An award-winning street photographer has captured images of the ‘new normal’ as the streets of Manchester reopened for the first time in over three months on Saturday.
These images illustrate a rather stark contrast to previous years too.
Each year, one of the UK’s best-known street photographers – Mark Waugh – was joined by hundreds of amateur photographers between 2017-2019 in a unique social experiment to capture the spirit of some of the country’s biggest cities in just 24 hours.
The A Day In The Life experiment compiled thousands of images of the people and places that made those bustling cities tick.
From buskers to office workers, students, skateboarders, OAPs, tourists, and many more, the experiment went on to build one of the most distinctive visual libraries showing what a number of prominent UK cities, including Manchester, looked like on that day in history.
As we entered 2020 though, life as we knew it was about to change.
As the coronavirus (COVID-19) pandemic swept across the world and the UK officially entered lockdown back on 23rd March 23rd, millions of people were now working from home, furloughed from jobs or made redundant; non-essential businesses were forced to close their doors to customers, and public travel was limited.
Our cities and streets had become ghost towns.
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This posed the question of what type of ‘new normal’ awaited us as lockdown measures were relaxed on Saturday 4th July?
So, Mark once again took to the streets of Manchester, on what was dubbed as ‘Super Saturday’, to capture the people of the city enjoying the reopening of their favourite venues as restrictions were eased nationwide, and in contrast with the eerie photographs taken during the peak of lockdown, these images show the lively scenes of pubs, restaurants and hairdressers welcoming customers again.
The photographs were collected as part of Cartridge Save’s A Day In The Life 2020 experiment, to show how the city has adjusted in line with lockdown restrictions being lifted.
Event organiser, Ian Cowley of Cartridge Save, said: “The images from Saturday highlight the stark contrast between Manchester before and after lockdown. We worked closely with Mark to ensure we captured a moment of history as pubs, bars and hairdressers reopened for the first time in more than three months.”
“These images captured by Mark are a perfect example of Manchester adapting to a new way of living after months of solitude.”
The Manc is helping local businesses and venues get back on their feet after lockdown with our #BuzzingToBeBack campaign – offering as much support and exposure for Manchester hospitality as possible.
Read more about what we’re doing for the industry here.
Feature
Audio North’s favourite albums of 2025
Danny Jones
It’s that time of the year again: time to round up the best, or at least our favourite albums of 2026 here at Audio North.
We’re ready for your spiky opinions and intense judgement.
For those of you who haven’t been following over the past year or so, members of The Manc, The SheffandThe Hoot have banded together in our love of music to create the one-stop shop for all the best Northern tunage there is, going to as many gigs and chatting with as many artists as possible.
However, we’d never dare limit an audiophile’s listening to one region, so you can expect plenty of globe-trotting, genre-hopping and head-bopping excellence on this list. Without further ado, here is Audio North‘s round-up of the best records of the year for 2025.
Lux by Rosalía – Emily
5/5
I am not a trusted voice in music criticism, nor do I claim to be, so take what this verging-on-30-year-old white girl who only speaks English and has no relationship to religion whatsoever, says with a pinch of salt… but I think this might be one of the best albums of the decade, never mind this year.
When was the last time a genre-bending concept album about feminine spirituality and female saints sung in 14 DIFFERENT languages managed to wiggle its way into the cultural zeitgeist and onto the global charts? Yeah, never.
But that’s exactly what’s happened with Spanish singer Rosalía’s fourth studio album, Lux. It sees the hugely influential musician return to her roots by showcasing her classical training, with touches of flamenco mixed in with contemporary pop and orchestral sound – and to me, it’s exactly where she belongs.
Go on, give it a listen if you haven’t already.
We’re Never Getting Out by Deaf Havana – Danny
4.5/5
Since early adolescence onwards, Deaf Havana have been with me through every major milestone, significant moment and formative part of my life, good, bad, and everything in between, so it only feels fitting that I’d enter my third decade on this planet with one of their records to start me off right.
In fact, not only did they release this in my birthday month, but they also happened to play Manchester not long before the big day. I couldn’t have asked for a better 30th gift, but getting to hear this long-awaited batch of new tunes live and seeing frontman James Veck-Gilodi back at his best felt special.
They’ve been through many iterations over the years and I’ve loved them all in their own way; their previous two albums definitely felt like a return to form after perhaps somewhat of a blip (for various background reasons), but it still staggers me how Matty and James’ stuff never fails to connect with me more than any other artist, no matter the age, stage or style.
To be completely truthful, I’ll always lean towards their heavier guitar-driven stuff – and they’ll never abandon it – but I guess there’s a comfort in knowing just how challenging a period of life James has gone through, yet he still continues to be the most raw, introspective and eternally honest lyricist.
