‘I Swear I Was There’: The myth of Manchester’s most famous gig
A Sex Pistols performance in 1976 has gone down in folklore as the “gig that changed the world”. Everyone claims to have been there. But the truth is more complicated than that...
One Saturday morning, during an ad break on his Radio Manchester chat show, Tony Wilson leaned over his microphone and whispered into his guest’s ear.
“You know what you said about me not being at that Sex Pistols gig? That was fucking snide!”
Wilson sneered the words and loomed for a moment, before sliding back into his chair and welcoming listeners with his velvety broadcasting voice like nothing had happened.
The studio guest that day was David Nolan – a local journalist who had investigated the illustrious Lesser Free Trade Hall gig on 4 June 1976 and concluded Wilson had probably not been in attendance.
This was a big problem for Wilson. It didn’t fit his legend.
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That Sex Pistols performance has gone down in folklore as the “gig that changed the world” – a tiny rock concert that proved to be compost for the Madchester movement. Members of the crowd were said to be so inspired by what happened on stage, they would go on to launch a revolutionary movement – becoming the headline artists, writers, and creatives of a sensational new scene. It’s the gig credited with creating The Smiths, Joy Division, Buzzcocks and The Fall. Why wouldn’t Wilson – the man who co-launched the city’s behemothic Factory Records and Hacienda nightclub – be there?
But after creating a documentary and penning a best-selling book on that famous punk rock performance, Nolan deduced – against the tide of popular opinion – that ‘Mr Manchester’ Tony Wilson was likely elsewhere on the night the city’s music scene was born.
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Naturally, Wilson didn’t like it. But 20 years since Nolan published I Swear I Was There (which has been lauded by fellow scene-setters Peter Hook and Paul Morley – two men who were at the gig) he’s yet to be proven wrong.
Tony Wilson was the face of Madchester… but he may not have been at ‘the gig that changed the world’ / Image: Loco Steve via Flickr
Regardless of whether Wilson was in the room that night or not, his influence at the dawn of Madchester remains undeniable. As Nolan points out, the presenter hosted another event a few weeks after the Pistols gig that might have played an even bigger role in launching the music scene that would reverberate around the world.
“Three things actually happened in Manchester that summer,” Nolan explains.
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“There was the first Sex Pistols gig in June, a second Sex Pistols gig in July, and then later in September [the band] appeared on So It Goes on television. That performance was organised by Tony Wilson. Hundreds of thousands of people will have watched it. It could have even been more influential [than the Lesser Free Trade Hall shows].”
Nonetheless, it’s that first Sex Pistols gig on June 4 that still serves as the setting for the fable. Everyone still wants to be part of it; Wilson wasn’t the only one.
Indeed, over the past 45 years, hundreds insist they paid their 50p and watched history in the making that night. They swear they were there.
Ticket sales show that about 40 people were actually in attendance – which suggests the past four decades have been full of fibbing. But Nolan says it’s more complicated than that.
“Remember, there were two Sex Pistols gigs that summer,” he explains.
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“When we did the original documentary programme, we devised a test and questionnaire for people to fill in.
“What we found out was that some people were at the second gig, but thought they were at the first. Some were at neither. But 99% of time people were genuinely convinced they had been there.
“Both the documentary and book are full of contradictory stories from people – that’s the notion of memory. People misremember things.
“Plus – it’s a flipping long time ago!”
A ticket for entry to the Sex Pistols gig in 1976. Entry cost 50p.
Originally published in 2001, Nolan’s book was the first real piece of research-led work into the Sex Pistols gig – with much of the previous literature being muddled, confused or lacking in clarity.
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“Music writers from that period weren’t necessarily massive fact-checkers,” Nolan states.
“It was all done in the pub. Stories were just passed on by word of mouth. So, I started [the book] as a brand new story and ignored what was written before.
“I was already a journalist who just ended up writing about music – I approached it a bit like a court case or crime scene. I was focused on getting every single detail right.”
Nolan spoke to everyone he could in an attempt to build the first truthful picture of the gig since it went through mythologisation. He interviewed everyone from gig organisers and performers to regular folks who’d just hopped on a bus from Denton after spotting an ad for the show in the Manchester Evening News.
He even achieved what no one else had done before and successfully tracked down the supporting band who played before the Pistols that evening – a Bolton group called Solstice.
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“That’s where the gold was; people who hadn’t told the story a thousand times before,” Nolan grins.
A promotional poster for the Sex Pistols show at Lesser Free Trade Hall in Manchester in 1976.
Nolan wasn’t at the Free Trade Hall in June ‘76 (he was 12 at the time) – but the famous gig still changed his life.
