In the world’s biggest band, every week offers its own new dose of pandemonium.
Festivals. Fights. Flings. Flights.
When you’re a rockstar, each seven-day period is more intense, thrilling and exotic than the last.
That’s why no two pages in the story of Oasis are the same.
Throughout the nineties and noughties, this group of Mancunian rascals were overindulgent, grandstanding superstars who practised what they preached; living a hard and fast lifestyle that served as a perfect visual accompaniment for their self-produced soundtrack of roaring guitars and crashing symbols.
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But in their two decades at the top, no week of Oasis mania was ever more definitive than this one: The first seven days of October.
This was the week that propelled the band beyond the island of tea and scones onto the international stage. And it was also the week that would ultimately mark the end.
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It all started on October 2, 1995.
The scene was set for Britain’s most exciting up-and-coming band to justify the hype – as Oasis’ sophomore album, What’s The Story (Morning Glory)? was carefully placed on shelves around the UK.
Once those store doors opened, nothing was ever the same again.
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What’s The Story was snapped up by more than 345,000 fans in its first week – spending 10 weeks at number one in the UK charts.
One glance at the tracklist reveals why.
Roll With It, Wonderwall, Don’t Look Back In Anger, Some Might Say, She’s Electric, Champagne Supernova.
The record was packed with anthemic earworms created to stand the test of time – enjoying constant airplay, analysis and mimicry for twenty-five years and counting.
When What’s The Story landed in shops, Oasis achieved superstar status.
Fast-forward almost exactly thirteen years, and another similar scenario was unfolding.
It’s October 6, 2008, and for the seventh time in history, legions of Oasis supporters are swarming to stores for a another new release – an album the group has titled Dig Out Your Soul.
Fans didn’t know it at the time, but they’d never queue for an Oasis album ever again.
Dig Out Your Soul signalled the end.
In the same week the world watched Oasis swagger into the spotlight, we would also soon hear their swansong.
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An epic 18-month promotional tour of Dig Out Your Soul proved to be the tipping point for the two Gallagher brothers.
The pair had quarrelled over the cancellation of a show at V Festival (Liam citing laryngitis, Noel calling bullshit and said his brother had a hangover) before pulling the plug on a performance in France seconds before stepping out on stage.
By the time they’d reached the Rock En Seine festival in August 2009, tensions were as high as they’d ever been, with the two siblings already travelling separately to shows.
Just before the Paris gig, a blazing row culminated in Liam “wielding a guitar like an axe”.
The pair were interrupted by a sudden knock at the door that cut through the chaos: It was their five-minute warning to prepare for the gig.
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Instead of using these 300 seconds to make his way to the stage, Noel spent them inside his car.
It was during those few moments he decided that was that.
Oasis was done.
A message on the band’s website, written by Noel, eventually appeared stating: “It is with some sadness and great relief…I quit Oasis tonight. People will write and say what they like, but I simply could not go on working with Liam a day longer.”
And that was that. The band was gone, and the two brothers remain at loggerheads a decade down the line.
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Rumours of a reunion have been a weekly occurrence in the eleven years ever since, but a reconciliation has always been just out of reach.
The post-Oasis years have given birth to bands Beady Eye and High Flying Birds, and whilst there’s never really been any sight of a sincere olive branch, Noel has seemingly ignored impromptu tweets by Liam asking to give things another go, if only for a one-off gig.
The band’s’ closer, Dig Out Your Soul, is often lost within the footnotes of Oasis trivia today; bundled beneath the glory days of What’s The Story, origin tales of debut Definitely Maybe, and the drug-addled anecdotes of Be Here Now.
But DOYS is sort of remarkable in how it holds up as such a solid piece of work despite the growing turbulence going on behind the scenes.
Fittingly, the very last words to appear on an Oasis album are “soldier on” – an apt description of the brothers’ fruitless attempts to persevere through an upcoming tour fraught with tension; which would ultimately bring about the band’s demise.
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You could frown at the Oasis timeline and spend hours trying to decide which dates to circle as being the most definitive moments in the band’s history.
But no single week is more fascinating than this one.
This was when we got the best and last of Oasis.
In ‘95, the leap to glory. In ‘08, the unknowing goodbye.
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‘Powerhouse’ Manchester named in top 10 global cities for music in 2026
Emily Sergeant
The top 10 cities across the globe for music in 2026 have been named, and Manchester has earned its place.
