Angela Rayner has been added to the bill for Andy Burnham’s immense DJ battle this weekend – which is a sentence we never thought we’d be writing.
The deputy Labour leader will be getting behind the decks at the charity event, alongside Manc music legends including Rowetta and Clint Boon.
The event will see Burnham battling against Steve Rotheram in a musical head-to-head between Manchester and Liverpool, all to raise money for the Greater Manchester Mayor’s Charity for A Bed Every Night.
It’s taking place at Depot Mayfield, the home of Warehouse Project, on Friday 2 December – and we’ve got an exclusive discount for £1 tickets for The Manc readers.
All proceeds from bar sales on the night will go to support those who are experiencing or at risk of rough sleeping in Greater Manchester.
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Andy Burnham doing a live-streamed DJ set during lockdown. Credit: GMCA
The line-up will be headlined by Andy Burnham and Steve Rotheram (who first battled behind the DJ decks in lockdown), with guest appearances from Angela Rayner, Nihal Arthanayake, Stanley Chow, Clint Boon and Rowetta, plus guest DJs from the Warehouse Project.
Angela said: “I can’t wait to get on the decks and show everyone why Manchester is clearly the best city when it comes to music. I’ve got a lot of love for Scousers, but Team Liverpool will be second best on Saturday night.
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“I’m delighted to be taking part in this event and helping to raise money for such a fantastic cause. I hope you like the songs I’ve picked. It was hard to narrow it down to three because there are so many Manchester music legends!”
Mayor of Greater Manchester Andy Burnham said: “We all know Manchester has the greatest musical heritage and I’ll be giving it my all in the set to prove that point once and for all. There’s serious pride at stake here.
We're raising money for the brilliant @GMMayorsCharity initiative A Bed Every Night & powered by @WHP_Mcr
“But competition aside, our passion for music unites our two city regions. What better way to put on an amazing celebration of our region’s culture and raise money for important causes, to support those who need it most at what is a really difficult time.”
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Mayor of Liverpool City Region, Steve Rotheram said: “There can be no debate: the Liverpool City Region is the undisputed home of British music. We’ve given the world some of the greatest artists, albums and songs of all time – no area has had more number one hits than us.
“The fact we beat off competition from cities across the UK to host next year’s Eurovision Song Contest on behalf of Ukraine speaks to our world-leading reputation as the UK’s premier music scene – and it’s a legacy we’re continuing today.”
The battle is supported by The Warehouse Project, Elevate and Badger & Combes.
Launched in 2018 by Andy Burnham and supported by the Charity, A Bed Every Night provides emergency accommodation for anyone rough sleeping across the city-region, regardless of status, as well as vital personal support.
Since its launch, A Bed Every Night has helped over 4,000 people and been instrumental in reducing rough sleeping in the region since its peak in 2017. But due to the current cost of living and energy crisis, there is an increased need to offer support this winter.
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Currently, there are 619 people in A Bed Every Night accommodation across Greater Manchester who would otherwise be at risk of rough sleeping, with 21 organisations across the region providing accommodation.
To get your ticket for £1 (plus fees), use the code: TheManc – get yours here.
Featured image: Ramona / Supplied
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The Strokes at Co-op Live, Manchester – actually very hard to explain
Daisy Jackson
Manchester has waited a long, long time for this – The Strokes back on stage in our city.
I’ve been a fan of the band for as long as I can remember, but have never managed to catch them live, partly because they’ve left it TWENTY YEARS between shows here.
But back they are, with an enormous gig at the Co-op Live on their Reality Awaits tour.
The Strokes are known as one of the most solid indie bands of the 2000s, going triple platinum with their debut album Is This It and releasing massive anthems like Last Nite, Reptilia, and Someday.
They’re also known as a bit of an unpredictable live act – some will say they’re one of the best on the circuit, others will say they’re disappointing, and it really can depend on the night.
What they’re not known for is their audience interaction, so when frontman Julian Casablancas tries to have a bit of a chat with the audience, we all sort of stare blankly back at him. He’s speaking to us? What do we do?
“Wow, tough crowd,” he says, which is the first time I’ve ever heard anyone describe a Manchester audience as tough.
Then he turns back to drummer Fabrizio Moretti and says: “This is f*cking hideous, let’s play some songs.”
The setlist seems to get a shake-up every couple of shows, which is a nice surprise for us – and apparently also Julian, who regularly pops over to ask his bandmates what’s up next.
It doesn’t really matter that he’s not done his homework, because the second that drum kicks in, along with the impeccable guitar work of Schiltz, Fraiture and Hammond Jr., he snaps into action.
It’s impressive that their songs still have such singalong quality when Casablancas enunciates like a man with a dislocated jaw. For certain songs he’s so incoherent that if you weren’t a fan you’d walk in this room and wonder what the f*ck was going on.
But then, that’s sort of why us The Strokes fans love them so much. There’s a calamitous beauty to the work they put out and it’s so fun to belt out some words, even if they’re not the right ones.
I was hoping that seeing it live would sell that divisive new album, Reality Awaits, to me, but it didn’t. It’s too autotuney, too languid, and too often the victim of everyone’s toilet breaks.
Their earlier tracks still land best in a live setting, especially Reptilia, an absolute juggernaut in their back catalogue.
Rollercoaster set and tricky crowd interactions aside, we all had a great time – I’m just not sure I could say the same about Julian Casablancas.
Sam Fender describes his own ticket prices as ‘b*llocks’ and demands change for fans
Daisy Jackson
Sam Fender has kicked off about ticket prices for his own tour, ahead of his huge stadium summer next year.
The Geordie star announced his Proper Massive stadium tour last week, which will visit some of the UK’s biggest venues including The O2 in London, Etihad Stadium in Manchester, and St James’ Park in his home city of Newcastle.
But after ticket prices for the tour were announced, Sam Fender surprised us all by joining in with a moan about how expensive they were.
He described the ticketing strategy for his tour as ‘b*llocks’ and said he was ‘not happy’ with ticket prices.
And proving just how much sway an artist can have on ticket prices, Sam Fender then demanded that things be redone.
Sam first appeared in the comments on Gavin Davis’ Instagram account, which frequently shares tour leaks and ticket prices.
There, he wrote: “I’m not happy with these prices, they’re getting changed. It got inflated well more than I’d had in mind, it should only be inflated in relation to the cost of putting the show on.
“The standing will not be split as well, I had no idea about it. I have no idea how this was normalised in gigs.
“It’s bollocks and it won’t be happening on this tour.”
Then later, on his own Instagram stories, Sam Fender posted: “I’ve managed to get Front Standing tickets removed from the UK stadium tour. Whoever buys a standing ticket gets as much chance as anyone to be at the front.
“No more £120 standing tickets either.
“Costs are astronomical compared to two years ago, I can’t control the venue and ticketing fees, that’s a sad reality of today’s industry.
“This is gonna be the biggest and best show we’ve ever put on. Can’t wait to see everyone on the road next summer!”
The ticket prices for the Proper Massive tour are now confirmed by Sam Fender himself as being £85 for GA standing, and £55/£75/£95 for seats.
Daisy Jackson -
1st December 2022 
