The big day is fast approaching: local lads and global music sensation, The 1975, are returning to Manchester with a massive gig at the AO Arena this weekend.
In case you haven’t already caught wind from the endless clips online, the genre-defying band are currently on a massive world tour simply entitled, ‘At Their Very Best‘, and it looks to be their biggest and boldest yet.
With scenes from their performances across the US and UK are being plastered all over social media night after night, it’s clear that these shows aren’t just like any other ordinary gigs. These lot are putting on a creative, show-stopping spectacle and soon Mancs will be able to see it live.
Rocking up to the legendary venue on Friday, 20 January, the Wilmslow-born outfit will not only be playing tracks from their latest album, Being Funny in a Foreign Language, but they will also belting out some of their biggest hits.
Judging by sights like these, you’re not ready and neither are we:
Yeah, if you’ve got a ticket for Friday, you’re gonna have a good time.
That being said, while we firmly believe that no viral clip or prior 1975 shows can prepare you for what’s about to come, we’re still going to do our best to let you know everything they have in store on Friday — to the best of our knowledge, anyway.
Tickets (we have some bad news…)
As if you haven’t guessed already, these tickets are absolute gold dust and sold out almost instantly, so coming across a spare will take some doing.
On the other hand, we love a trier, and you could always get lucky and spot one on resale sites like Twickets or TicketSwap but, as always, be 100% sure you’re buying from a trusted page and not getting ripped off.
Getting a hold of one of these things is hard enough, we don’t need you adding to your own stress by falling for a scam.
The 1975 support acts
Bonnie Kemplay
As for The 1975’s warm-up acts at their Manchester Arena gig, there has only been one confirmed support artist: Edinburgh singer-songwriter Bonnie Kemplay, who covered their smash-hit ‘If You’re Too Shy (Let Me Know)‘ in the BBC Radio Live Lounge back in 2021.
Having joined them for the UK and Ireland legs of their 2023 tour calendar, the 19-year-old songstress has been chronicling her experience on tour with the headliners on social media.
Signed to the same label as The 1975, Dirty Hit Records — where frontman Healy is also the creative director — she is clearly one for the future and has been well-received while opening up for the main event. Watch this space.
Special guests?…
While just one support might sound somewhat surprising for a show of this size, it is also worth mentioning that all manner of special guests have popped up and delivered some incredible performances in various cities across Britain and America so far.
As well as a cameo by Phoebe Bridgers and even guitarist Adam Hann’s wife Carly Holt finally joining the band on stage for her part in ‘About You’, those watching The 1975 first night at the London O2 were treated to Taylor Swift just casually popping up and doing a quick acoustic set. As you do.
With that in mind, we obviously can’t predict who might make a surprise appearance at the Arena gig but given the stops they pulled out for London, we’re betting they have something even bigger up their sleeve for their home gig.
Some fans even think we could get a bit of Harry Styles given that he is and local lad and was spotted at the first London gig. Who knows?
The 1975 stage times
Now, for those wondering what are the set times for The 1975’s AO Arena concert, although the night is jam-packed, they manage to get it all done in around four hours.
With doors opening at 6:30pm, giving you time to grab a drink and maybe some merch on the way in, opening act Bonnie Kemplay will spend just under an hour warming up the crowd.
The band are then due to take to the stage at approximately 8:30pm, with the show expected to end around 10:40pm. On the other hand, Matty does whatever he wants in these gigs so they could go well beyond that, just fair warning.
‘At Their Very Best’ setlist (we think)
Following the release of the new record back in October, fans can obviously expect to hear Being Funny in a Foreign Language (BFIAFL) in full, all played in order with a couple tracks from previous albums breaking up things in between.
Then, after running through the 12 new tunes, the band will be diving into their biggest bangers, with a total of at least 25 songs on the current setlist which even includes cult-favourites like ‘fallingforyou’, ‘Paris’ and the ‘An Encounter’ interlude from their self-titled debut.
Here’s is roughly what they have been playing so far:
The 1975 (BFIAFL version)
Looking For Somebody (To Love)
Happiness
Part Of The Band
Oh Caroline
I’m in Love With You
All I Need To Hear
Roadkill
I Couldn’t Be More In Love With You
fallingforyou
I Like America & America Likes Me (‘Real World’ version)
About You
When We Are Together
If You’re Too Shy (Let Me Know)
TOOTIMETOOTIMETOOTIME
Chocolate
It’s Not Living (If It’s Not With You)
Paris
INTERLUDE: An Encounter
Robbers
Somebody Else
Love It If We Made It
The Sound
Sex
Give Yourself A Try
There’s a bit of everything on here, with some of the strongest moments from each of their five albums highlighted. After all, it is The 1975 ‘At Their Very Best’. However, it goes without saying that they have been mixing things up as they go to keep fans on their toes, like so:
Last but not least, if there’s one thing we do know will happen during The 1975’s AO Arena gig, it’s simply whatever Matty Healy wants.
