The most talked about movie of the year, Cocaine Bear might be the best-worst idea for a film we’ve ever heard. Nevertheless, people have been obsessed with it ever since it was announced.
As it turns out, that obsession may have been warranted as, according to Rotten Tomatoes, Cocaine Bear might actually be… good?
Now, we know there are a lot of ‘good-bad’ films within this prevailing sci-fi horror-comedy genre that so many people like to spend their free time watching: Sharknado, Zombeavers, Sharktopus; Piranhaconda, Sand Sharks, Arachnoquake, Dinoshark—basically, there’s usually a shark involved.
However, Cocaine Bear in particular has managed to capture the imagination of millions and while many might have been preparing to like this film for all the wrong reasons, now the reviews are in it seems as though people are just generally enjoying it for the “hilarious”, “outrageous”, “ridiculous” romp that it is.
Cocaine Bear is gory, fun as hell, packed with hilarious grotesque kills and over-the-top characters, and at 90-ish minutes, it’s paced near perfectly and never overstays its welcome or overdoses on the joke.
As well as some pretty good scores from outlets across the board, Cocaine Bear not only managed to debut as ‘certified fresh’ on Rotten Tomatoes but after the first batch of user reviews and even half a dozen critics, it actually landed a perfect score of 100%.
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Obviously, this wasn’t going to last forever and this thing isn’t Citizen Kane; it soon slipped down to 88% and now, after a little over a week since its release, it has ultimately levelled out at 74% in terms of audience score and a 69% on the official Tomatometer — because of course it had to be that number.
With a rather impressive cast behind it, including Keri Russell, O’Shea Jackson Jr, Alden Ehrenreich and even Ray Liotta’s final performance before his tragic passing, not to mention comedy veteran Elizabeth Banks’ third feature film as director, there was plenty of added appeal to grab a ticket.
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But perhaps one of the main selling points behind this crazy cocaine-fuelled comedy is that it’s actually based on a true story. Sort of…
That’s right, this unbelievable script is loosely inspired by the bizarre 1985 story of a 175lb black bear that stumbled across a sweet-smelling suspicious package in the woods after a smuggler’s shipment was dropped mid-flight as his plane ultimately crashed into a mountain in North Carolina.
The pilot himself was found dead in someone’s back garden in Knoxville, Texas after presumably jumping from the plane but as for the 70 pounds of cocaine — estimated to be worth around $15 million — they landed in a forest in Georgia where the bear just so happened to come across the drug-filled duffel bag.
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After apparently consuming around $2m worth of the contents, the animal was dubbed ‘Pablo Eskobear’ and his unbelievable tale went on to become a Hollywood movie script.
Safe to say, people were sold on it the second they heard the words ‘cocaine’ and ‘bear’ in the same sentence.
Do I have to see Paddington 1 and 2 to understand Cocaine Bear?
Full disclosure, this legend is in the film but he’s still got a point.
So, the question is, how accurate is this utterly batsh*t story? Well, not very, but by all accounts, it is a hilarious, action-packed depiction of an extremely unlikely situation.
The actual story of poor Pablo was that after ingesting seriously excessive amounts of cocaine, he sadly overdosed shortly after and did not go on to take part in a murderous rampage like in the movie.
When you strip back the undeniably comedic element behind this utterly nonsensical film, it’s actually quite a sad story that ended up claiming the life of an innocent animal.
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In fact, Banks herself said that despite seeing the obvious potential in the script, she said she felt sorry for the bear who wound up as “collateral damage in the crazy war on drugs” and wanted to tell a more “uplifting version of that story”. For her, the bear isn’t the villain: he’s the hero (at least in spirit, anyway).
Regardless of the vague air of controversy behind it, Cocaine Bear has gone on to become a box office hit, grossing over $38m worldwide in its first week alone, all through sheerly embracing its own ridiculousness.
The film is doing so well in fact that it’s spawned its own line of highly collectable Funko POP! bobbleheads and there’s already talk of sequels and spin-offs, with Banks reportedly more than willing to take on what many people have labelled as a spiritual successor in the making, ‘Cocaine Shark‘.
Two words: yes and yes.
‘Cocaine Bear’ director Elizabeth Banks says she would be interested in directing ‘COCAINE SHARK’ based on the recent true story.
Fawlty Towers – The Play is coming to Manchester Opera House next year
Danny Jones
John Cleese’s much-loved Fawlty Towers – The Play is landing at the Manchester Opera House next year and we cannot wait.
The critically acclaimed theatre adaptation of the iconic sitcom, still revered as one of the greatest UK comedies of all time, first came to fruition back in 2016 and is now set to land here in Manchester city centre for the first time ever.
