A brand new exhibition honouring Kellogg’s 90-year legacy has opened this week, ahead of the cereal brand’s Trafford Park site closure.
Head on over to Sale’s very own Trafford Local Studies and Archive Centre, just over the road from the tram stop, to catch a glimpse into the past 90 years of local history of the iconic Kellogg’s Trafford Park manufacturing site.
This new exhibition is in place to celebrate the products, history and cultural significance of Kellogg’s Trafford Park factory, as well as to commemorate all of the exceptionally hard working individuals in Stretford who have been involved from the very beginning.
For this reason, the exhibition was developed in partnership with colleagues from the factory and is purposely set up in a space where the local community can access and appreciate it, as without them Kellogg’s wouldn’t be what it is today.
In January 2023, even King Charles III paid a visit to the factory, to celebrate the 100 years of Kellogg’s ‘Bringing Breakfast to Britain.’
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Despite narrowly missing being hit during the Blitz, this particular site has managed to maintain its status of being the biggest cereal plant in Europe and at full capacity it is able to produce a million boxes of cereal a day – pretty impressive if you ask us.
Since 1938, when the factory first opened here in Stretford, lots has changed but fear not Kelloggs aren’t closing down – they are simply moving from the Trafford facility to Wrexham to facilitate more modern manufacturing.
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You can expect to learn all of the history of our nation’s favourite cereal company as you walk around the Kellogg’s exhibition. The story is expertly told through a number of displays presenting more than 100 artefacts, rare collectibles, the contents of a time capsule, photographs and archival footage.
Old Kellogg’s packagingMore relics from the past
We found it particularly interesting seeing how the imagery and branding merchandise has evolved over almost a century, with the iconic characters that we know and love, looking rather different back in the day.
Whether you have a favourite character out of Tony the Tiger, Cornelius the Cockerel, or Coco the Monkey, go on down and see how Kellogg’s instantly recognisable cereal box mascots have changed over the years – it would seem at some point Tony started heading to the gym?!
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There are even examples of Tony the Tiger and Coco the Monkey supporting Movember with their very own moustaches, or Tony-inspired face masks worn by staff throughout the Covid-19 pandemic.
The exhibition successfully evokes a strong sense of childhood nostalgia, with Kellogg’s forever being a cornerstone to Greater Manchester’s community life, many of us will be able to recall collecting the toys as a child, sending off for the collectibles, getting a multipack of the mixed small cereal boxes for a camping trip or even visiting the Kelloggs factory as a child with school and savouring that sweet smell.
You can learn about the history of Kellogg’sPure nostalgia
So, whether you’re an avid Crunchy Nut conflakes fan or you’ve recently found out about the nutritional benefits of Rice crispy bars as a pre-workout snack via Tiktok, go on down to learn more about this cracking bit of local history.
Tim McKnight, Plant Director at the Kellogg’s Trafford Park factory, said: “The Trafford Park factory means a great deal to us and the community, and we hope this exhibition helps celebrate that pride and the lasting contribution our colleagues have made to Greater Manchester.”
A spokesperson for Trafford Council said: ” For nearly 90 years the plant has been a major local employer and a source of pride for generations of families, and this exhibition is a fitting tribute to the people behind the brand and the role they’ve played in shaping breakfast tables around the world.
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“While we are saddened by the closure of the plant, it has been important for us to work with Kellogg’s to preserve and showcase these remarkable archives.”
Admission at Trafford Local Studies and Archives Centre is free, open six days a week with the exhibition on the ground floor of Sale Waterside running until early August 2026.
For further information to support the physical exhibition, head HERE.
After All 2026 – the affordable grassroots music festival happening in Northern Quarter
Danny Jones
Grassroots music event After All Festival is returning to Manchester this weekend, with rising local artists and affordable tickets.
Now well over half a decade since it was founded, All All Fest takes place in the heart of the Northern Quarter, and this year they’re proving that their slow and steady approach to backing the best new up-and-coming bands at core intimate venues is more important than ever.
With plenty of previous acts having impressed in recent years, we’re looking forward to seeing how 2026 stacks up in comparison to its predecessors.
Increasingly prolific native group Dirty Laces are set to headline the whole thing, Manilla Times are locked in, and Bolton’s very own James Holt also stands out on the lineup, just to highlight a few.
