Photos of Manchester’s legendary gay clubnight Flesh and Clause 28 protests have gone on display at The Kimpton Clocktower Hotel.
Documenting and celebrating the city’s LGBTQIA+ community, the new exhibition appears as part of the venue’s longstanding partnership with arts institution the British Culture Archive (BCA).
Named ‘Together As One – A Celebration Of Manchester’s LGBTQIA+ Community’, the exhibit launched on Thursday 28 July and will be in situ throughout the summer.
Photographs on display capture two pivotal moments in the city’s queer history.
Image: Peter J Walsh
Photography by Peter J Walsh documents the anti-Clause 28 protest, which was held in Manchester and saw over 20,000 people take to the streets to protest Clause 28 – an attempt to suppress the gay community at a time when it was already struggling to deal with the HIV & AIDS epidemic and the backlash towards the community driven by media.
ADVERTISEMENT
Walsh, who is more well known for documenting the city’s nightlife during the ‘Madchester’ years is one of the few who documented this important protest that would help change the face of LGBTQIA+ rights in the UK.
Speaking on the Clause 28 Demo, Manchester, 1988 imagery, photographer Peter J Walsh said: “The Anti-Clause 28 demo was one of the largest demonstrations I had covered in Manchester during that period.
ADVERTISEMENT
Image: The Manc Group
Image: The Manc Group
“The starting point was on Oxford Road, by the Poly and the participants seemed to go on as far as the eye could see. Manchester City Council reckoned there were 20,000 people on the demo. It was loud, happy and vibrant.
“The country had been under Thatcher’s rule since 1979 and people were determined to fight back against this law.
“The left-wing council of Manchester welcomed the marchers and stood with them in solidarity against the divisive Tory Government. The LGBQTQIA+ communities civil liberties were under attack by Thatcher and we were prepared to stand shoulder to shoulder with them and say enough is enough.”
Elsewhere, photographs by Jon Shard capture The Haçienda’s hallowed dancefloor club night, Flesh, first launched in October 1991.
Flesh was the flamboyant mid-week night at The Haçienda, which welcomed everyone, black, white, gay, straight and was also the home of the clubs’ first female resident DJs, Paulette and Kath McDermott.
Image: Jon Shard
Flesh arrived during a turbulent time during the club’s and city’s history., the comedown from the Halycon years of 1988-1990 was in full flow and regular ‘Hac’ nights were losing their appeal due to a number of heavy gang-related incidents and laddish clientele putting off the punters.
The Haçienda and nights such as Flesh fit into a tradition of creativity and cultural innovation in Manchester, which can be seen throughout the city today.
ADVERTISEMENT
Speaking on the Flesh at The Haçienda imagery, photographer Jon Shard said: “My friends and people around me, would be talking about it all month.
Image: The Manc Group
Image: The Manc Group
“People came from all over, you had people from Europe coming over for it – it was always packed and full of energy. It was one of the most important nights there – probably the biggest gay night in Europe.
“It was always special. I was there for every single one, it was the best night to shoot because of the carnival atmosphere. It was really colourful, everyone would spend two or three days working out what they were going to wear for it.”
The new exhibit ‘Together As One – A Celebration of Manchester’s LGBTQIA+ Community’ follows on from the success of ‘A Woman’s Work’, the first instalment by the BCA in the hotel,
Throughout the summer, Kimpton Clocktower Hotel and The Refuge Bar and Restaurant will be hosting a series of summer activities in celebration of all things Pride.
ADVERTISEMENT
Image: The Manc Group
Image: The Manc Group
From Sparkle Weekend celebrations, a new exhibition celebrating Manchester’s LGBTQIA+ community in partnership with British Culture Archive, and of course the iconic Come As You Are Weekender – there’s something for everyone.
To find out more about the Kimpton Clocktower Hotel x British Culture Archive ‘Together As One – A Celebration Of Manchester’s LGBTQIA+ Community’, visit the hotel’s website here:
Audio
Bez and Shaun Ryder are starring in a new gangster movie – nope, not kidding
Danny Jones
No, you didn’t misread the headline and you’re not on acid: Manchester music legends Bez and Shaun Ryder are set to feature in a brand-new gangster film.
Yes, the ones from the Happy Mondays – why are you having such trouble processing this?
Seriously though, we did a little double-take ourselves when we came across this news, but the familiar Manc faces look to be among the ensemble of a brand-new gangster movie by Irish writer, actor, producer and filmmaker, Ciaron Davies.
And this is just a little leak or rumour that may have been blown out of proportion: you can take it from the horse’s mouth as Happy Mondays frontman, Ryder, recently shared the news on social media.