If there’s one thing Manchester is known and loved for over anything else, it’s music.
From Oasis and Joy Division, to Happy Mondays, The Smiths, The Stone Roses, The 1975, and even more modern-day acts, there’s no end to the amount of talented artists this city has produced or been home to over the years, all contributing to Manchester being one of the most prestigious music cities there is.
The city’s live music scene has always been thriving, and that continues right through to this very day, as you’ll see big-name musicians including Manchester as a destination in their UK tour schedules more often than not.
Manchester has been named in the top 10 global cities for music in 2026 / Credit: Mylo Kaye | Nathan Mullet (via Unsplash)
Last summer was a sensational celebration for Manchester, as an immersive art trail, Music for the Senses, took over the city, and the annual Manchester Day was music-themed too, marking one of the biggest years for Manchester music in a long time.
Oh, and there was also the small matter of Oasis reforming for a UK tour, including a run of gigs at Heaton Park in June… in case you don’t remember, somehow (*wink wink*).
These next two months are also set to be huge for Manchester too, given the fact it is hosting both the 2026 BRIT Awards and MOBO Awards, on 28 February and 26 March respectively, for the first time at Co-op Live.
So it would only seem right that our city has earned itself a place in SeatPick‘s top 10 list of global music cities for 2026 – slotting right in there at a respectable number four.
Overall, Manchester claimed a score of 7.90 out of 10, as the city apparently hosts a total of 1,204 concerts per year across 116 venues, and even supports 380 music artists and 72 music-related businesses in the process, as well as hosting 26 different music festivals annually too.
“From indie and electronic to arena-filling acts, Manchester continues to punch above its weight as a powerhouse of British music,” SeatPick said in its new rankings of global music cities.
Other UK cities that feature in the top 10 are London at number two, and Glasgow and Bristol and number eight and nine, while claiming the coveted top spot of the list of global music cities for 2026 is the German capital of Berlin.
“What really stands out in this data is that the best music cities aren’t always the ones with the most artists,” explained Gilad Zilberman, who is the CEO of SeatPick. “Rather, they’re the ones where live music is tightly woven into everyday life.
“Cities like Berlin and Manchester have fewer artists than London, but higher audience concentration per venue, which typically leads to stronger ticket demand and more consistent sell-outs.”
Featured Image – Vishnu R Nair (via Unsplash)
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First batch of special releases for Record Store Day UK 2026 announced
Danny Jones
Yes, it’s nearly time for Record Store Day 2026, and the list of the first dozen or so limited edition releases here in the UK has just been announced.
With a fair few familiar and, more importantly, Northern names on there (but of course), #RSDUK26 is set to be another great one.
A total of 15 songs have been named on the lineup for this year so far, and yet again, the drops are in support of War Child, who will also be hosting a number of very special and intimate charity gigs during BRITs Week.
The two organisations have collaborated for the sixth time after having first joined forces back in 2020, and it feels like both the annual observance and its catalogue have only got better ever since.
Plenty that have caught our attention already, and there’s only more set to come…
As detailed in the post on social media, the Record Store Day team have retierated that “£1 from every single copy sold of these releases will be donated to the charity, helping to protect, educate, and stand up for the rights of the children who are living through conflict around the world.”
We quickly noticed the likes of The Cure, Fleetwood Mac, Kaiser Chiefs, Mark Knopfler and Bring Me The Horizon, just to name a few.
Once more, here is the RSD 2026 release list in full:
Record Store Day release list | 2026
Corinne Bailey Rae – Live In New York
The Cure – Greatest Hits and Acoustic Hits (compilations)
Divorce – Live at Get Together 2025 for War Child
Dr Feelgood – Oily City Confidential (OST)
Fleetwood Mac – The Original Fleetwood Mac (compilation)
James Dean Bradfield – The Great Western
Kaiser Chiefs – The Future Is Medieval
Mark Knopfler and Emmylou Harris – ‘All The Roadrunning’
Nicky Wire – Intimism
Primal Scream – Echo Dek
Rory Gallagher – Calling Card
Sigrid x BMTH – ‘Bad Life’
The Streets – Computers & Blues
The Vaccines – What Did You Expect…. Demos and B-sides
As always, all of these titles will be available behind the counter exclusively at indie record shops all over the country on Saturday, 18 April to celebrate Record Store Day UK 2026.
Oh, and if you need help with where to start, look no further.