For my money, the best and most underrated songwriter of a generation. Help hail him if you want it, or don’t; even if not, it feels like he gets to stay mine, or at least for those of us initiated, OURS.
Thanks for everything up until now, and you know what? Sod it, I’ll take the liberty of speaking on behalf of all Deaf fans when I say we’re SO bloody happy you’re back with us, even if ‘The Present Is still feels like* a Foreign Land’.
Would I have called myself a Lily Allen fan six months ago? No. But I have always called myself a fan of a diss track and a good gossip, so when I learned of her divorce album, I consumed it HARD.
West End Girl is a solid pop album, but also a masterclass in knowing your worth, speaking your truth, and serving revenge ice-cold. And bringing the receipts, too.
It’s also a masterclass in music marketing – not only did it drop right before the release of her ex-husband’s biggest project of his career, but her tour posters were then placed directly opposite Stranger Things posters, so her face reflected back over his.
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He effectively vanished from his own press tour, and possibly the face of the planet? Has David Harbour gone into witness protection in ‘The Upside Down’? I would.
Love and light, Lily, and thank you for delivering the best.
Before you ask, yes, I have endured a breakup this year and, coincidentally, around the same time as Ms Dean released this absolute masterclass of a sophomore album.
The Art of Loving is a perfect analysis of love in all forms. Her heartfelt yet humoured lyricism explores its constant ups and downs, from delightfully romantic songs like ‘So Easy (To Fall In Love)’to more gut-wrenching, raw confessions like ‘Let Alone The One You Love’.
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But perhaps the most prominent theme of love throughout is self-love; Olivia portrays herself as not a victim but a student, and we, as listeners, are reassured that we’re all in the same boat and that if we trust the process, the right sort of love will find us eventually.
It’s no surprise that Olivia Dean is one of the most exciting artists in the world right now, oozing class, charm and impeccable talent – we can’t wait to see her live again and to see what she does next.
A Complicated Woman by Self Esteem – Kris
5/5
Self Esteem has kicked the door off its hinges this year with her third studio album, A Complicated Woman, with standout critical acclaim. The album explores identity, womanhood and burnout against a backdrop of delicious pop-bops and powerfully honest lyrics with a theatricality that few other musicians can muster.
I only properly “discovered” Self Esteem this year, and she has absolutely knocked my musical socks off. I had the joy of watching her sensational performance at Glastonbury, shedding a number of tears at the likes of ‘I Do And I Don’t Care’, ‘In Plain Sight’ and ‘Focus Is Power’.
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Her lyrics and her music have a way of mining the depths of your emotions and dragging feelings out of you that you didn’t even know existed. ‘The Deep Blue Okay’ is the perfect closer, reminding us that self-preservation is acceptable and OK.
In a world where there is constant pressure, internally and externally, to be perfect, this whole album reminds us that sometimes being imperfect and trying is what matters. Every day we get to have is big.
Whilst Sheffield-born Self Esteem might be a complicated woman, there is nothing complicated about this album being an absolute knock-out.
I’m usually a pop-punk, obsessed with Oli Sykes kinda girl, but Addison Rae… You are my Queen.
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The soundtrack to my summer, Addison Rae brought us all classics like ‘Summer Forever’, ‘Diet Pepsi’, ‘Headphones on’, and the absolute fan favourite ‘Fame Is A Gun’ on the self-titled album, Addison.
She followed me to all my holidays, and the album itself takes you on a journey of what it’s like to be a woman; it’s empowering, showcasing what it’s like to be young, being in love, not wasting time and maybe a little bit of money – it’s a joyful masterpiece.
I fell short of seeing her live in Manchester earlier this year, but it didn’t stop me from scrolling through TikTok the next morning.
Addison, thank you for being the noise of one of my favourite summers – now put your ‘headphones on’ and enjoy.
People Watching by Sam Fender – Lonnie
4/5
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People Watching… WHAT an album. Where do I even start? Sam Fender really has knocked it out of the park on this one – Wythenshawe Park, specifically.
It’s raw, emotional, yet still full of energy. I was lucky enough to see Fender for that wonderful day fest in Wythy back in August, where he did this album the utmost justice.
The title track ‘People Watching’ is a full-on banger: high energy and massive sound. It also carries a message that will hit people from all walks of life. Knowing it’s about a late mentor and friend of Sam’s made it land even harder.
‘Rein Me In’ is another standout, touching on self-sabotage in love, which most of us can acknowledge we have done at one time or another. It’s honest, extremely relatable, and hits home without trying too hard; having Clem’s favourite Olivia Dean then hop on it was just the stuff of dreams.
