It can be notoriously difficult to break into the music industry at the best of times, without chucking a pandemic into the mix. But with a bit of patience, work and determination (and lot of balls), it’s still possible.
In Manchester, we’re lucky enough to have some of the most exciting up-and-coming artists and bands around. And so our Manc Audio x Open Beat Introducing series continues this week with a look at five artists that need to be on your radar in 2021.
These lot represent the emerging artists of the city – the ones with that patience, work and determination to make it.
Have a listen to their music, drop them a follow, like what you can, it all makes a difference.
Manta
Twenty-one-year-old Manta has been busying himself with song writing, producing and directing his own music videos all from his bedroom in Manchester. His debut single “Dream World” was done entirely from his house – including the video which features a load of messy red paint and we’re not envious of that clean up operation.
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But Manta admits that music wasn’t always his chosen career path. He’d studied for years to get onto his chosen course in architecture at the University of Manchester, before realising it wasn’t the one for him. By the end of his first year, he dropped out of the course after falling into a dark place mentally. He found that music was a release and chose to explore that instead.
Manta’s lyrics dig deep emotionally, because of how much music has influenced his personal journey. His style has a lo-fo vibe which takes elements of hip-hop and pop, shown in his debut track “Dream World”.
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So, with self-managing himself, self-producing and self-releasing, Manta’s DIY approach shows that you can do it on very few resources.
Hailing from Somalia, HMD (pronounced Hamdi) is now Manchester based, but has spent time living Denmark in the past. His music is heavily influenced by these places, but particularly by the area he grew up in in Somalia which is known locally for its poetry and storytelling, making HMD’s lyrical prowess a given.
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The singer-songwriter likes to explore themes of identity, love and loss with clever lyrics that resonate with probably the majority of us. He channels a pop and R&B sound, which stems largely from his time in Denmark.
His latest track Many Maries shows why HMD is an exciting artist to watch this year – and we’re lucky to have him in Manchester.
Newcastle-born Sweets moved to Manchester to have a crack at his music career not too long ago – and it’s already paying off. He started out messing about with lyrics and freestyling with his mates and uploading beats to Soundcloud. Up in Newcastle, he became a member of DJ collective Well Irie, where he began MCing for their garage and grime events.
After making the move to Manchester, Sweets started playing open mic nights and gigging some of the smaller venues in the city. He says his experience of working the Manchester circuit was what really helped him find his voice and sound. Now, Sweets’ music is more mellow and refined, using hip-hop style beats.
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He’s been working with a variety producers and writers over the past few months to create something very special that’s coming soon. In the meantime, his track “Ashtray Cowboy” is a taster of what’s to come.
Bolton-born Harriet Dagnall was raised on a musical diet of Fleetwood Mac, Kate Bush and Joni Mitchell – if you cut her, she says she bleeds “dad music”. But there’s nothing wrong with a good classic. Now, Harriet takes inspiration from The Japanese House, Marika Hackman and Rae Morris which all encompass beautiful vocals alongside timeless piano soundtracks.
Living in the city centre has allowed Harriet to immerse herself into the music scene and it’s enabled her to consistently perform and write which has massively developed her music. Her debut EP is out this year and we can expect something eclectic and exciting when it comes, as she doesn’t like to be confined by genre.
For now, have a listen to her new track “Tied Up” out now, and follow her on Instagram here to stay up to date.
Five-piece rock band The Demo from Middleton take inspiration from early 00s rock from both sides of the Atlantic. They cite The Strokes and Kings of Leon as their main influences though and try to put their own twist on this style.
Their key focus at the moment is not to play the big venues, but to refine and perfect their song writing – and fair play to that. But going off their latest selection of songs, it looks like they’re already there. Ever the perfectionists! But if you’re gonna do something, you might as well do it properly, right?
Have a listen to their latest song “Apart” for yourself and follow them here.
All five of these artists (plus loads more) are featured on our Manc Audio x Open Beat Introducing playlist which is on Spotify now! Have a listen below and follow The Manc Audio and Open Beat for more.
Music
Inside Sifters Records, the time capsule record shop that inspired Oasis
Harry Quick
The date the world never thought was coming is set. Manchester’s most famous brothers have against all the odds put their differences aside for music’s greater good. Oasis are BACK.
I suppose it is only good news at the moment if you were one of the lucky few who managed to secure a ticket to one of the 17 gigs (actually, now 19 with two new dates added) in the Oasis 25′ Tour. If you didn’t – hard luck – but there is arguably one shop owner who deserves one more than most.
