A celebration of horror movies in the form of a five day film festival is set to take place at HOME Manchester over the Halloween period.
HOME’s annual celebration of big-screen scares – known as FilmFear 2020: Scream Now, Think Later – returns for five film-filled days and a provocative programme that mixes thrills and chills, with plenty to think about.
For this year’s festival, HOME has partnered with Film4 to co-curate a line-up of modern genre classics that sink their teeth into politics, race, sexuality, social issues and more, with movie-goers told to “prepare yourself for the ‘Night of the Living Subtext’ [as] the real world can be unsettling at the best of times and, as FilmFear proves, horror cinema faces it all without flinching”.
As aptly-described by FilmFear 2020 co-curator David Cox, “even though what we’re experiencing [with the coronavirus (COVID-19) pandemic] may feel unprecedented, the horror genre has already seen it, done it and no doubt re-imagined it as either a city-devouring monster or an undead infestation.
“And somehow, these extreme representations of our worst fears and most unimaginable realities have the power to make us feel better – or at least distract us from the terror outside for 90 minutes.”
So, what films are making up the programme this year?
Among the terrifying treats on show will be Wes Craven’s The People Under the Stairs – a savage slice of Reagan-era urban Gothic – and Philip Kaufman’s 1978 sci-fi thriller Invasion of the Body Snatchers, starring Donald Sutherland, Brooke Adams and Jeff Goldblum.
From Parasite Oscar-winner Bong Joon-ho comes The Host, which is an aquatic creature-feature that says as much about Korean society as it does about beasts from the deep. Staying under the earth, a murder on the London Underground alerts authorities to the possibility of some sort of creature living in the long dark tunnels in Death Line, which brings a whole new meaning to the phrase ‘mind the doors!’
HOME Manchester
In lieu of the remake – which should have been in cinemas this month – HOME will present a restored version of early 1990s horror classic Candyman, in which the vengeful, hook- handed title character proves that some urban legends are actually true.
Karyn Kusama and Diablo Cody’s Jennifer’s Body makes a well-deserved return to the big screen. Starring Megan Fox and Amanda Seyfried, and critically disregarded on release, the film has been reappraised as a feminist cult classic in the wake of the Me Too movement.
This year, FilmFear 2020 extends to Thursday 5th November – Bonfire Night – for a special screening of Attack the Block, which is writer/director Joe Cornish’s social-themed sci- fi/monster movie that’s set on this very night.
As a special Bonfire Night bonus, Cornish will take part in a live video Q&A too.
Crossing over with the ¡Viva! Spanish & Latin American Festival for only the second time, FilmFear 2020 also celebrates Spain’s horror maestro Chicho, who passed away in 2019.
Narciso Ibáñez Serrador is one of the most well-known, and best loved, names in Spanish film and television history. Forever linked to the horror genre, ‘Chicho’, as he was known to all, was responsible for the legendary TV series Historias para no dormir, which ran intermittently from 1966.
A double-bill of El asfalto and La residencia will be shown.
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FilmFear 2020 runs from Wednesday 28th October – Thursday 5th November.
The event is curated by Film4’s David Cox and Jason Wood – HOME’s Creative Director for Film and Culture – with tickets set to go on sale to the general public on Tuesday 6th October.
You can find more information and purchase your tickets to each film showing via the HOME Manchester website here.
What's On
Aitch is playing a huge hometown set at The Warehouse Project
Danny Jones
Aitch has booked another massive hometown slot as the Moston-born rapper will be playing none other than the home of clubbing here in Manchester: The Warehouse Project.
Joining the WHP25 programme, which is already stacked right up until New Year’s Eve, the 25-year-old is the latest rapper to take on the famous club venue, following the likes of Little Simz and Loyle Carner, who played the event series back in October.
Aitch‘s new album, 4 – which denotes the number of studio LPs he’s made to date and acts as a nod to the M4 postcode – was released on June 20 and has already proved popular with fans.
Having just played Parklife as well as a secret set at Glastonbury this year, he’s already performed most of his biggest slots for the year, but the ever-rising local rapper thought he’d given Manchester another big gig and one more chance to see him live in 2025.
As an increasingly popular main event act across the UK, a headline show at Warehouse Project is nothing short of a massive deal for any artist, let alone a Manc.
The date itself will see him see him performing songs from the new record, which is his second to hit the top 10, as well as a selection of multiple platinum-selling hits.
Sharing details of early access tickets on Instagram stories shortly after the announcement, the UK hip-hop and grime star reminded fans: “This is the only chance to see me shut this sh*t down this year!!!”
It’s actually his only major domestic show in full stop, so if you’re a die-hard fan of Harrison Armstrong and his music, you really don’t want to miss this one.
He’s not the only big name coming to Mayfield this season either.
WHP25 /// FISHER – TICKETS ON SALE NOW
Don’t miss out on what’s set to be an unmissable night – packed with infectious energy from beginning to end – as he takes over Depot Mayfield alongside a lineup coming very soon.
Featured Images — Jahnay Tennai (supplied)/Aitch (via TikTok)
What's On
‘Dazzling’ Victorian silver sculpture goes on public display in Greater Manchester after fears it was lost
Emily Sergeant
A long-lost masterpiece of Victorian silverwork has been saved and is now on display to the public in Greater Manchester.
Anyone taking a trip over to the National Trust’s historic Dunham Massey property, on the border of Greater Manchester into Cheshire, this summer will get to see the ‘dazzling’ sculpture called Stags in Bradgate Park – which was commissioned by a former owner in a defiant gesture to the society that shunned him.
The dramatic sculpture of two rutting Red Deer stags, commissioned in 1855 by George Harry Grey, 7th Earl of Stamford, was said to be an ‘act of love and rebellion’.
It also serves as a symbol of ‘locking horns’ with the society that ostracised him over his marriage to a woman considered ‘beneath him’.
“This isn’t just silver – it’s a story,” says James Rothwell, who is the National Trust‘s curator for decorative arts.
“A story of a man who fell in love with a woman that society deemed unworthy. When the Earl married Catherine Cox, whose colourful past was said to have included performing in a circus, Victorian high society was scandalised. Even Queen Victoria shunned the couple at the opera and local gentry at the horse races in Cheshire turned their backs on them.”
Modelled by Alfred Brown and crafted by royal goldsmiths Hunt & Roskell, Stags in Bradgate Park is a meticulously-detailed depiction of nature, and was considered a ‘sensation’ in its day.
Showing the rutting deer positioned on a rocky outcrop with gnarled hollow oaks, it graced the pages of the Illustrated London News, was exhibited at the London International Exhibition of 1862, and at the Paris Exposition Universelle of 1867 – both of which were events that drew millions of visitors.
A ‘dazzling’ Victorian silver sculpture has gone on public display in Greater Manchester / Credit: Joe Wainwright | James Dobson (via Supplied)
The silver centrepiece was the celebrity art of its time, paraded through streets and admired by the public like no other.
Gradually over the years, some of the Earl of Stamford’s silver collection has been re-acquired for Dunham Massey, and this particular world-renowned sculpture, thought to be lost for decades and feared to have been melted down, has miraculously survived with its ‘dramatic’ central component being all that is left.
“The sculpture is not only a technical marvel, with its lifelike depiction of Bradgate Park’s rugged landscape and wildlife, but also a dramatic human story key to the history of Dunham Massey,” added Emma Campagnaro, who is the Property Curator at Dunham Massey.
Emily Sergeant -
5th October 2020 
