Manchester Jazz Festival has announced it will be bringing three days of music right to Escape to Freight Island this summer.
With the government’s “irreversible” roadmap for lifting England’s current national lockdown now set out, the team behind the region’s longest-running music festival will bring the very best in contemporary jazz to three stages – ‘The Ticket Hall’, ‘The Round’ and ‘The Pavilion’ – at the highly-popular Depot Mayfield venue this June.
Taking place from Friday 11- Sunday 13 June 2021, general release bookings will be available from Thursday. If you're a mailing list subscriber check your inbox now for an exclusive booking link!
— manchester jazz festival (@ManJazzFest) April 6, 2021
On Friday 11th June, audiences can catch sets from soul artist and favourite from the Manchester scene, Yemi Bolatiwa, storming sets from Mr Wilson’s ‘Second Liners’, and one of the brightest and boldest jazz talents in the UK, Rebecca Nash.
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DJs Pablo Blanquito and Danielle Moore will also be providing some tunes.
Saturday 12th June will kick off with Ain’t Misbahavin’ – an interactive concert for 6-11 year olds and their families – followed by sets from fast-rising, global-infused Leeds band Yaatri, MOBO-nominated saxophonist Camilla George and nine-piece afro-beat collective Nubiyan Twist.
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Saturday audiences can also enjoy Manchester-based singer songwriter Marco Woolf, the synthesised soundscapes of Rafe’s Dilemma, pounding brass parades from Back Chat Brass and Young Pilgrims, and DJ sets from Debra Richards and Harkirit Boparai.
Sunday 13th June will see The Untold Orchestra ft special guest Mali Hayes, high-energy beats and traditional African vocals from Ubunye, the Binker Golding Band led by the multi-award-winning saxophonist and composer, and sessions from Jazz North’s northern line bands Nishla Smith Quintet and John Pope Quintet.
There’ll also be high-energy brass covers of pop gems from Twisted Tubes and Break Out Brass, along with a DJ set from Jenna G and her Freight Island favourite, From MCR with Love.
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A selection of street food and open-air bars will complete the festival vibe.
mjf @ Escape to Freight Island
Speaking ahead of the event, Steve Mead – Chief Executive and Artistic Director at Manchester Jazz Festival – said: “As it became apparent we couldn’t stage our usual festival across the city in May, we wanted to do something that still embodied the spirit of Manchester Jazz Festival, and our weekend at Escape to Freight Island will do just that in what will be one of the first live music events with an in-person audience this year – three days full of unmissable, surprising musical moments teamed with a relaxed festival vibe and the best food and drink.
“Whether you’re first in line to book a table to see a new band or you simply want to surround yourself with live music again, the weekend promises great music and a good time all from the comfort of your own seat.
“We’re so excited to work with the team at Freight Island and can’t wait to show audiences what’s on offer”.
mjf @ Escape to Freight Island
Fancy booking tickets?
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Audiences can book socially-distanced tables with their household bubble free of charge for up to 2.5 hours in the different areas of the venue in advance, and there’ll be no entry on the door during the festival without a table booking.
In line with COVID-19 restrictions, table service will be available for food and drink during the event.
Audiences must not roam around the venue.
You can book your tickets for mjf @ Escape to Freight Islandhere.
Featured Image – Escape to Freight Island
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Elbow teams up with Co-op Live to donate equipment to Manchester grassroots venues
Thomas Melia
Bury band Elbow have joined forces with Manchester’s biggest indoor arena, Co-op Live, in aid of supporting local grassroots venues.
The funds will help improve the already incredible music scene in Manchester, benefitting staples likes Night and Day Café, Matt and Phred’s Jazz Club, SOUP and more.
All of the donations will be distributed across six independent music venues and will be used for various instruments, PA equipment, backline technology and other necessities depending on the requirements of each site.
Elbow have teamed up with Co-op Live in aid of supporting Manchester grassroots venues.Credit: Supplied
This initiative has been keeping Manchester’s Northern Quarter in the forefront of people’s minds when it comes to live music as well as the impressive Co-op Live.
Alongside providing vital resources for these local institutions, Elbow teaming up with Co-op Live also helps cement the North West as one of the main powerhouses in relation to live music.
The latest efforts from the largest indoor arena in Manchester fall in line with celebrating one year of bringing some of the best live music to the city, being officially open for 12 months in May.
Co-op Live have made a commitment to the people and the planet, promising to donate £1 million annually to the Co-op Foundation.
The stunning Co-op Live venue, Manchester’s largest indoor arena.Elbow performing at Co-op Live, marking history as the first act to grace the venue.Credit: Audio North/Supplied
Manchester’s latest live music venue also contributed significantly to selected charities, including Happy Doggo – chosen by Liam Gallagher and Eric Clapton’s addiction recovery centre, Crossroads.
As Elbow teams up with Co-op Live, even more money is making its way to necessary resources, this time in the likes of crucial live music establishments.
Elbow front-person Guy Garvey says: “Playing Co-op Live’s opening night will stay with us for a lifetime, not least because of how incredible the room sounded.”
“When the venue donated funds in our name to support the city we love, it made complete sense to carry that through to the Northern Quarter and to venues that have meant so much to my bandmates and I throughout our career.”
Guy Dunstan, Senior Vice President and General Manager, Co-op Live, adds: “In the past year, I have been proud to see Co-op Live become an integral part of such an incredible city.”
“Teaming up with Elbow to directly support the venues that first put Manchester on the map, and to share something so intrinsic to us as venues – proper sound – is something truly special.”
Award-winning The Kinks musical Sunny Afternoon to kick off UK tour in Manchester
Emily Sergeant
Multi award-winning musical Sunny Afternoon is set to kick off its UK tour here in Manchester later this year.
Following a sell-out run at Hampstead Theatre, the musical production featuring all the hit songs by legendary rock band The Kinks opened to critical acclaim at the Harold Pinter Theatre in London’s West End, where it ran for two years ahead of its sensational UK and Ireland tour throughout 2016/17.
It also collected four Olivier Awards, including Best New Musical and Outstanding Achievement in Music for Ray Davies, along the way.
Award-winning The Kinks musical Sunny Afternoon is kicking off its UK tour in Manchester / Credit: ATG Tickets
Set against the backdrop of Britain on the cusp of the rebellious 60s,Sunny Afternoon is described as being an ‘exhilarating and moving’ celebration of the music, life, and the band that changed it all, The Kinks.
Sunny Afternoon celebrates The Kinks’ raw energy, passion, and timeless sound.
Charting the ‘euphoric highs’ and ‘agonising lows’, the smash-hit production tells the band’s story through an incredible back catalogue of chart-toppers – including ‘You Really Got Me’, ‘Lola’, ‘All Day and All of the Night’, and of course, ‘Sunny Afternoon’ itself.
Tickets are on sale now from just £15 each / Credit: Kevin Cummins
Producers Sonia Friedman Productions and ATG Productions announced last week that the show would be returning for another UK tour later this year, and it’ll be opening right here on one of Manchester‘s most iconic stages.
The hit musical will open at Manchester’s Palace Theatre on 10 October 2025 and it will run right through until 18 October.
Sunny Afternoon has music and lyrics, and an original story, all by the band’s frontman Ray Davies, along with a book by Joe Penhall, direction by Edward Hall, design by Miriam Buether, and choreography by Adam Cooper.