In case you haven’t already heard, Stockport is an absolute hive of activity at the minute.
Among the numerous selling points brought to the borough by its recent regeneration are SK1 Records’ now-legendary street parties, which might just be this place’s magnum opus.
Having been voted Greater Manchester’s Town of Culture for 2023, many locals and those less familiar with Stockport might understandably assume the award was largely down to the likes of Foodie Friday, County being back on the up, perhaps, or Blossoms just absolutely smashing on the UK music scene.
That being said, we’d say there’s a very strong argument to be made that one of the biggest and best things about the former Cheshire town (no, for the last time, it isn’t Cheshire anymore) is SK1 Records and their unrivalled street parties.
If you’ve never been to one of these things before, then yes, you’re seriously missing out.
Based out of the record shop located on Underbank in the heart of Stockport’s Old Town, these street parties are some of the most exciting and well-attended events anywhere in the area, with numerous UK DJs, Manc musicians and local Stopfordian artists getting involved.
SK1 Records itself has only been open for a few years, soon to be celebrating its fifth birthday on 18 August, but to mark the occasion and celebrate the record store putting itself firmly on the cultural and underground music map in that time, they’re teaming up with an iconic Manchester club night later this month.
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Aficionado is a name you’ll have likely seen on countless posters plastered on pub walls and throughout different venues across town over the past twenty years or so, but for those unaware of its truly special legacy, here’s the gist.
The regular Manc music event, set up by DJs Richard ‘Moonboots’ Bithell and Jason Boardman, started as an alternative to the superclubs that began dominating the industry back in the 90s and have continued to bring unadulterated, accessible and fundamentally free-to-enter club nights to the masses for over two decades now.
With that in mind, it’s no wonder they picked this place for the next date on their calendar.
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Since both SK1 Records and Aficionado are approaching important milestone in their respective journeys, the lattermost — which has already popped up in pretty much every music venue you can think of around Greater Manchester over the years — they’ve decided to kill two birds with one stone.
SK1 has held several street parties for the Stockport locals since opening, not to mention many gigs and pop-ups around the Manchester area with the help of Boardman, but this is their first under the Aficionado banner, who just so happen to be celebrating their 25th anniversary as well.
So, with the help of another popular local spot sitting right across the narrow cobbles of Little Underbank Street, The Spinn Off, the trifecta will be coming together for what is set to be one of Stockport’s biggest street parties yet.
Owned by Emmerdale‘s Adam Thomas, the original restaurant over in Gatley which gave the bar its name might have sadly shut last month, but this Underbank boozer is still busy and bouncing, so it only felt right to get them involved with the next big party.
With that in mind, as SK1 Records celebrates its fifth birthday and Aficionado its 25th, the duo will be helping punters dance the night away on Friday, 18 August, with The Spinn Off helping provides drinks and extra tables along with Stockport Market‘s natural wine and craft beer shop, Wine Boy.
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‘Nado will also be holding a ticketed event to celebrate their incredible landmark at Escape to Freight to Island on 28 August too but this is their first free event of the year, staying in touch with their roots and also picking the home of Greater Manchester’s biggest and best street party to boot.
The street party itself will run from 6pm to 11pm and there’s also going to be food and snacks courtesy of Cafe Sanjuan, the only Colombian eatery you can currently find in the region, let alone Stockport and. Trust us, this place is worth the hype. It’s going to be a brilliant night.
Better still, we know exactly the place you want to be after the fun at SK1 Records stops…
The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Danny Jones -
10th August 2023 
