British comedy legend Michael McIntyre is rolling back into Manchester this weekend for a double bill of his brand-new tour, MAGNIFICENT at the AO Arena.
Still one of the biggest names in UK comedy and always delivering a reliable and largely family-friendly performance (this being a 14+ show), he’s set to pack out the legendary Manc entertainment venue this Friday and Saturday.
Despite being a household name for the best part of two decades now, this latest show is actually his first stand-up tour in five years and has already received pretty solid reviews from the likes of Chorlte, so it’s great to see him back out on the circuit.
With all that in mind, we thought we’d provide those going along to either of his two Manchester shows with all the info you need.
Are there tickets left?
Credit: UKTV Gold
First off, if you’re still looking to grab tickets to see Michael McIntyre at Manchester’s AO Arena, although the Sunday is sold out there are still a fair few tickets left for the Friday, 22 March show.
With the cheapest tickets starting from just £34.50 and the closest seats going all the way up to £147.06, you can pretty much have your pick of the bunch.
As always, if you’re feeling like being a bit posh and treating yourself (you always deserve it, as far as we’re concerned), you can of course spring for the more premium hospitality packages like the Electric Lounge’s Champagne Experience. You can find the full gamut of tickets HERE.
Warm-up act and stage times for Michael McIntyre’s Manchester show
As for stage times, comedy shows at the AO Arena skew slightly earlier than the likes of your live music in Manchester but we can still let you know how long you can expect to be there.
Doors are set to open from 6pm on both nights but the jokes won’t start flying until 8pm, so you’ll have plenty of time to grab a drink, something to eat, nip to the loo etc.
With opening support act Jake Lambert — who has also turned with the likes of industry heavyweights Romesh Ranganathan and Jack Dee — set to take the stage for a 20-minute warm-up set at 8pm, McIntyre isn’t due on until 8:20pm, and his roughly 75-minute set will take you up to 22:10pm, so you should be out well before the venue’s curfew at 11pm.
The AO Arena is right in the heart of the city centre, so it’s fairly easy to get to.
On foot:
The AO Arena is located within the Manchester Victoria Station complex in the city centre, on the corner of Trinity Way, Hunts Bank and Great Ducie Street. You can enter through the station (up the stairs), through the Trinity Way Tunnel, or from Hunts Bank.
By tram: Also super straight-forward – hop off the tram at Manchester Victoria and you’re right by the stairs to the venue. It’s also a short walk from Exchange Square and Shudehill. Trams run directly to Victoria Station from Rochdale, Bury, Altrincham, East Didsbury and the Airport.
By train: While Piccadilly is the city’s largest train station, plenty of trains do pass through Manchester Victoria. You can plan your journey through the National Rail website.
Parking: The postcode if you’re driving to the AO Arena is M3 1AR. There’s an on-site CitiPark car park with 958 spaces, which can be pre-booked here. Bear in mind that Trinity Way is closed after concerts to allow gig-goers to leave safely, though cars are allowed out of the car park with directions from staff.
About the AO Arena
The AO Arena has a few strict policies to keep gig-goers safe, so make sure to check entry requirements carefully before you travel.
For example, only one small bag per person is allowed, and bags like backpacks, travel cases and laptop bags are not permitted inside the arena.
All bags are scanned on entry to check for prohibited items like laser pens, flares, projectiles, weapons, drugs and alcohol, and even selfie sticks.
Also, if you’re looking for somewhere for a classy drink and a nice bite to eat, then the brand-new Mezz restaurant is the perfect spot for some pre-gig fun.
Aitch is playing a huge hometown set at The Warehouse Project
Danny Jones
Aitch has booked another massive hometown slot as the Moston-born rapper will be playing none other than the home of clubbing here in Manchester: The Warehouse Project.
Joining the WHP25 programme, which is already stacked right up until New Year’s Eve, the 25-year-old is the latest rapper to take on the famous club venue, following the likes of Little Simz and Loyle Carner, who played the event series back in October.
