A new installation at The Factory has given the public a chance to look inside the under-construction £186 million landmark arts complex for the first time.
Although still predominantly a building site and not due to open its doors fully until next year – with budget issues and delays due to the COVID-19 pandemic cited as reasoning – audiences were invited inside The Factory this past weekend to experience major new sound and light installation Arcadia.
Created by theatre and opera director Deborah Warner and partly-inspired by a painting of Manchester by William Wyld, Arcadia saw a field of luminous tents emitting an original sound composition that wove together some of the greatest nature poetry ever written, by poets including Sappho, John Clare, WB Yeats, G. E. Patterson, Seamus Heaney, Jackie Kay, Simon Armitage, Alice Oswald and Sabrina Mahfouz, among many others.
It featured recorded contributions from several leading Northern actors and musicians including Jonathan Pryce, Jane Horrocks, RoxXxan, Brian Cox, Simon Russell Beale, Lioness and David Thewlis.
Arcadia was designed as a space for “thought and reflection” / Credit: MIF / Andrew BrookesAudiences were invited to wander freely through the space to connect with nature / Credit: MIF / Andrew Brookes
Arcadia was designed as a space for “thought and reflection”.
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Audiences were invited to wander freely through the space to connect with nature and consider “the relationship between the urban and the rural”.
“It has been enormously exciting to create a project for MIF inviting the public into The Factory for the very first time,” said Deborah Warner.
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“It’s been thrilling to watch this extraordinary landmark building take concrete form from the core of one lift shaft, to its present stage of well-defined auditoria, rehearsal spaces, loading docks and offices.
“The Factory will not only change the cultural face of Manchester, but that of the UK, Europe and the world.”
John McGrath – Artistic Director at & Chief Executive of MIF and The Factory – added: “We are delighted to welcome such a visionary director to this year’s festival to transform a space that will ultimately play a crucial role in the future of Manchester and the arts internationally.
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“This work has created an opportunity for audiences to encounter The Factory as it is being shaped and invites them to reflect on the juxtaposition of urban and rural.”
The Factory will be a “world-class cultural space” once it opens in 2022 / Credit: MIF / OMA
The Factory – being developed by Manchester City Council in partnership with Manchester International Festival (MIF) – will be a “world-class cultural space” in the heart of the city centre and the year-round home for MIF once it opens in 2022, with a programme of groundbreaking, and interdisciplinary work by leading artists from across the globe.
The landmark building is setting out to be one of the “largest, most ambitious, and most versatile purpose-built arts spaces in the world”.
Featured Image – MIF / Andrew Brookes
What's On
‘Breathtaking’ new 360° immersive dinosaurs exhibition to open in Manchester later this year
Emily Sergeant
A ‘breathtaking’ new immersive dinosaurs exhibition is set to open in Manchester later this year.
Fresh off the back of announcing its programme of events for the upcoming autumn-winter season last week, Factory International has now revealed that another new Lightroom experience will be arriving later this year, and it’s one any budding paleontologist will want to keep an eye on.
Prehistoric Planet: Discovering Dinosaurs blends iconic moments from Apple TV’s Emmy nominated Prehistoric Planet with never-before seen content.
It’s set to take audiences back in time to experience dinosaurs closer than ever before.
Narrated by critically acclaimed actor, Damian Lewis, the new 360° immersive experience is a celebration of our natural world told through captivating storytelling, breathtaking visuals, and groundbreaking technology, with visitors will be transported back in time, 66 million years ago, to experience dinosaurs up close.
Damian Lewis guides audiences through the fascinating role dinosaurs and prehistoric creatures have played in shaping our world – from Ammonites and Mosasaurs, to the Tyrannosaurus rex.
Lightroom’s state-of-the-art 360 projections will allow viewers to see these majestic animals at an awe-inspiring scale and travel alongside them through volcanoes, soaring skies and the deep sea.
As escapist as it is educational, audiences will not only experience some of the most beloved scenes from seasons one and two of Apple TV’s Prehistoric Planet, but they will also be immersed in exclusive extended CGI sequences and bespoke illustrations that bring the show to life in entirely new ways.
And to make it even better, the experience is set to an original score by multi-Academy Award winner Hans Zimmer, alongside Anže Rozman, and Kara Talve for Bleeding Fingers Music.
Prehistoric Planet: Discovering Dinosaurs opens at Aviva Studios, and tickets go on public sale tomorrow (Friday 26 June).
Featured Image – Supplied
What's On
Prestigious Edinburgh TV Festival to move to Manchester for first time in 50 years
Emily Sergeant
Greater Manchester will become the new host city for the TV Festival from 2027 onwards it was announced today.
For the first time in five decades, following an extensive consultation and competitive bidding process – which was launched in 2025 – the prestigious festival is set to move from its home in the Scottish capital of Edinburgh to our region from 2027 onwards, beating out other major northern cities like Newcastle in the process.
As part of a UK-wide strategic review into the event’s long-term future, the Festival’s board of directors say the review was undertaken in order to ‘examine how the TV Festival could continue to grow’ amid increasing challenges around accessibility, affordability, and sustainability across the television industry.
Greater Manchester‘s ‘successful and comprehensive’ bid included commitments around affordability, infrastructure, industry partnership, and long-term growth potential.
Plans include holding the Festival in locations in the newly developed St. John’s creative and cultural district.
“Greater Manchester presented a vision for the Festival that combined genuine creative ambition and future-facing energy with practical accessibility and affordability for delegates,” commented Campbell Glennie, who is the CEO of the TV Festival and The TV Foundation.
“This means we can radically reduce the costs associated with attending the Festival as well as the cost of passes.
“The city reflects the expanding ambition of the UK television industry, while still offering the scale, connectivity and unique cultural identity needed for an event of this significance – it gives us the strongest platform to grow the Festival’s reach and impact in the years ahead.”
Cllr Bev Craig, who is the Leader of Manchester City Council, said being chosen as TV Festival hosts is ‘brilliant news’ for Greater Manchester, adding: “It speaks to the growth, success and strength of our screen sector in the city region and the strong partnerships and talent we have here.”
The final Edinburgh edition of the TV Festival will take place this August, and dates and further details for the TV Festival in 2027 will be shared later this year.
Emily Sergeant -
13th July 2021 
