Manchester International Festival (MIF) has announced that a giant puppet will walk through the city centre next summer as part of the festival’s opening weekend.
The giant artwork – which is called Little Amal and has been created by the same team behind the world-famous War Horse puppet – is the first event to be announced for the 21st annual Manchester International Festival.
It comes with a very powerful message too.
Little Amal’s arrival to the city is part of a work called The Walk – which follows the journey of a nine-year-old refugee girl from the Turkish-Syrian border to Manchester – and is to be featured at the festival.
The puppet will travel almost 5,000 miles across Turkey and Europe “in search of her mother”.
During The Walk, the puppet will cover Turkey, Greece, Italy, France, Switzerland, Germany and Belgium, before arriving in at the large-scale free public event which will take place in Manchester city centre on 4th July.
Festival organisers say the 3.5-metre-tall puppet of a nine-year-old Syrian girl is an “emblem of the millions of displaced refugee children separated from their families”.
— Manchester International Festival (@MIFestival) October 7, 2020
The Walk is a joint production from theatre company Good Chance and the Handspring Puppet Company.
John McGrath – Artistic Director and CEO of Manchester International Festival – said: “We’re delighted to be a major partner on The Walk, our first event to be unveiled as we plan for MIF21, and to welcome Little Amal to Manchester for the conclusion of her extraordinary journey.
“At MIF, we have a proud history of creating large-scale participatory events that bring the city together. As we continue to navigate these uncertain times, a project like this feels more important than ever – encapsulating everything that the arts can do; crossing borders, starting important conversations, and bringing communities together.
“We hope that families, communities, schools, friends and neighbours – everyone who calls Greater Manchester their home – will help us welcome Little Amal.”
Bevan Ross – MIF / The WalkBevan Ross – MIF / The Walk
Amir Nizar Zuabi – Artistic Director of The Walk – said: “It is because the attention of the world is elsewhere right now that it is more important than ever to reignite the conversation about the refugee crisis and change the narrative around it.
“Yes, refugees need food and blankets, but they also need dignity and a voice. The purpose of The Walk is to highlight the potential of the refugee, not just their dire circumstances. Little Amal is 3.5 metres tall because we want her to inspire us to think big and to act bigger.”
He added: “She is walking through your town. The question is how would you like to welcome her?”
You can find more information about The Walk via the Manchester International Festival (MIF) website here.
What's On
Aitch is playing a huge hometown set at The Warehouse Project
Danny Jones
Aitch has booked another massive hometown slot as the Moston-born rapper will be playing none other than the home of clubbing here in Manchester: The Warehouse Project.
Joining the WHP25 programme, which is already stacked right up until New Year’s Eve, the 25-year-old is the latest rapper to take on the famous club venue, following the likes of Little Simz and Loyle Carner, who played the event series back in October.
Aitch‘s new album, 4 – which denotes the number of studio LPs he’s made to date and acts as a nod to the M4 postcode – was released on June 20 and has already proved popular with fans.
Having just played Parklife as well as a secret set at Glastonbury this year, he’s already performed most of his biggest slots for the year, but the ever-rising local rapper thought he’d given Manchester another big gig and one more chance to see him live in 2025.
As an increasingly popular main event act across the UK, a headline show at Warehouse Project is nothing short of a massive deal for any artist, let alone a Manc.
The date itself will see him see him performing songs from the new record, which is his second to hit the top 10, as well as a selection of multiple platinum-selling hits.
Sharing details of early access tickets on Instagram stories shortly after the announcement, the UK hip-hop and grime star reminded fans: “This is the only chance to see me shut this sh*t down this year!!!”
It’s actually his only major domestic show in full stop, so if you’re a die-hard fan of Harrison Armstrong and his music, you really don’t want to miss this one.
He’s not the only big name coming to Mayfield this season either.
WHP25 /// FISHER – TICKETS ON SALE NOW
Don’t miss out on what’s set to be an unmissable night – packed with infectious energy from beginning to end – as he takes over Depot Mayfield alongside a lineup coming very soon.
Featured Images — Jahnay Tennai (supplied)/Aitch (via TikTok)
What's On
‘Dazzling’ Victorian silver sculpture goes on public display in Greater Manchester after fears it was lost
Emily Sergeant
A long-lost masterpiece of Victorian silverwork has been saved and is now on display to the public in Greater Manchester.
Anyone taking a trip over to the National Trust’s historic Dunham Massey property, on the border of Greater Manchester into Cheshire, this summer will get to see the ‘dazzling’ sculpture called Stags in Bradgate Park – which was commissioned by a former owner in a defiant gesture to the society that shunned him.
The dramatic sculpture of two rutting Red Deer stags, commissioned in 1855 by George Harry Grey, 7th Earl of Stamford, was said to be an ‘act of love and rebellion’.
It also serves as a symbol of ‘locking horns’ with the society that ostracised him over his marriage to a woman considered ‘beneath him’.
“This isn’t just silver – it’s a story,” says James Rothwell, who is the National Trust‘s curator for decorative arts.
“A story of a man who fell in love with a woman that society deemed unworthy. When the Earl married Catherine Cox, whose colourful past was said to have included performing in a circus, Victorian high society was scandalised. Even Queen Victoria shunned the couple at the opera and local gentry at the horse races in Cheshire turned their backs on them.”
Modelled by Alfred Brown and crafted by royal goldsmiths Hunt & Roskell, Stags in Bradgate Park is a meticulously-detailed depiction of nature, and was considered a ‘sensation’ in its day.
Showing the rutting deer positioned on a rocky outcrop with gnarled hollow oaks, it graced the pages of the Illustrated London News, was exhibited at the London International Exhibition of 1862, and at the Paris Exposition Universelle of 1867 – both of which were events that drew millions of visitors.
A ‘dazzling’ Victorian silver sculpture has gone on public display in Greater Manchester / Credit: Joe Wainwright | James Dobson (via Supplied)
The silver centrepiece was the celebrity art of its time, paraded through streets and admired by the public like no other.
Gradually over the years, some of the Earl of Stamford’s silver collection has been re-acquired for Dunham Massey, and this particular world-renowned sculpture, thought to be lost for decades and feared to have been melted down, has miraculously survived with its ‘dramatic’ central component being all that is left.
“The sculpture is not only a technical marvel, with its lifelike depiction of Bradgate Park’s rugged landscape and wildlife, but also a dramatic human story key to the history of Dunham Massey,” added Emma Campagnaro, who is the Property Curator at Dunham Massey.
Emily Sergeant -
7th October 2020 