Aitch‘s new album, 4 – which denotes the number of studio LPs he’s made to date and acts as a nod to the M4 postcode – was released on June 20 and has already proved popular with fans.
Having just played Parklife as well as a secret set at Glastonbury this year, he’s already performed most of his biggest slots for the year, but the ever-rising local rapper thought he’d given Manchester another big gig and one more chance to see him live in 2025.
As an increasingly popular main event act across the UK, a headline show at Warehouse Project is nothing short of a massive deal for any artist, let alone a Manc.
The date itself will see him see him performing songs from the new record, which is his second to hit the top 10, as well as a selection of multiple platinum-selling hits.
Sharing details of early access tickets on Instagram stories shortly after the announcement, the UK hip-hop and grime star reminded fans: “This is the only chance to see me shut this sh*t down this year!!!”
It’s actually his only major domestic show in full stop, so if you’re a die-hard fan of Harrison Armstrong and his music, you really don’t want to miss this one.
He’s not the only big name coming to Mayfield this season either.
WHP25 /// FISHER – TICKETS ON SALE NOW
Don’t miss out on what’s set to be an unmissable night – packed with infectious energy from beginning to end – as he takes over Depot Mayfield alongside a lineup coming very soon.
Featured Images — Jahnay Tennai (supplied)/Aitch (via TikTok)
What's On
‘Dazzling’ Victorian silver sculpture goes on public display in Greater Manchester after fears it was lost
Emily Sergeant
A long-lost masterpiece of Victorian silverwork has been saved and is now on display to the public in Greater Manchester.
Anyone taking a trip over to the National Trust’s historic Dunham Massey property, on the border of Greater Manchester into Cheshire, this summer will get to see the ‘dazzling’ sculpture called Stags in Bradgate Park – which was commissioned by a former owner in a defiant gesture to the society that shunned him.
The dramatic sculpture of two rutting Red Deer stags, commissioned in 1855 by George Harry Grey, 7th Earl of Stamford, was said to be an ‘act of love and rebellion’.
It also serves as a symbol of ‘locking horns’ with the society that ostracised him over his marriage to a woman considered ‘beneath him’.
“This isn’t just silver – it’s a story,” says James Rothwell, who is the National Trust‘s curator for decorative arts.
“A story of a man who fell in love with a woman that society deemed unworthy. When the Earl married Catherine Cox, whose colourful past was said to have included performing in a circus, Victorian high society was scandalised. Even Queen Victoria shunned the couple at the opera and local gentry at the horse races in Cheshire turned their backs on them.”
Modelled by Alfred Brown and crafted by royal goldsmiths Hunt & Roskell, Stags in Bradgate Park is a meticulously-detailed depiction of nature, and was considered a ‘sensation’ in its day.
Showing the rutting deer positioned on a rocky outcrop with gnarled hollow oaks, it graced the pages of the Illustrated London News, was exhibited at the London International Exhibition of 1862, and at the Paris Exposition Universelle of 1867 – both of which were events that drew millions of visitors.
A ‘dazzling’ Victorian silver sculpture has gone on public display in Greater Manchester / Credit: Joe Wainwright | James Dobson (via Supplied)
The silver centrepiece was the celebrity art of its time, paraded through streets and admired by the public like no other.
Gradually over the years, some of the Earl of Stamford’s silver collection has been re-acquired for Dunham Massey, and this particular world-renowned sculpture, thought to be lost for decades and feared to have been melted down, has miraculously survived with its ‘dramatic’ central component being all that is left.
“The sculpture is not only a technical marvel, with its lifelike depiction of Bradgate Park’s rugged landscape and wildlife, but also a dramatic human story key to the history of Dunham Massey,” added Emma Campagnaro, who is the Property Curator at Dunham Massey.
Danny Jones -
22nd March 2024 
