It can be notoriously difficult to break into the music industry at the best of times, without chucking a pandemic into the mix. But with a bit of patience, work and determination (and lot of balls), it’s still possible.
In Manchester, we’re lucky enough to have some of the most exciting up-and-coming artists and bands around. And so our Manc Audio x Open Beat Introducing series continues this week with a look at five artists that need to be on your radar in 2021.
These lot represent the emerging artists of the city – the ones with that patience, work and determination to make it.
Have a listen to their music, drop them a follow, like what you can, it all makes a difference.
Manta
Twenty-one-year-old Manta has been busying himself with song writing, producing and directing his own music videos all from his bedroom in Manchester. His debut single “Dream World” was done entirely from his house – including the video which features a load of messy red paint and we’re not envious of that clean up operation.
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But Manta admits that music wasn’t always his chosen career path. He’d studied for years to get onto his chosen course in architecture at the University of Manchester, before realising it wasn’t the one for him. By the end of his first year, he dropped out of the course after falling into a dark place mentally. He found that music was a release and chose to explore that instead.
Manta’s lyrics dig deep emotionally, because of how much music has influenced his personal journey. His style has a lo-fo vibe which takes elements of hip-hop and pop, shown in his debut track “Dream World”.
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So, with self-managing himself, self-producing and self-releasing, Manta’s DIY approach shows that you can do it on very few resources.
Hailing from Somalia, HMD (pronounced Hamdi) is now Manchester based, but has spent time living Denmark in the past. His music is heavily influenced by these places, but particularly by the area he grew up in in Somalia which is known locally for its poetry and storytelling, making HMD’s lyrical prowess a given.
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The singer-songwriter likes to explore themes of identity, love and loss with clever lyrics that resonate with probably the majority of us. He channels a pop and R&B sound, which stems largely from his time in Denmark.
His latest track Many Maries shows why HMD is an exciting artist to watch this year – and we’re lucky to have him in Manchester.
Newcastle-born Sweets moved to Manchester to have a crack at his music career not too long ago – and it’s already paying off. He started out messing about with lyrics and freestyling with his mates and uploading beats to Soundcloud. Up in Newcastle, he became a member of DJ collective Well Irie, where he began MCing for their garage and grime events.
After making the move to Manchester, Sweets started playing open mic nights and gigging some of the smaller venues in the city. He says his experience of working the Manchester circuit was what really helped him find his voice and sound. Now, Sweets’ music is more mellow and refined, using hip-hop style beats.
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He’s been working with a variety producers and writers over the past few months to create something very special that’s coming soon. In the meantime, his track “Ashtray Cowboy” is a taster of what’s to come.
Bolton-born Harriet Dagnall was raised on a musical diet of Fleetwood Mac, Kate Bush and Joni Mitchell – if you cut her, she says she bleeds “dad music”. But there’s nothing wrong with a good classic. Now, Harriet takes inspiration from The Japanese House, Marika Hackman and Rae Morris which all encompass beautiful vocals alongside timeless piano soundtracks.
Living in the city centre has allowed Harriet to immerse herself into the music scene and it’s enabled her to consistently perform and write which has massively developed her music. Her debut EP is out this year and we can expect something eclectic and exciting when it comes, as she doesn’t like to be confined by genre.
For now, have a listen to her new track “Tied Up” out now, and follow her on Instagram here to stay up to date.
Five-piece rock band The Demo from Middleton take inspiration from early 00s rock from both sides of the Atlantic. They cite The Strokes and Kings of Leon as their main influences though and try to put their own twist on this style.
Their key focus at the moment is not to play the big venues, but to refine and perfect their song writing – and fair play to that. But going off their latest selection of songs, it looks like they’re already there. Ever the perfectionists! But if you’re gonna do something, you might as well do it properly, right?
Have a listen to their latest song “Apart” for yourself and follow them here.
All five of these artists (plus loads more) are featured on our Manc Audio x Open Beat Introducing playlist which is on Spotify now! Have a listen below and follow The Manc Audio and Open Beat for more.
Music
Oasis’ (What’s the Story) Morning Glory? named biggest UK studio album EVER by Official Charts
Danny Jones
You’re damn right: Oasis continue to be MASSIVE as new figures from the Official Charts Company have confirmed that (What’s the Story) Morning Glory? has clocked in as the biggest UK studio album of all time.
The Britpop icons and history go hand in hand.
Yes, according to the latest numbers by our domestic chart-crunchers, only two other albums surpassed Oasis‘ second LP – and they’re both greatest hits collections.
The announcement was made on Wednesday, 22 July, just over a whole year on from those reunion world tour shows at Heaton Park. How fitting.
