By now, we’re all well aware of the impacts of COVID-19 on our music scene. But what can us fans do to ease the pain?
We’ve compiled a list of simple things we can all do to support artists and venues until we get our old normal back.
Whenever that may be.
1. Buy their music
Image: Drew Litowitz
This sounds very obvious. But too many of us (me included) are guilty of streaming music from the big players like Spotify.
Gone are the days of the iconic Sony Walkman and mp3 players. But even so, there are still plenty of reasons why you should buy your music directly.
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Major streaming services like Spotify pay artists very little per stream. So, unless you’re Liam Gallagher and getting millions of streams a month, it’s harder for smaller artists to generate an income from.
Agreed: Spotify is great for playlists and discovering new music. But consider buying your favourite songs outright on another service at the same time. You can do this on Bandcamp, Beatport, Amazon or iTunes. What’s more, the first Friday of every month is Bandcamp Friday where they waive their revenue share. This means more than 90% of your money goes straight to the artist.
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FYI, the next one is February 5.
2. Visit their online stores for merch
Larkins online store
Well because who doesn’t love a tote bag? Or perhaps a baggy tour T-shirt stolen from your other half?
Plus, what’s one step further than purchasing music from the above-mentioned music services? Answer: buying an album straight from an artist’s online store. Again, this means even more of the money you pay reaches the people who deserve it.
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If you’re lucky, you might even be able to get your hands on a limited edition signed copy this way. No excuses, now.
3. Keep hold of rescheduled gig and festival tickets
Image: Diego Sulivan
Learning that your upcoming gigs were getting cancelled one by one last year was a devastating state of affairs. But at times you’d probably rather choose a refund, opting to keep your tickets for a rescheduled show could really help organisers and artists out.
Think of it as an investment into your future self’s social life.
4. Support livestreams
Hacienda House Party Livestream. Image by Katie Hall/United We Stream GM
Throughout lockdown we’ve been inundated with livestreams and online gigs. They are the next best thing to live music, after all. More often than not they raise a tonne of money for charity, too.
Some have been ticketed, like the virtual reality Blossoms and Liam Gallagher gigs before Christmas. Whilst others have been free, like the Hacienda House Party. But either way, they brought music to our living rooms in the most 2020 way. With who knows how many more lockdowns we’re yet to endure, long live the livestream.
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5. Follow their social media
Unsplash
This sounds like another obvious one. Yet I bet there are loads of artists in your top 10 that you don’t actually follow on social media.
Liking, sharing and commenting on their content and subscribing to their YouTube channels will work wonders for their growth whilst they’re unable to play. Besides, it means you can stay even more up to date with them and any new music out soon. Oh, and it also costs you nothing.
6. Support the venues too
Socially distanced event at the Progress Centre
Let’s not forget our beloved music venues and clubs that have been forced to close as well. Some of them have been able to diversify to put on socially distanced and seated events. Social Avenue and the Progress Centre provided us with some delightful lineups to keep us occupied in the summer.
Granted, our current lockdown situation won’t allow it now. Best believe when these events are up and running though, I’ll be first in the queue.
Other venues and clubs took a different approach and simply offered takeaway pints. And to be honest, I’ve grown fond of drinking beer from milk bottles, anyway.
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Whatever your local venue has done to stay afloat, get behind it.
7. Donate money to charities and Crowdfunders
Image: 42s/Rocks Off coffee
We’ve mentioned a number of ways that you can donate to save venues and artists and support the struggling music scene in the past. The WeMakeEvents campaign painted the world red to raise awareness earlier this year. But local to Manchester, community led projects, schemes and even a limited-edition crowdfunding coffee have raised money for charities to help keep the music playing.
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Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Hannah Starkie -
4th January 2021 