As the festival continues to grow in size and popularity, they have obviously had to scale things up even further this year.
That being said, beloved live music spot and Manc institution, Band on the Wall, is among the chosen arts spaces for this latest iteration.
BoW will be offering up their 500-capacity main room to the organisers for the very first time, serving as the de facto main stage of After All Fest 2026.
Joining them will be the Rose and Monkey next door, as well as cult favourite pub, Gullivers on Oldham Street, who have a long history of supporting local musicians and the arts in general.
And would you look at that, now you’ve got all the stage splits and set times, too.
Labelled by Dead Records’ Rob Fiddaman as “one of the UK’s most exciting new music festivals”, homegrown DJing legend Dave Sweetmore has also described it as “unique in so many ways”, hailing it as a “brilliant event with a great atmosphere to discover new music.”
Having been ourselves on multiple occasions since its inception in 2019 – both as Audio North off-duty and as punters before then – we can’t recommend it highly enough.
The latest edition takes place at 12 noon onwards this Saturday until 2am on Sunday, 17 May, and while the cheapest early bird tickets (£16.50) are long gone, general admission tickets are still available, with prices starting from just £20. Grab yours HERE before they sell out.
It’s not the only live music event worth being a part of this month…
Review | The Karate Kid at Palace Theatre and Opera House, Manchester – very much wax ON
Lonnie Bowes
The theatrical version of The Karate Kid has arrived at the Palace Theatre and Opera House, bringing a well-known story of discipline, resilience and mentorship to a live audience.
Best known for its iconic cinematic legacy, The Karate Kid translates surprisingly well to the stage. It leans less on spectacle and more on character, movement and emotional growth.
At the production’s heart, the story still revolves around a young outsider trying to find confidence and belonging in an unfamiliar environment, guided by an unexpected mentor.
The narrative follows Daniel, played by Gino Ochello, marking his first professional stage debut, as he struggles to adjust to a new life, facing intimidation and self-doubt before encountering the legendary Mr Miyagi, played by Adrian Pang.
What unfolds is more than just a story of learning karate; it becomes a study of patience, balance and inner strength for Daniel. The central relationship between student and teacher remains the production’s strongest theme, grounding the story in warmth and sincerity.
The bond between student and Sensei is clear to see throughout. Focusing more on the movement side of things, the musical definitely has its fair share of action; the production shines with storytelling through choreography.
The fight sequences are carefully staged. The whole production walks a balanced line between movement and tension that feels immediate without losing theatrical elements.
These scenes are not about aggression alone but about control, reflecting the philosophy at the core of the story: balance. If you’ve seen the movies or the likes of Cobra Kai, you’ll know the vibes.
The cast works cohesively to maintain this balance. Ochello playing Daniel captures a mix of genuine vulnerability and determination as he attempts to settle into his new life in California, a million miles from the streets of Jersey he once knew.
While Adrian Pang portrays Mr Miyagi does this with a quiet authority. Their dynamic evolves on stage flawlessly, allowing the audience to invest in their journey rather than simply anticipating the next fight.
Visually, the production makes effective use of staging and design. The set shifts fluidly between locations, using lighting and more than a few well-timed transitions to keep the pace moving.
Subtle changes in atmosphere mirror the cast’s internal world, moving from insecurity and isolation to confidence and connection as the story progresses. The music throughout further supports this, blending nostalgia from the old flicks we all knew and love, with a new contemporary stage feel.
As the story builds toward its familiar ending, the focus remains less on winning and more on personal growth. The final moments emphasise discipline, self-belief and restraint rather than triumph alone.
A well-deserved standing ovation. (Credit: The Manc)
Reinforcing why the story has endured across generations and how the themes explored remain powerful pillars of life in today’s world.
Ultimately, The Karate Kid on stage at the Palace Theatre succeeds not by trying to replicate the film exactly, but by reinterpreting its themes for a live audience. It’s a production that leans into character, movement, friendship and emotional resilience.
It reminds viewers that its real power lies not in the fights, although sometimes necessary as a last resort, but in what they represent on the inside. We had a much deeper experience than we expected, and loved pretty much every minute of it.
Lydia Mastrolonardo -
15th May 2026 