Starting off by channelling Liam Gallagher energy and quipping that “Oasis vibes are in the area”, they go on to explain the colossal cumulative record.
“Oasis claim one of the biggest honours in British music history, they write, “as (What’s the Story) Morning Glory? is named the UK’s Official biggest studio album of all time, according to new Official Charts Company data.”
Combining UK sales of the record – both physical and digital over the years – along with modern streaming statistics, the sophomore outing from the Britpop giants has amassed approximately 6.2 million UK chart units. Staggering stuff.
Last year’s Live ’25 shows have no doubt helped give an added boost to their metrics, but it’s still gargantuan stuff from the local band.
Yet another incredible stat not just for the Burnage boys but the Manchester music scene as a whole.
2026 looks to be just as big a comeback, by the looks of things.
In case you were wondering who beat them out in the race for the top spot, they were pipped to the post by Queen’s Greatest Hits and the same again from ABBA, two worthy opponents to take third place after.
You can see the rest of the list in full right HERE.
Oh, and Definitely Maybe also made the list, too, coming in at number 39 – making that two in the top 50 even amongst all the compilations.
It feels like last July all over again, doesn’t it? And if now isn’t the perfect time to stick on the title track, we don’t know what is.
Actually, sod it – we’re sticking the full thing on…
Beat-Herder Festival 2026 – the wonderfully weird festival we can’t stop coming back to
Emily Johnson
Another weekend done in the magical, mystical world that is Beat-Herder.
For one weekend every year, a farm in Clitheroe transforms into what the organisers describe as “a place full of beats and barminess” – and honestly, they couldn’t have summed it up any better.
Big enough to keep you discovering something new all weekend, yet small enough that you’ll keep bumping into the same friendly faces, Beat-Herder strikes the balance perfectly.
Every corner has something different going on, every stage has its own personality, and every sound system is absolutely dialled in.
Where else can you go for a swim, get a tattoo, pop into church, visit Paris and dance until sunrise? No, we’re not describing a chaotic stag-do… we’re talking about Beat-Herder.
Every stage deserves a mention, but a few really stood out this year.
Julie’s Barn, a.k.a. ‘Gay Paris’, remains one of the festival’s best-kept secrets. Hidden away in the woods, it’s worth every wrong turn trying to find it.
A glowing dancefloor, disco balls hanging from the trees and a crowd that somehow never seems to leave. We even stumbled across a secret ‘Samurai Breaks SSBB’ set that had the place bouncing all the way through until sunrise.
Credit: The Manc Group
Over at Stumblefunk At The Factory, Breakage delivered one of the sets of the weekend. The bass rattled the roof, the crowd never stopped moving, and the whole place felt like it was about to lift off.
It’s also home to one of Beat-Herder’s many weird little surprises, with hidden missions and the chance to spy on other festival-goers. If you know, you know.
The Garage is another annual favourite. DJs squeezed into the front seat of a car while everyone else danced on the bonnet of old scrapped cars, bouncing to the bass that rattled from White Noise Audio’s soundsystem. It’s those ridiculous little details that make this festival unlike anywhere else.
Then there’s Beat-Herder’s Got Talent, which has become a non-negotiable part of our weekend. The winner earns a slot on the main stage, so every act gives it everything. This year’s line-up featured everything from incredible harmonica performances and live bands to rap duos.
But one contestant completely stole the show.
She walked on stage, admitted she wasn’t sure her talent was quite as impressive as everyone else’s, and the crowd fell silent. No instrument. No backing track. You could hear a pin drop. What on earth was this contestant about to do? And then she proceeded to fit her entire fist in her mouth.
If that doesn’t sum up Beat-Herder, we’re not sure what does. The wonderful woman didn’t win the contest unfortunately, but let’s hope she can get booked for next year, ey?
One of this year’s new additions was The Dub Tub, which quickly became one of our favourite discoveries. Artists like Woody Cook swapped high-energy sets for slower, dub-inspired sessions, creating the perfect place to reset before diving back into the madness.
Oh, and of course, in true Beat-Herder fashion, the DJs were performing in a bathtub, of course.
And speaking of madness… all the classics are still there. The famous tunnel leading to hidden stages, the weird and wonderful walkabout performers, the random discoveries you’ll never find on a map, the hidden swimming pool, fancy dress costumes, and the constant feeling that you’re about to stumble across something completely unexpected.
Massive credit has to go to everyone behind the scenes. From the organisers to the volunteers and crew, everything runs incredibly smoothly, despite how wonderfully chaotic it all feels. Beat-Herder, you’ve done it again; roll on 2027.
Hannah Starkie -
26th March 2021 
