is also overseeing the Blood Origin spin-off, seems to have annoyed not onlythosewho love Henry Cavill but now Witcher fans in general.
ADVERTISEMENT
While plenty of the Rotten Tomatoes reviews limit themselves to calling out those involved in the production for their ‘incompetence’ and ‘lack of respect’, the online consensus beyond the popular review aggregator seems to be that the writing simply isn’t up to snuff.
i wanted to at least give it a shot and i just… i know i've seen worse shows in my life but i can't think of many right now that are worse
The CGI looks hideous & cheap. Writing & dialogue is a mess. Acting isn't very good with Michelle Yeoh's talents wasted. The story is rushed into four hours. Netflix completely changed the origin of The Witchers.
This show is yet another slap in the face to longtime fans.
2022 really has been a race to the bottom when it comes to entertainment, especially the fantasy genre. First Rings of Power, then Willow, now Witcher: Blood Origin – each of them more terrible than the last.
As always, it’s worth watching and forming your own opinion before letting other people’s takes colour your own impressions but it’s fair to say it isn’t looking good for the future of the franchise’s TV adaptations.
Whether the negativity is being largely driven by review-bombing by the Henry Cavill faithful or not, it looks unlikely that there’ll be a resolution as Liam Hemsworth has already been named as the replacement for the main character, Geralt.
Moreover, since Cavill left/was dropped from both projects, he is once again being tipped to play an equally iconic pop culture protagonist in particular. Have a guess…
‘If only he was here’: Peter Hook reflects on Ian Curtis as Joy Division join Rock and Roll Hall of Fame
Danny Jones
We were lucky enough to play a part in a bit of music history (albeit only a small one) this week, as we had the privilege of chatting with the one and only Peter Hook of Joy Division and New Order, as the pair were finally admitted into the Rock and Roll Hall of Fame.
A long overdue bit of recognition, if you ask, but a momentous day nonetheless.
Chatting with Hooky and a long-time friend, collaborator, and beloved Manchester-based DJ, Graeme Park, in the aftermath of being named in the ‘Class of 2026’, he was visibly moved and honoured by the announcement. Here’s what he had to say…
Joking from the off by repeating Graeme’s initial question, “How does it feel?” (an absolute tap-in, that one), the 70-year-old bassist and co-founder of both iconic Greater Manchester groups admitted that they “had a couple of false starts”, to put it mildly, but went on to add: “we can only thank our fans.”
Confessing there has been somewhat of a mixed reaction about “what it means” to them and/or in the industry these days, he made it clear that on a personal level, it’s still a huge moment.
Put simply, he said: “Without the fans, we’d all be nothing.”
He also went on to praise the sort of no-nonsense, DIY and unapologetic approach of the Manc music scene, quipping: “You know, what would Simon Cowell have said about Ian Curtis, Bez, Shaun [Ryder] – Ian Brown, for god’s sake?!”
Acknowledging that while no one was necessarily an “accomplished singer” (often the case when you start early and just pursue a passion), his caveat was that “they had heart and soul” and “they embody something deep within us all that has lasted and will continue to last.”
Noting a de facto ‘Renaissance’ that a few names have enjoyed – especially following the passing of certain notable figures – he believes, rather, that they never went anywhere and that Northern crowds and beyond have helped those songs stretch to three, four, even five different generations.”
He’s not wrong: they’ve never stopped connecting with audiences, and they NEVER will.
Once more, it was an absolute joy (again, pardon the pun) to chat with Peter and Parky, who clearly haven’t lost their love for each other, nor this business – even after all these decades.
Congratulations to both bands, Hooky, Bernard Sumner, Stephen Morris, Gillian Gilbert, Tom Chapman, Phil Cunningham, as well as every session musician who’s ever played these tunes and kept them alive.
Last but not least: forever and always, rest in peace, Ian Curtis.
Major Greater Manchester names on lineup as BBC Comedy Festival heads north for 2026
Emily Sergeant
The BBC’s popular comedy festival heading up north next month, and there’s some major local names on the lineup.
Previously held in other major cities like Belfast, Glasgow, Cardiff, and Newcastle but this year pitching up in Liverpool, the BBC Comedy Festival is opportunity for those working in the TV industry to get together, discuss, and celebrate comedy.
Bolton‘s finest Diane Morgan, alongside other northern names like John Bishop, Lee Mack, Sir Michael Palin, and Sue Johnston are among a stellar lineup of comedy talent taking part in next month’s festival, as well as other big names like Ruth Jones, James Corden, Gbemisola Ikumelo, and the creators and producers of hit BBC show Amandaland.
Talent on the lineup will take part in a selection of talks, panels, screenings, and live comedy shows across the two days – with many events also being open to the public to attend.
Sir Michael Palin and Lee Mack are two major names appearing at BBC Comedy Festival 2026 / Credit: Wikimedia Commons (Ralph PH | Amanda Benson)
Last year’s BBC Comedy Festival proved to be a big success, with 16 panels and masterclasses, and more than 70 comedy names taking to the stage.
The BBC says the 2026 festival in Liverpool – which is set to take place on 13 and 14 May – ‘marks the start’ of expanded script‑development opportunities across the North West, with more details to come.
Alongside some of the more household names on the lineup, other comedians set to appear this year include Ash Atalla, Jessica Knappett, Philippa Dunne, Michael Odewale, Emma Garrett, David Mumemi, and Simon Mayhew Archer, among many others.
Speaking ahead of the festival next month, Jon Petrie, who is the Director of Comedy at the BBC, said: “Liverpool has funny bones and a rich culture of producing top tier comedy creatives, so we’re delighted to be bringing the BBC Comedy Festival 2026 to the city.
“Comedy occupies a unique place in the television industry and British culture.
“It’s important that we provide a forum that brings together some of the best comedy minds to celebrate and discuss the success of the sector now and in the future.”