Unless you’ve been living under a rock over the past few months, you’re bound to have heard at least one story of the ever-eccentric singer, songwriter and guitarist getting up to all sorts during this tour.
From sucking people’s thumbs and checking their IDs before bringing them on stage to give them a snog, to getting his chest tattooed live on stage and eating a raw piece of steak in between songs, it’s certainly one of the more out-there productions you’ll see on a Friday night of live music.
The band are always striving to be artistic and push boundaries — the use of the beautifully designed set on this tour alone proves that — but sometimes the stuff that sticks with you the most is the simple things, the random moments only that city got to witness and, of course, the memes.
We hope you enjoy repeating 'don't like menthols' over and over again for the rest of your life. 👍😂https://t.co/ygOP1oET1Y
We are fortunate enough to be going along to watch The 1975 at the AO Arena later this week, so be sure to your eyes peeled on our main Instagram and Manc Audio feeds for a glimpse of the show.
As for their intimate Gorilla gig scheduled on 1 February, it’s hard to believe anyone managed to cop tickets for that one, so well done to those of you who did.
Nevertheless, we look forward to shouting “don’t like menthols” when the moment of truth arrives (if you know, you know) and, hopefully, we’ll see a few of you there on Friday.
Revenue from Manchester’s ‘big gigs’ to go towards supporting local grassroots music venues
Emily Sergeant
Manchester City Council is set to earmark almost £250,000 to support grassroots music venues in the city.
Following on from the success of the city’s huge summer of music, which in recent weeks has seen hundreds of thousands of fans converge in the city to see massive names like Olivia Rodrigo, Billie Eilish, Charlie XCX, Elbow, and Robbie Williams, as well as other talents like Fontaines D.C. and Sam Fender still yet to come.
Oh yeah, and there was also that small matter of Oasis reuniting for five nostalgia-drenched gigs in Manchester’s Heaton Park earlier last month.
Over the course of the summer, it has been estimated that Manchester will have attracted a whopping 1.3 million music tourists, which is being described as a ‘tremendous’ boost for the city’s economy as a whole, especially the hospitality industry.
Revenue made from Manchester’s ‘big gigs’ this summer is to go towards supporting local grassroots music venues / Credit: Eldhose Kuriyan | Joshua Hanson (via Unsplash)
These huge events are also generating income for the Council too, either by being hosted in the city’s largest parks with commercial arrangements for their use, or through the business rates paid by major venues – and it’s this income that has been earmarked to go towards supporting grassroots music venues throughout the city.
As well as reinvesting part of this revenue into parks and greenspaces, the Council is planning to set aside £245,000 to be made available in financial support for Manchester’s grassroots venues.
While exact details are in the process of being finalised, the intention is that the scheme will be administered by the Music Venue Trust to ensure that the money gets to where it is needed as ‘quickly and effectively’ as possible.
It’s estimated that Manchester will have welcomed 1.3 million music tourists before summer’s out / Credit: Nathan Mullet (via Unsplash)
“Manchester is a big noise in the music world,” commented Councillor Bev Craig, who is the Leader of Manchester City Council, “and this summer, all eyes have been on the city as we’ve hosted some huge concerts and seen unprecedented success in our large venues.
“But while the biggest gigs might dominate the headlines, we know they are only possible because they are part of a wider ecosystem, with grassroots venues providing the launchpads for acts to develop and grow.
It's been a BIG summer of music in Manchester.
We've got pioneering plans to use money raised by some of the biggest gigs to support our grassroots venues – a vital ingredient of the city's amazing music scene: https://t.co/8ekQN7AmGBpic.twitter.com/MpVWpeHqbk
— Manchester City Council (@ManCityCouncil) July 31, 2025
“We know that across the country, grassroots venues are struggling. That’s why we want to ensure that our grassroots venues can share some of the benefit from the success of those big events.
“We’re blessed in Manchester with an array of great smaller venues.
“They are there to be enjoyed and I’d encouraged anyone who values them to get out and support them.”
Featured Image – Rahul Kukreja (via Unsplash)
Audio
Five Manchester artists we’ve been listening to this month | July 2025
Danny Jones
Hello again, it’s us: The Manc, or more specifically, our Audio North arm – back to talk about the music coming out of Greater Manchester that we’ve been listening to over the past month.
If you’re new here, it really is as simple as that, and whether they’re revered veterans of the region’s music scene or what we think might be the next up-and-coming thing, as long as it’s from ’round our way, we’ll give it a chance.