Overall, the album feels incredibly human. Reflective without being boring, emotional without being over the top. It’s the sort of record you stick on and let play, and it’ll hit different ways depending on where your head is. A brilliant album and one of Sam Fender‘s strongest to date.
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Hopefully! by Loyle Carner – EmJ
4/5
Hopefully! has been one album I’ve listened to time and time again this year. Loyle Carner (real name Benjamin Coyle Larner) continues to prove why his music connects so deeply with so many people.
From the moment I pressed play on the record, I was met with an immediate sense of comfort. The opening track, ‘feel at home’, begins with a child-like sound of wind chimes before switching into a jungle/breakbeat rhythm – a more experimental direction for Loyle, but one that feels completely natural.
Sonically, the album is interesting. There are moments that lean into a murky, slightly off-kilter sound that will remind many listeners of King Krule and Mac DeMarco – more in mood and atmosphere than direct influence. It shows Ben pushing himself creatively without losing what makes his music feel so personal.
Throughout the album, you can hear the weight in Loyle Carner’s voice. Often sounding like there’s a lump in his throat, his thoughts feel raw, unpolished and imperfect, and that’s exactly what makes the record resonate with me.
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Vulnerability has always been at the heart of Loyle’s music, but it feels especially front and centre here. The album flows effortlessly, and it’s one of those records you end up listening to front-to-back without even realising.
Tyler, The Creator’s latest album, DON’T TAP THE GLASS, is another reminder of why his evolution has been so compelling to watch. I’ve been listening to his music since the Odd Future days, and what’s impressive is how he’s managed to grow without losing that edge.
The album is inspired by people’s fear of dancing in public due to social media; it’s an album about letting loose and expressing yourself. Production is layered and interesting, but never distracting, giving Tyler room to say exactly what he wants to say.
‘Sugar On My Tongue’ stands out immediately. It’s the kind of track that grows with every listen and sticks around long after the album ends.
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This isn’t Tyler trying to prove anything. It’s an artist fully comfortable in his sound, still pushing himself forward while staying true to where he started.
Hearts Sold Separately by Mariah the Scientist – Thomas
4.5/5
With this project featuring my top song, album and artist of the year, ‘Is It a Crime’ if I didn’t choose this to be my album of the year? Yes. Mariah has resorted to every artist’s favourite era of inspiration, calling back to the 80s for some echoey drums, chimes and synths which dominate this record’s soundscape.
This album’s magnum opus, ‘Burning Blue’, sees her letting down her guard as she finds true love with ‘Eternal Flame’ and ‘Like You Never’ continuing this theme. Fittingly, Ms Scientist uses this album to discuss her expertise in one specific chemical reaction, love.
Roll on January, when I’ll be belting out Hearts Sold Separately for its entire duration when she plays Manchester Academy.
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Getting Killed by Geese – Lilly
5/5
As an avid rock fan, I’ve been hungry for an album that flips the genre on its head and finally provides us with a fresh new perspective. Thankfully, Geese DELIVERED this year, and brought out their third wild and weirdly wonderful LP, Getting Killed, which has since gone platinum in my house.
Each song on the album feels like its own religious experience; it’s a perfectly crafted amalgamation of art-rock and post-punk with references to prime funk and soul, conveyed through groovy basslines and sonic shifts.
Cameron Winter’s uniquely brilliant vocal range shines through once again, accompanied by his absurdist lyricism and the band’s overall 70s flair; Getting Killed isn’t just a good rock album in my eyes, it’s a modern-day classic.
With a name like ‘Geese’… It’s hard to forget a band like these lot – and once you hear this album, they’ll be cemented in your brain forever.
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Go on, then – how did we do?…
Let us know your favourite albums of 2025 down below, and here’s to what we’re sure will be another brilliant year of music in ’26.
Featured Images — Audio North/Publicity pictures (various)
Feature
The 10 restaurant and bar closures that shocked Greater Manchester in 2025
Daisy Jackson
Greater Manchester has one of the most exciting and fastest-growing restaurant scenes on the planet – but that doesn’t make our city immune from hospitality closures, as 2025 has shown.
Given the economic climate and the increasing pressures on hospitality, it’s actually shocking (and a relief) that we haven’t lost even more beloved local spots.
In 2025, there have been some high-profile closures in Manchester that no one saw coming, as we bid a sad farewell to some local legends.
The good news is that the number of openings still outstrips the number of closures – you can see some of the biggest spots we welcomed last year HERE.
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Almost Famous
Greater Manchester
Almost Famous / Credit: The Manc Group
It’s no surprise that this was one of the biggest stories in Manchester in 2025, because we simply could not believe our eyes when Almost Famous announced its closure.
The burger craze of the mid-2010s may have died down, but this spot had always felt like a Northern Quarter OG with a loyal enough following to stand the test of time.
