Marple is very much the epitome of where Greater Manchester meets the old-world vibes of the Cheshire countryside in what is, for our money, one of the most idyllic vistas anywhere in the region.
While many Mancs may have never ventured out to the reaches of this Stockport town and its adjacent villages before, Marple is not only home to roughly 13,000 locals but it’s also a regular haunt for walkers, canal enthusiasts and plenty of people just yearning for a little taste of the countryside.
One feature of the town that plays no small part in the influx of tourists and other residents from in and around Manchester is the famous Marple Aqueduct, sometimes known as ‘The Grand Aqueduct’ — and for good reason, as it’s the biggest canal aqueduct anywhere in England.
You might think you have seen many like it in various rural towns over the years but believe us, this is one of those things that you have to see in person to truly appreciate it.
Credit: The Manc Group
Built all the way back in 1794, Marple Aqueduct measures 800 feet long, over 100 feet tall and its central-most point and contains approximately 8,000 cubic yards of red sandstone and white stone from Chapel Milton near Glossop.
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It took seven years to build this incredible piece of masonry and functioning aqueduct — a life sadly lost for each year of construction — and it goes without saying that erecting a structure of this size in an era with much cruder tools and when health and safety weren’t exactly at the forefront of people’s minds.
The men that built that this thing literally put their lives on the line to try and ‘impress the engineering world’, put Marple on the map and carve their own little slice of history.
One of those people was civil engineer Benjamin Outram, the man who was responsible for many of the North West’s famous waterways, including the Manchester, Bolton and Bury Canal, Ashton and Maccsefield canals and even as far as the Huddersfield Narrow.
In the instance of the Grand Aqueduct, he designed to carry the Peak Forest Canal above the River Goyt which runs for around 15 miles from Dukinfield Junction along the Ashton Canal to the canal’s terminus at Bugsworth Basin.
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It had to undergo some repairs down the years, especially after the long winter of 1961 (the year before the so-called ‘Big Freeze’), with significant chunks of stonework falling into the Goyt which cost the local council and British Waterways £350,000 in today’s money to replace them.
Beyond taking in the marvel that is Marple Aqueduct itself, the reason this site is so popular when it comes to Greater Manchester walks, bike rides, picnics and so on is that you can walk the entire length of Marple Canal Flight, which consists of 16 locks and is one the steepest in the UK.
With plenty of nearby parking, the train station literally a stone’s throw from locks seven and eight, not to mention Lock 16 literally on the doorstep of Marple town centre (the Grand Aqueduct sitting at the other end), you can hop on plenty of points along the canal depending on how long a walk you fancy.
Marple and Stockport at large might have been part of Greater Manchester for nearly half a century now, but for those of you who enjoy scenic walks or simply swant to immerse yourselves in the local heritage and old Cheshire roots, there aren’t many better places to start than this.
You can see our recent Short Stuff episode on Marple’s Grand Aqueduct down below:
‘Breathtaking’ new 360° immersive dinosaurs exhibition to open in Manchester later this year
Emily Sergeant
A ‘breathtaking’ new immersive dinosaurs exhibition is set to open in Manchester later this year.
Fresh off the back of announcing its programme of events for the upcoming autumn-winter season last week, Factory International has now revealed that another new Lightroom experience will be arriving later this year, and it’s one any budding paleontologist will want to keep an eye on.
Prehistoric Planet: Discovering Dinosaurs blends iconic moments from Apple TV’s Emmy nominated Prehistoric Planet with never-before seen content.
It’s set to take audiences back in time to experience dinosaurs closer than ever before.
Narrated by critically acclaimed actor, Damian Lewis, the new 360° immersive experience is a celebration of our natural world told through captivating storytelling, breathtaking visuals, and groundbreaking technology, with visitors will be transported back in time, 66 million years ago, to experience dinosaurs up close.
Damian Lewis guides audiences through the fascinating role dinosaurs and prehistoric creatures have played in shaping our world – from Ammonites and Mosasaurs, to the Tyrannosaurus rex.
Lightroom’s state-of-the-art 360 projections will allow viewers to see these majestic animals at an awe-inspiring scale and travel alongside them through volcanoes, soaring skies and the deep sea.
As escapist as it is educational, audiences will not only experience some of the most beloved scenes from seasons one and two of Apple TV’s Prehistoric Planet, but they will also be immersed in exclusive extended CGI sequences and bespoke illustrations that bring the show to life in entirely new ways.
And to make it even better, the experience is set to an original score by multi-Academy Award winner Hans Zimmer, alongside Anže Rozman, and Kara Talve for Bleeding Fingers Music.
Prehistoric Planet: Discovering Dinosaurs opens at Aviva Studios, and tickets go on public sale tomorrow (Friday 26 June).
Featured Image – Supplied
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Prestigious Edinburgh TV Festival to move to Manchester for first time in 50 years
Emily Sergeant
Greater Manchester will become the new host city for the TV Festival from 2027 onwards it was announced today.
For the first time in five decades, following an extensive consultation and competitive bidding process – which was launched in 2025 – the prestigious festival is set to move from its home in the Scottish capital of Edinburgh to our region from 2027 onwards, beating out other major northern cities like Newcastle in the process.
As part of a UK-wide strategic review into the event’s long-term future, the Festival’s board of directors say the review was undertaken in order to ‘examine how the TV Festival could continue to grow’ amid increasing challenges around accessibility, affordability, and sustainability across the television industry.
Greater Manchester‘s ‘successful and comprehensive’ bid included commitments around affordability, infrastructure, industry partnership, and long-term growth potential.
Plans include holding the Festival in locations in the newly developed St. John’s creative and cultural district.
“Greater Manchester presented a vision for the Festival that combined genuine creative ambition and future-facing energy with practical accessibility and affordability for delegates,” commented Campbell Glennie, who is the CEO of the TV Festival and The TV Foundation.
“This means we can radically reduce the costs associated with attending the Festival as well as the cost of passes.
“The city reflects the expanding ambition of the UK television industry, while still offering the scale, connectivity and unique cultural identity needed for an event of this significance – it gives us the strongest platform to grow the Festival’s reach and impact in the years ahead.”
Cllr Bev Craig, who is the Leader of Manchester City Council, said being chosen as TV Festival hosts is ‘brilliant news’ for Greater Manchester, adding: “It speaks to the growth, success and strength of our screen sector in the city region and the strong partnerships and talent we have here.”
The final Edinburgh edition of the TV Festival will take place this August, and dates and further details for the TV Festival in 2027 will be shared later this year.