As you can see, the new film is called Geezers and is billed as a “British crime caper” written and directed by Davies, featuring Shaun as hard-man Robbie and Bez as ‘Monk’. If you saw Ryder shaking off that snake biting his hand like it was nothing then you already know he’s hard as nails.
Although it’s not strictly listed as a comedy per se, ‘caper’ would suggest plenty of humour and light-heartedness, so we’re thinking more like The Gentleman, Italian Job, or maybe even Four Lions, rather than a serious crime thriller.
Now, while we’ve seen both of the Salfordians on screen before not only in the likes of music videos, interviews, panel shows and even as two of the funniest guests to ever go on Celebrity Gogglebox, this latest venture will serve as their respective acting debuts.
According to the IMDb page, the synopsis of the film is as follows: “Crime caper about a stolen bag of money. Caught in the crossfire are ‘The Geezers’ a bunch of wannabe criminals who have bitten off more than they can chew. With 24 hours to grab the cash, London may just go up in smoke tonight.”
Shame it’s not set on the mean streets of Manchester, or better yet Salford, but you’ve still very much caught our interest.
You can see the first promotional poster for the film down below.
As for Davies, he has been involved with a number of small-budget TV film projects, as well as appearing in shorts and even video games, so it’s fair to say that getting 62-year-old Ryder and his ever-energetic hype man, 60, involved is quite the coup for his movie-making career.
Although the film has no release date just yet, we know that filming locations having included parts of Warrington and Pinewood Studios, will be produced by Loose Gripp Films and distributed by publishers High Fliers.
Given the high-octane nature of Geezers and its genre, the feature will involve lots of action, stunts, violence and even martial arts – though how much kung-fu these two will have learned for the project remains to be seen…
All we know is that the film is supposedly “coming soon” and if you don’t want to see Bez and Shaun Ryder doing their best impression of a Guy Ritchie gangster movie then you’re lying to yourself. Praying for a Rowetta cameo to put the cherry on top.
Featured Images — Shaun Ryder (via X)/Loose Gripp Films/IMDb
Audio
Blossoms at O2 Ritz Manchester – five-night hometown residency is already a triumph
Daisy Jackson
Blossoms are a band who were born and forged here in Greater Manchester, and now they’re back retracing their steps with a five-night residency across the venues that launched them into the big leagues.
Their star has risen all the way to arena level and headline shows at Wythenshawe Park at this point, especially here in their hometown, so the chance to see them back in these cosy-ish little venues is special, and a little bizarre.
For night two of their landmark sold-out gig series, it was the turn of the O2 Ritz, that sweaty spot off Oxford Road where the floor bounces downstairs and you stick to the carpets upstairs.
Poetically, the first time I ever saw Blossoms was in this very room in 2016, when they had the mid-afternoon slot at Neighbourhood festival and the queue to get in went all the way back to St Peter’s Square.
Since those days, Blossoms have come a long, long way, and their live show has evolved and matured from five lads thrashing on their instruments to this well-oiled, hip-swaying, flares-wearing, chart-topping machine.
There’s even choreography now – how fancy!
A stand-out moment from the show is actually a song from their new, fifth studio album Gary, which is still barely eight weeks old.
A spoof recording of legendary Manchester indie club 42s rings out, then all five band members abandon their stations, slinging keytars and marching drums around their necks so that they can dance together in front of neon signs.
Blossoms have just done their second of five shows in Manchester, this time at the O2 Ritz. Credit: The Manc GroupBlossoms on stage at the O2 Ritz in Manchester. Credit: The Manc Group
Blossoms promised more disco with this album and they bloody meant it. It’s not just the flares and the blow-dries and the moustaches (though those do help) – it’s in the funk and groove that’s gradually crept into their music exponentially with each album release.
This is still indie rock but it’s the most danceable of its genre. Good luck keeping your shoulders from wiggling and jiggling in here. Good luck keeping that grin off your face.
And Gary is one of the most unexpectedly fun albums to be released in the last year – the fact they called it Gary, named after a giant fibreglass garden centre Gorilla, should’ve been our clue. It could border on silly were it not such a masterpiece.
It seems like the only thing Blossoms are trying to prove is that you can be wildly successful without taking yourself too seriously. They just seem like a group who want to have a good time and it’s totally infectious.
Case in point – when each band member is introduced, keyboardist Myles Kellock plays the riff of Satisfaction by Benny Benassi and The Biz. Unexpected.
Blossoms also clearly give a sh*t about their live shows and graft at it – I’ve seen these guys an awful lot and it’s because their tour dates are plentiful and consistently worth the ticket price.
This is definitely the biggest era of their career so far, but have they peaked? Not even close.
Georgina Pellant -
29th July 2022 