Alas, it closed its doors very suddenly back in January, shortly followed by its sister smash burger brand Super Awesome Deluxe, with a staggering outcry and a lot of fall-out locally.
Thankfully, a short while later it was rescued by the team behind PINS Social Club.
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Hip Hop Chip Shop
Ancoats
Hip Hop Chip Shop / Credit: The Manc Group
Another sad day for the Manchester food scene arrived in February, when Ancoats favourite The Hip Hop Chip Shop announced its closure.
Having first opened in 2014 as a street food stall, to opening their own site in Ancoats, the present financial pressures took their toll, and Hip Hop Chip Shop shut its shutters just a few weeks later.
We still fantasise about their battered halloumi.
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Another Heart To Feed
Northern Quarter
Another Heart to Feed / Credit: The Manc Group
It felt like one of the Northern Quarter’s top brunch spots, and with queues around the block nearly all the time, seemed like a safe spot.
But the award-winning Another Heart to Feed’s popularity was not enough to overcome the challenges facing the industry.
In their statement, this lovely brunch spot and wine bar thanked customers and staff, past and present – you can read more here.
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Mother Mary’s
Oxford Road
Mother Mary’s / Credit: The Manc Group
One of Manchester’s newest Irish bars announced its sudden and immediate closure in November, citing financial pressures.
Mother Mary’s took over the old student haunt that was Font bar, just off Oxford Road, filling the venue with a state-of-the-art sound system for hosting live music and club nights.
It was much more than just an Irish bar and had become a safe space for so many locals – accessible, queer-inclusive, independent, and dedicated to championing local talent.
One of Manchester’s most legendary bars closed its doors after 13 beautiful years in the city earlier this year, shocking us and everyone who loved it.
Sandinista quietly shut down in October, throwing one final knees-up for loyal (and very sad) punters.
The bar, just off St Ann’s Square, was famed for its menu of beers, tequila, and cocktails, including a pint of Zombie served on fire.
There’ll never be another one like it.
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Bohemian Arts Club
Stockport
Bohemian Arts Club / Credit: The Manc Group
Stockport lost a good one back in September – Bohemian Arts Club, the stunning cocktail bar launched by Blossoms frontman Tom Ogden and his wife Katie, closed for good.
It had been a much-loved addition to town, a real vintage-style speakeasy serving top quality drinks, and you could feel all the love the couple had poured into it (even down to the heart-shaped chairs handmade by Katie’s mum and dad).
Thankfully, it stayed in the family – Katie’s incredibly successful Bohemian Salon has expanded from downstairs to take over the entire three-storey building.
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Feel Good Club
Northern Quarter
Feel Good Club / Credit: Supplied
After five incredible years in the city, brewing up some of the finest coffee, serving an all-day brunch menu full of all your favourite comfort food dishes, hosting countless events, and just generally being a wholesome community space for anyone and everyone who needs it, it’s the end of the road for Feel Good Club.
Founders Kiera and Aimie sadly announced they would be closing the doors to their Northern Quarter cafe in the summer, after struggling to stay afloat this past year like so many other local indies.
They said: “We’ve had the time of our lives, and met the most incredible people along the way.”
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Kala
Manchester City Centre
It was part of Gary Usher’s acclaimed group of restaurants, but Elite Bistros shut down one of its top spots earlier this year.
City centre bistro Kala closed for good back in June, with a heartfelt and very honest statement.
Usher wrote: “Thank you to all the team past & present & I’m so sorry to all of you and all the guests that I couldn’t create something with longevity.”
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Medlock Canteen
New Jackson
Medlock Canteen / Credit: The Manc Group
Just months after celebrating its first birthday, Medlock Canteen announced it was moving out of the Deansgate Square neighbourhood.
The brilliant local restaurant served a really gorgeous menu that included rotisserie chicken, full English breakfasts, and quite possibly Manchester’s best Caesar salad.
It was all proper hearty food that you actually want to eat, with a stunning mid-century restaurant space and great drinks too.
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Osma
Prestwich
Osma / Credit: The Manc Group | Osma
Prestwich’s burgeoning restaurant scene was dealt a major blow at the start of 2025, when Osma announced its closure.
The Scandi-esque restaurant was a front-runner of Prestwich’s ever-growing food and drink scene since it opened in 2020, fronted by Manchester born Danielle Heron, who you might recognise from the Great British Menu and MasterChef: The Professionals 2024, alongside Sofie Stoermann-Naess.
You can still find their brilliant cooking at Exhibition in the city centre, but as for the restaurant itself, Osma said they ‘struggled to find experience staff, leaving us with little to no personal life’.
Emily Sergeant -
7th July 2020 