Working as a young journalist in Altrincham in the 1980s, Nolan had got chatting to fellow writer called Pete Oldham – who claimed to have been at both Sex Pistols gigs. The hyperbolic status of these shows was already set in stone even then – and Oldham had to show off his ticket stubs to convince Nolan he’d actually gone. But the whole conversation raised the idea of creating a documentary – a piece of television that would determine who was actually there, and who wasn’t.
Later at Granada Studios Nolan began working on that very concept – and was pulled away mid-production to produce a book to go alongside the TV programme.
He was given nine weeks to write it – a rollercoaster-like process involving lots of late nights in which “he almost went mad” – but got it over the line. Holding his copy aloft was a proud moment, and when he spotted a display dedicated to the book in Waterstones it almost made him “pass out”.
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David Nolan holding a copy of I Swear I Was There aloft in 2001 and again in 2021
The first edition of I Swear I Was There received a solitary review, calling it “tedious beyond belief”. In 2006 it was re-released with a new cover and five-star acclaim across the board – including a description by GQ as ”one of the greatest rock stories ever told”.
Nolan’s been a published author ever since – with 15 books under his belt (including the riveting Manc Noir thrillers Black Moss and The Mermaid’s Pool). But what makes I Swear I Was There quite so special is the fact that it’s still causing conversation today.
“This kind of thing just won’t happen again,” Nolan explains.
“The whole thing would be recorded on people’s phones and uploaded to social media.
“It’s like the fly in Jurassic Park – perfectly preserved in amber. That’s the beauty of it.”
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David Nolan’s book ‘I Swear I Was There’ / Image: Amazon
Every few years, some new information about that first Sex Pistols gig comes to light. A fresh anecdote. A forgotten image. A long-lost tiny relic. But still no definitive evidence that Wilson was in attendance.
“There were 40-odd people in the audience that night… and Tony was incredibly famous,” Nolan states.
“For people not to notice he was there… I’m not sure. Pete Shelley from Buzzcocks who took the money on the door doesn’t remember Tony being there. Howard Devoto who organised the gig doesn’t remember Tony being there.
“But who knows. In another five years I could have found a photograph of Tony Wilson stood next to the Sex Pistols at the gig and I’ll have to make an apology.
“Or we may never know. It’s all part of the fun. That’s the great thing about this story – new stuff is happening all the time. Even now.
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“You just never know what will happen next.”
‘I Swear I Was There’ is available online from Amazon.
David Nolan is hosting an official author evening titled ‘Murder, music and Manc Noir’ later this month live on Zoom. Tickets are free and can be booked online here.
Feature
Review | ‘Hopefully!’, you get lucky enough to see the spectacle that is Loyle Carner live
The Manc
The O2 Victoria Warehouse in Manchester has this week played host to Benjamin Gerard Coyle-Larner this week, a.k.a. Loyle Carner, as he serenaded adoring listeners with his captivating lyrics, spine-tingling bass and drumlines, as well as his ever-laid-back warmth and charisma.
His stage name is the only spoonerism you’ll ever find in this man’s craft, as every syllable is as intentional and well-placed as the last.
Accompanied by an incredibly talented band and golden production, the night lends itself to a thought-provoking performance that leaves you wanting more. Consider me listening to nothing but this setlist for the foreseeable.
As the rumble of eager, loyal/Loyle – take your pick – listeners awaited his arrival, you could sense what this artist and his poetic music mean to people.
We've seen @LoyleCarner twice this week. We might even go again tonight – yes, he really is that good. 🎤
Opening with ‘in my mind’, just like that, you saw the crowd suddenly holding each other’s hands whilst comfortably sitting in the palm of Carner’s.
Let’s not forget his brilliant band, either, who all got their time in the spotlight and wowed as a collective.
Carner and the crowd definitely gave them the recognition they deserved, with piano solos throwing a blanket of respectful silence and tentative listening over the whole audience.
Loyle’s well-loved and special lyrics were echoed throughout the venue from start to finish.
He insisted (and not for the first time) that there’s “something special about playing in Manchester” – and we couldn’t agree more.
Carner’s vulnerability onstage opens a glowing portal for his listeners to do so as well. He encourages feeling. And as an audience, this is extremely clear in the room. It was a sea of warm embraces, agreeing heads and ignited eyes.
Loyle Carner was just as good on night two at Victoria Warehouse as he was on the first. (Credit: Audio North)
As the setlist crept towards the end, the crowd were not ready to say goodbye as the customary chants of ‘one more song!’ bounced off the Victoria Warehouse walls.