Fans of our most iconic band from all around the world should show their gratitude to a little record store in Burnage for helping to make that happen. Some might say, Sifters Records is the home of the Gallaghers’ love for music. The two brothers were brought up just a stone’s throw away from here on Cranwell Drive and were regular visitors of Sifters throughout their teenage years.
Noel has previously mentioned how he used to stroll around to Sifters on Fog Lane and pick up records by the likes of The Smiths, Joy Division and The Happy Mondays, which would help inspire some of the world-renowned anthems Oasis would later go on to create. The relationship between the Gallaghers and Sifters Records is emblematic of their deep roots in Manchester’s music scene.
If you feel like you’ve heard the name before, you probably have as Liam mentions the store in the song ‘Shakermaker’. In the final verse of the song – before the closing Shake Along with Me / Them interlude – he gets his special mention.
The lyrics “Mr Sifter sold me songs when I was just sixteen, now he stops at traffic lights but only when they’re green” pay homage to its main road location and the lads’ musical upbringing before the international stardom.
Sifters Records inspired Oasis’ love of music – and gets a namecheck in Shakermaker. Credit: The Manc GroupSifters Records inspired Oasis’ love of music – and gets a namecheck in Shakermaker. Credit: The Manc Group
If the lyrics alone don’t put an image in your head, the official music video for the song pictures Liam stereotypically swaggering towards the shop front in a parka and shades on the hunt for some new music. After flicking through a few 12″ vinyls he shows Red Rose Speedway to the camera by Paul McCartney’s – Wings. I wonder if he bought it that day or could it still be in there?
In a brand new 30-minute interview filmed ahead of the 30th anniversary of Definitely Maybe, Noel revealed how he wrote the infamous lyric in an off-the-cuff moment directly outside the shop.
“I have to say this shop has not changed a bit. I bought a lot of my records in here, it’s where I discovered my love of ‘best of’ albums.
“Every time I hear Shakermaker I remember pulling up in that car and looking over and seeing the song.”
It’s no wonder this was Noel’s favourite place to scope out new tunes growing up. It’s still one of Manchester’s most impressive collections with hundreds, if not thousands of vintage LPs.
Most of these are from the personal collection of ‘Mr Sifter’ himself Pete Howard who has run this musical mecca since 1977. The building itself has an unchanged charm – a time capsule of fading band posters, windows of unrelated local advertisements and well-trodden carpet from the thousands of feet on a pilgrimage from far and wide.
Fans from across the globe have rocked up for a word with Pete and the admiration for his store only keeps growing, which he sometimes struggles to believe how fortunate he got. If you pop in looking for any Oasis discography, good luck, it doesn’t stick around long.
When ‘Definitely Maybe’ dropped in ’94 he said he recognised the members of the band straight just from the album cover.
Now, with a deluxe edition re-release 30 years later, and a reunion tour around the corner, it’s undeniable that the whole world does – let’s just hope they stay mates this time!
When tickets for the original shows went on sale last Saturday, demand was so great that several ticketing platforms crashed and people spent up to six hours in virtual queues.
And then as the day wore on, Ticketmaster suddenly utilised ‘dynamic pricing’, removing the general admission tickets from sale and replacing them with ‘in-demand tickets’.
With that came a jump in price from £148.50 to £355.20. Ouch.
Oasis have faced a lot of criticism for the use of dynamic pricing – but in a new statement, they have stressed that they did not have ‘any awareness’ that it would be used.
They said that decisions on both pricing and ticketing are ‘left entirely to their promoters and management’.
Oasis said in a statement released on their behalf yesterday: “As for the well reported complaints many buyers had over the operation of dynamic ticketing: it needs to be made clear that Oasis leave decisions on ticketing and pricing entirely to their promoters and management, and at no time had any awareness that dynamic pricing was going to be used.
“While prior meetings between promoters, Ticketmaster and the band’s management resulted in a positive ticket sale strategy, which would be a fair experience for fans, including dynamic ticketing to help keep general ticket prices down as well as reduce touting, the execution of the plan failed to meet expectations.
“All parties involved did their utmost to deliver the best possible fan experience, but due to the unprecedented demand this became impossible to achieve.”
As for those final two Wembley shows going on sale, Oasis has said that tickets will be sold by an ‘invitation-only ballot process’ to manage the phenomenal demand.
They wrote: “Applications to join the ballot will be opened first to the many UK fans who were unsuccessful in the initial on sale with Ticketmaster. More details to follow.”
Oasis claims that they “at no time had any awareness that dynamic pricing was going to be used” for their reunion tour.
The band has finally spoken out about the fiasco surrounding the handling of ticket sales for Oasis Live ‘25, which saw Ticketmaster implement their… pic.twitter.com/1rbrEMWupf