We’ve been treated to Fawlty Towers The Dining Experience at The Lowry Theatre in Salford before, but this is the first time the smash-hit West End stage production has headed North and judging by the reviews, audiences are about to be belly-laughing all the way to Torquay.
Coming to Manc crowds this time next winter, you can expect this one to be a sell-out.
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Still busy playing a fully booked-up run at London’s Apollo Theatre Shaftesbury Avenue, the twice-extended West End show is packing up its stage for a massive tour across the UK and Ireland.
Announcing dozens of dates next year and well into the summer of 2026, including shows in Leeds, Liverpool, York, Stoke, Sunderland and many more, the show has earned four and five-star reviews from countless publications.
The Arts Desk have hailed it as a “comedy masterpiece [that] makes a seamless transition to the stage”, with actor Adam Jackson-Smith playing the lead role of Basil Fawlty and the entire cast said to leave viewers cackling with some of the best bits from iconic TV series recreated in the flesh.
Speaking on the stage adaptation, John Cleese said: “When we came up with the idea of bringing Fawlty Towers to the stage, I never thought it would get the reception that it has.
“On 23 December it will be 50 years to the day since we recorded the pilot at BBC Television Centre and I’m delighted the audiences we’ve had in the West End still think it’s as funny as ever. The announcement of the tour means many more people will now have the chance to laugh themselves helpless.”
John Cleese, now 85.
Set to hit the road 50 years on from the broadcast of the first episode on BBC Two back in September 1975, before going on to win countless awards including two BAFTAS and even being voted the best British programme of all time as part of a British Film Institute poll, it all feels very full circle.
Brought to life on stage by a creative team consisting of Cleese and fellow writer Connie Booth and directed by Caroline Jay Ranger – best known for her work on Blood Means Nothing (2019), My Week with Maisy (2024), Early Doors: Live (2021) and the Monty Python live show, there’s non-stop talent both on and off the stage.
One of the best part parts about a series that was stretched across just 12 half-hour episodes of TV is that you can just about manage to squeeze in the majority of the most memorable highlights into the approximately 1h50m run-time.
You can see the cast’s recent interview on This MorningHERE and for a short trailer for a better look at what to expect down below:
Fawlty Towers – The Play comes to the Manchester Opera House on Tuesday, 4 November 2025 and will be there until Saturday, 8 November.
General admission is live as we speak, with ticket options starting from £20 and going all the way up to £147.50 for the best premium seats and experience in the house.
Gregg Wallace apologises after Downing Streets labels ‘middle-class women’ comments ‘misogynistic’
Danny Jones
Gregg Wallace has issued an official apology as he looks to be in increasing trouble not only over recent reports of his misconduct on set but his subsequent reaction to the allegations and now viral “middle-class women” comments.
The 60-year-old MasterChef presenter and well-known foodie face stepped down from the BBC cooking show last week after a total of 13 people came forward to complain about his ‘sexual’ behaviour over the course of a 17-year period.
Despite having denied an initial accusation from a former female colleague regarding an incident back in 2018, in which insists no comments or actions of a sexual nature were made, a dozen more individuals have now submitted historical complaints to the corporation and a full investigation is underway.
However, in an Instagram story shared on Sunday, Wallace was quick to dismiss the claims made by what he called “a handful of middle-class women of a certain age” – a response which was quickly met with a severe backlash online.
Equally problematic was his suggestion that because he had worked with an estimated 2,000 people during his time on the show the words of “only 13” women were somehow less valid and/or believable.
Having also shared a video thanking all of those supporting him, as well as numerous other stories featuring personal messages from people both on and off the show defending him, he has continued to rebuke those who have put his conduct over the past two decades under a microscope.
That being said, it looks as though the now former TV personality and household name is doubling back after even Downing Street came out to condemn his comments, with a spokesperson for Prime Minister Keir Starmer labelling the response video “completely inappropriate and misogynistic.”
Having since deleted a number of his IG stories and now shared a follow-up video to his initial reply, telling his followers: “I want to apologise for any offence that I caused with my post yesterday and any upset I may have caused to a lot of people.”
He said that he was not in a “good head space” when he posted the response and has been dealing with a lot of stress since the story broke, adding, “I felt very alone.” You can see the clip down below.
As you see, the ex-green grocer and restaurant owner said he intends to step away from the story for now and let the in-house investigation move forward without interruption.
Both the BBC and production company, Banijay UK – who make MasterChef and the various spin-off series on which Gregg Wallace has served as a co-host – are currently conducting an internal review of those complaints made by former contestants and staff, including a BBC news anchor.
While none of the allegations are yet to be proved, one former male contestant reportedly told Sky News that the current allegations are just the “tip of the iceberg“, claiming he witnessed a “toxic environment” and was so “horrified” he considered quitting the show on his first day.
Danny Jones -
5th March 2023 