We were then blessed with a solo Loyle, who shared a typically creative and reflective spoken-word Carner special with us.
Without any demand, the crowd fell sweetly silent and absorbed his every word. A poet, pure and simple.
The 31-year-old rapper and wordsmith plays one more night at the venue to round off his mini residency tonight (Tuesday, 25 November 2025); you can try and grab last-minute tickets HERE.
Stockport town centre’s first ramen spot sat above a coffee shop that we can’t get enough of
Danny Jones
If you’re a local Stockport resident or have even walked along the increasingly cultured cobbles of Underbank, chances are you’ve passed a place called Ōdiobā, but did you know that by night, its loft turns into a stylish listening bar that also serves some of the best ramen around?
Seriously: not only is it, to our knowledge, the only venue serving traditional ramen in Stockport town centre, but it’s some of the best we’ve had in years. Literally, YEARS.
Central Manchester has the benefit of being spoiled by numerous noodle masters – New Wave, Ramenshop (formerly known as Tokyo Ramen), Shogun, etc. – but we’d genuinely wager that this relative newcomer known simply as Uma is right up there with them.
In fact, it might currently be vying for the top spot itself.
We really try our best to shy away from the most ultimate of superlatives where we can, especially because we’re lucky enough to come across so many culinary gems and new restaurants all the time, but the more we’ve revisited this place, the more we’re convinced it’s utterly brilliant.
On a personal note, in a post-Cocktail Beer Ramen + Bun world, we feel like we’ve come very close to finding a new go-to that’s on a par with the late, great CBRB; perhaps we’ll never quite get there, or maybe we’re falling victim to the rose-tinted lens of nostalgia, but Uma is at least in the conversation.
Something we can say for sure is that they’ve gone with the tried and tested method of doing just a few things extremely over trying to cater to everyone.
Offering a small but stunning menu, with just three small plates and three options when it comes to ramen, each one is well-balanced and portioned, guaranteeing a filling bowl of ramen finished with great quality toppings.
You’re not left needing a single noodle more, nor do they cut you a single spring onion shy – but let’s be honest, this cuisine also leaves you craving more broth.
This might be a small thing, but we even like how the deep bowls come with built-in grooves/utensil holders for you to rest your spoons and chopsticks in. It’s only a little extra, we know, but it’s a nice touch, nevertheless.
Having now done a couple laps of the menu over the course of just a handful of visits, there are few taste bud journeys as satisfying as those gently-seasoned edamame beans, with the vibrant, lightly-acidic pickled daikon radishes and cucumber cutting through, before the savoury bomb of those mains.
And above all else, it’s the broth. My word… that broth.
Most impressively of all, perhaps, is that while we were expecting to enjoy the shoyu or red miso option the most, it’s the vegan ramen that we found to be the most flavourful.
The white miso and vegetable soup base is about as rich as you could hope for from any broth, as are the surprisingly satisfying slices of sweet soy tofu.
The smell of this freshly-charred chashu. Wow. The ideal thickness – great, minimal chew, too.Is Stockport town centre’s first ramen spot also one of the best in Greater Manchester right now? It might just be. (Credit: The Manc Eats)
Put simply, this particular bowl truly puts the Uma in umami.
It really is perfect as is, complemented by the shitake mushrooms, mustard greens, bamboo shoots and aromatic roasted sesame.
However, we honestly believe we have mastered a flawless order: choosing the vegan bowl and then adding pieces of chashu pork, a gooey ramen egg and maybe some chilli oil for good measure.
Try it for yourselves and tell us we’re anything other than absolutely bang on.
As for the space itself, you’ll struggle to find another spot as simultaneously casually aesthetic and atmospheric as the top floor of this building.
It’s well worth a visit to try the sophisticated selection of cocktails co-curated by founder Nam Tran – who first won over foodie fans with his conveniently self-titled Vietnamese venue in Ancoats, which sadly closed in 2024 – or sample his handmade hi-fi system alone, but the bonus of ramen takes the cake.
With DJ sets from the man himself as well as other selectors and artists, not to mention jazz nights and other live music during the week, it’s an effortlessly cool couple of floors that just so happens to serve some of our favourite food to the highest order.
Now, we will confess that we’ve only seen Ōdiobā in its ‘shadow self’ form, for lack of a better phrase, and are yet to sample the artisan café side of this business, but we assure you that it is a failure on our part and one we’ll be making up for as soon as possible.
Let’s just say, if the coffee is as good as the other liquids we’ve drunk here, be it the booze or the very last drop of broth from the bottom of the bowl, it’s probably some of the best in Stockport.
You can guarantee we’ll be coming back to this place time and time again whenever we visit the borough.