Five native artists, three recommended tracks from each and hopefully hours of exciting new listening if you play your cards right.
Headphones and playlists at the ready. Here’s what we had on in July.
Manchester music we’ve been into recently
1. poor effort
We’re kicking things off with an experimental project from Salford-born and Manchester-based musician and writer, Matty Dagger, whose new outing in the spoken word space immediately caught our attention when it came down the grapevine. It’s a bit alternative, a bit punk and very Manc. We love it.
Some might say it’s reminiscent of Yard Act and Sleaford Mods, which would be fair, but more specifically, our first listens gave us Stockport’s very own Hello Cosmos with a sprinkling of Oldham’s Seb Lowe (both previous monthly picks). The lyrical/vocal delivery is charmingly casual and anecdotal.
Dagger’s poor effort couldn’t be anything less than; there seems to be a very considered approach to the more electronic style of spoken word and poetry-driven music. You can complete the discography already, but we’d start with ‘you’re wrong, i’m right (symphony)’, ‘HMRC’, and then ‘City of Hope’.
Cool visual aesthetics going on too.
2. Victoria Jane
Next up is a big knee-jerking turn in genre and overall temperament, as if Dagger has been making us pay microscopic attention to every word and Greater Mancunian reference, this local musician hooked us in with her somewhat quieter but inviting timbre of voice and smooth, almost sleepy melodies at times.
Victoria Jane may have been born in London, having previously collaborated as part of the Vibbar collective, but having moved to 0161 as a kid and falling in love with Man United, she’s always immersed herself in the Northern way. The R’n’B act also presents BBC Radio 1 ‘Future Soul’ show.
Her work really hits all the notes you want, from smooth and soulful singing, to not quite voice cracks but soft, intentional breaks that often feel nigh on agonising – as if she’s into you and welcoming you to slump back the other way. ‘The One’, ‘Voicenote Freestyle’ and ‘On My Own’ are our picks.
Number three is, admittedly, another big whiplash when it comes to overall experience, but it’s one of the most unique musical discoveries we’ve made in a hit minute. This musical duo is called Phellotape, conceived by double bassist Alice Phelps and multi-instrumentalist producer Thomas ‘Twem’ Twemlow.
They met while playing in the queer alt-rock outfit, The Irrepressibles, but this project could be branded as anything from alternative and/or experimental to maybe even art pop. All we know is the multi-talented mix of instruments within almost every section, and pulling from numerous styles is pretty staggering.
Rather fittingly, there are only two recorded tracks to their name so far; ‘Rain’ is a quiet, atmospheric song that puts you in mind of London Grammar with a mix of the xx and Massive Attack, while ‘Hungry Ghost’ is quite easily one of the most interesting tunes we’ve heard in the past decade. No exaggeration.
4. 10cc
Fancing something more familiar for number four? Well, as a born and bred Stopfordian myself, every now and again I go back and admire some of the incredible names that recorded at the town’s famous Strawberry Studios – one of which is Stockport‘s very own 10cc. Great name, great band.
The moment I heard my then-teenage brother play ‘Donna’, I was baffled as to why he was playing what I then just dismissed as “old music”, before it quickly got stuck in my head. Is it their best tune? No. Does it still hold a special place in my head and heart? Yes. Do they have other standouts? Absolutely.
For the record, while most people recognise the likes of the controversial ‘Dreadlock Holiday’, I’d argue ‘Good Morning Judge’ is their best track and the first time I listened to it, I thought it was one of the coolest sounding intros ever. Still do. ‘I’m Not In Love’ with them, but they are a core childhood memory.
A hugely undercelebrated of Greater Manchester music history (Credit: AVRO/Dirk Annemans (via Wikimedia Commons)
5. Oasis
Speaking of legends who evoke nothing but feelings of hometown pride, legacy and pure admiration, it’d be the most see-through lie ever to pretend that we haven’t spent most of this last month listening to the almighty Oasis amid their comeback tour.
We had the pleasure of being there at Heaton Park and up on ‘Gallagher Hill’, which now has its own precious place in British music history, and July as a whole still feels akin to a fever dream and similar to what we imagine Glastonbury is like for those nearby when it takes over their entire universe.
July 2025 really was “biblical” and we don’t think we’ll ever get over it, so, last but not least, we’d thought we’d give a special shout-out to some of our favourite tracks that didn’t make the setlist. ‘Don’t Go Away’, ‘Shock of the Lightning’, ‘Round Are Way’. Done.
As The Masterplan proved, everything from the so-called ‘filler’ album tracks to those B-sides is better than most other bands could dream of. As you were x