The mural – appeared on the side of The Griffin Hotel in Heaton Mersey – and features a young boy painted in black and white flying a bright yellow kite with an acid house-style face but with sad expression.
Given that the style of the mural was so instinctive, the pub landlords had no idea how it go there, no artist name had been left, and the work appeared to have been done overnight, it lead many local local residents to believe that it could be a genuine Banksy work – who’s identity still remains top secret.
But despite all the talk of the town and rumours that there could be a “Banksy in Stockport”, it’s finally been revealed that painting is not the work of the world-famous artist.
It might not be a Banksy, but the real artist also remains anonymous and uses a pseudonym.
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Salford-based artist Mr Eggs says he has “appreciated” street art for the past 15 years or so now, but has always laughed off Banksy comparisons when they’ve previously come up, saying: “It’s not like he invented spray can art.”
Mr Eggs told the MEN: “That’s weird as everyone always puts stencilling down to him.
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“It’s been around for years and there are a lot of good artists out there, but it’s always Banksy who gets any air time and publicity. I’m the only person in the world to have smuggled a painting into a Banksy show so I don’t think I’m on his favourites list.
“I do like his work though.”
Mr Eggs also gave an insight into the meaning of the now-viral street art piece – which has been shared all over social media this week – Mr Eggs added: “The boy is inspired by the sadness of the refugee crisis [as] I know so many people are arriving here with just the clothes on their backs and times are hard here too.
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“I know many people have given all they can to try and help but it must be very difficult for families to be broken apart.
“The acid house reference is of course a nod to Manchester and the sadness of so many people here right now, and the mental health issues surrounding our communities whether that be drugs, escaping war or whatever.
“It’s just a very bad few years especially with the people lost at the arena also.”
It might not be a Banksy, but the real artist also remains anonymous and uses a pseudonym. / Credit: Instagram (@mreggs.co.uk)
Do you like the artwork piece re-created on the Stockport wall? Keen to own a copy for yourself? Prints of the mural are being sold by Withington Walls, and signed copies are also available to buy the Shopify page here.
Trailer for Clayface gives closer look at Batman villain in new DC film shot in Greater Manchester
Danny Jones
DC have dropped a brand-new trailer for the upcoming Clayface film: a new ‘body horror’ movie by the Hollywood studio and superhero franchise.
Giving the first extended look at the cult favourite Batman villain, it’s set to be one of the darkest and most disturbing big-budget DC projects for some time.
Set to release on 23 October, it drops in just time for ‘spooky season’, and judging by this latest trailer, they’re certainly doubling down on the creepiest sides of the character. If you’re a bit squeamish, we’d say proceed with caution:
It’s certainly a striking reveal and has some of the most mature themes we’ve seen from DC over the years; that’s what you get when you park a supervillain like this.
For anyone who hasn’t come across Clayface before, it is an alias used by multiple individuals in the comics, including Basil Karlo and Preston Payne.
However, this version of the alter ego follows the story of Matt Hagen, a struggling actor who suffers serious disfiguration and experiments with experimental science before embarking on a tale of revenge.
While this differs somewhat from Hagen’s original backstory, without straying into spoiler territory, there’s plenty to be made from the trailer, as you can see.
If you’re wondering what kind of film to expect beyond what you’re now already aware of, it’s worth noting that James Watkins is known for films such as The Woman In Black (2012), Bastille Day (2016), and the heavily nominated James McAvoy-led movie, Speak No Evil (2024).
We were lucky enough to walk past their other major period of filming over in Manchester city centre last September, where the often-used Castlefield doubled as Gotham.
Oasis’ (What’s the Story) Morning Glory? named biggest UK studio album EVER by Official Charts
Danny Jones
You’re damn right: Oasis continue to be MASSIVE as new figures from the Official Charts Company have confirmed that (What’s the Story) Morning Glory? has clocked in as the biggest UK studio album of all time.
The Britpop icons and history go hand in hand.
Yes, according to the latest numbers by our domestic chart-crunchers, only two other albums surpassed Oasis‘ second LP – and they’re both greatest hits collections.
The announcement was made on Wednesday, 22 July, just over a whole year on from those reunion world tour shows at Heaton Park. How fitting.
Starting off by channelling Liam Gallagher energy and quipping that “Oasis vibes are in the area”, they go on to explain the colossal cumulative record.
“Oasis claim one of the biggest honours in British music history, they write, “as (What’s the Story) Morning Glory? is named the UK’s Official biggest studio album of all time, according to new Official Charts Company data.”
Combining UK sales of the record – both physical and digital over the years – along with modern streaming statistics, the sophomore outing from the Britpop giants has amassed approximately 6.2 million UK chart units. Staggering stuff.
Last year’s Live ’25 shows have no doubt helped give an added boost to their metrics, but it’s still gargantuan stuff from the local band.
Yet another incredible stat not just for the Burnage boys but the Manchester music scene as a whole.
2026 looks to be just as big a comeback, by the looks of things.
In case you were wondering who beat them out in the race for the top spot, they were pipped to the post by Queen’s Greatest Hits and the same again from ABBA, two worthy opponents to take third place after.
You can see the rest of the list in full right HERE.
Oh, and Definitely Maybe also made the list, too, coming in at number 39 – making that two in the top 50 even amongst all the compilations.
It feels like last July all over again, doesn’t it? And if now isn’t the perfect time to stick on the title track, we don’t know what is.
Actually, sod it – we’re sticking the full thing on…