Manchester‘s new ‘sky park’ on Castlefield Viaduct is reopening next weekend after being closed for maintenance over the winter.
The New York-inspired elevated urban park on the giant Grade II-listed 330-metre steel viaduct opened to the public as part of a pilot project to gauge opinion back in July 2022, but has been closed since December to allow time for the team of National Trust gardeners, volunteers, and community partners to prune, plant, and create new and exciting areas.
Over 10,000 visitors got to explore part of the structure and find out more about the viaduct’s heritage and the city’s long relationship with plants and trees when it opened last summer.
But closing the attraction was necessary to the tie up the finishing touches.
Manchester’s new ‘sky park’ on Castlefield Viaduct is reopening to the public next weekend / Credit: National Trust
On top of National Trust gardeners and volunteers working to add a variety of seasonal planting displays created by, four plots on the viaduct have also been handed over to local community groups and partner organisations to create their own unique gardens for visitors to enjoy.
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Hulme Community Garden Centre and Sow the City are two of the groups who will be revealing their gardens when the viaduct reopens to the public on Saturday 18 February.
According to the National Trust, Hulme Community Garden Centre have created an urban forest garden to inspire viaduct visitors to create ‘layered’ planting that optimises precious growing areas.
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The garden is aiming to both benefit personal wellbeing and the local environment.
Sow the City, on the other hand, has been working with Hubbub to bring a sensory nature garden complete with a pond – which is a first for the industrial viaduct.
Featuring wildlife habitats and bee-friendly planting, Sow the City’s ‘In Our Nature Garden’ is hoping to encourage a connection between people and nature, with design drawing inspiration from the latest research in environmental psychology that indicates that the closer a person’s relationship is with nature, the more likely they are to care for wildlife and the wider environment.
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The group says the aim of the garden is to give those living in Manchester city centre the opportunity to escape the hustle and bustle through tranquil sights, earthy smells, and an immersive audio recording that can be downloaded as part of the nature experience.
These two new areas of the viaduct will join the existing ‘partner plots’ by City of Trees and Castlefield Forum.
The New York-inspired elevated urban park has been closed for maintenance over the winter / Credit: National Trust
Officially reopening on Saturday 18 February, entry onto the structure will remain free while the National Trust team test a new way to welcome visitors.
A booking system will stay in place for guided walk visits between 11am to 12:30pm, but unlike last time it was open, those wanting to explore the viaduct at their own pace after 1pm can now just turn up on the day without needing to book.
“We’re looking forward to welcoming visitors back onto the viaduct to see what we and our partners have been up to,” Rebecca Alexander, Visitor Operations and Experience Manager at Castlefield Viaduct said ahead of the park’s opening next weekend.
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“In our first four months of opening, the viaduct proved very popular and many of our time slots to visit were fully booked.
“By introducing a new way for visitors to explore the viaduct at their own leisure, we hope that even more people will benefit from this green space in the heart of Manchester and support us in shaping its future.”
The National Trust says there are also plans to host events throughout the spring and summer – including new family tours both on and off the viaduct, yoga, planting events, lunch-hour talks on weekdays, and community-led plays.
The funds will help improve the already incredible music scene in Manchester, benefitting staples likes Night and Day Café, Matt and Phred’s Jazz Club, SOUP and more.
All of the donations will be distributed across six independent music venues and will be used for various instruments, PA equipment, backline technology and other necessities depending on the requirements of each site.
Elbow have teamed up with Co-op Live in aid of supporting Manchester grassroots venues.Credit: Supplied
This initiative has been keeping Manchester’s Northern Quarter in the forefront of people’s minds when it comes to live music as well as the impressive Co-op Live.
Alongside providing vital resources for these local institutions, Elbow teaming up with Co-op Live also helps cement the North West as one of the main powerhouses in relation to live music.
The latest efforts from the largest indoor arena in Manchester fall in line with celebrating one year of bringing some of the best live music to the city, being officially open for 12 months in May.
Co-op Live have made a commitment to the people and the planet, promising to donate £1 million annually to the Co-op Foundation.
The stunning Co-op Live venue, Manchester’s largest indoor arena.Elbow performing at Co-op Live, marking history as the first act to grace the venue.Credit: Audio North/Supplied
Manchester’s latest live music venue also contributed significantly to selected charities, including Happy Doggo – chosen by Liam Gallagher and Eric Clapton’s addiction recovery centre, Crossroads.
As Elbow teams up with Co-op Live, even more money is making its way to necessary resources, this time in the likes of crucial live music establishments.
Elbow front-person Guy Garvey says: “Playing Co-op Live’s opening night will stay with us for a lifetime, not least because of how incredible the room sounded.”
“When the venue donated funds in our name to support the city we love, it made complete sense to carry that through to the Northern Quarter and to venues that have meant so much to my bandmates and I throughout our career.”
Guy Dunstan, Senior Vice President and General Manager, Co-op Live, adds: “In the past year, I have been proud to see Co-op Live become an integral part of such an incredible city.”
“Teaming up with Elbow to directly support the venues that first put Manchester on the map, and to share something so intrinsic to us as venues – proper sound – is something truly special.”
Award-winning The Kinks musical Sunny Afternoon to kick off UK tour in Manchester
Emily Sergeant
Multi award-winning musical Sunny Afternoon is set to kick off its UK tour here in Manchester later this year.
Following a sell-out run at Hampstead Theatre, the musical production featuring all the hit songs by legendary rock band The Kinks opened to critical acclaim at the Harold Pinter Theatre in London’s West End, where it ran for two years ahead of its sensational UK and Ireland tour throughout 2016/17.
It also collected four Olivier Awards, including Best New Musical and Outstanding Achievement in Music for Ray Davies, along the way.
Award-winning The Kinks musical Sunny Afternoon is kicking off its UK tour in Manchester / Credit: ATG Tickets
Set against the backdrop of Britain on the cusp of the rebellious 60s,Sunny Afternoon is described as being an ‘exhilarating and moving’ celebration of the music, life, and the band that changed it all, The Kinks.
Sunny Afternoon celebrates The Kinks’ raw energy, passion, and timeless sound.
Charting the ‘euphoric highs’ and ‘agonising lows’, the smash-hit production tells the band’s story through an incredible back catalogue of chart-toppers – including ‘You Really Got Me’, ‘Lola’, ‘All Day and All of the Night’, and of course, ‘Sunny Afternoon’ itself.
Tickets are on sale now from just £15 each / Credit: Kevin Cummins
Producers Sonia Friedman Productions and ATG Productions announced last week that the show would be returning for another UK tour later this year, and it’ll be opening right here on one of Manchester‘s most iconic stages.
The hit musical will open at Manchester’s Palace Theatre on 10 October 2025 and it will run right through until 18 October.
Sunny Afternoon has music and lyrics, and an original story, all by the band’s frontman Ray Davies, along with a book by Joe Penhall, direction by Edward Hall, design by Miriam Buether, and choreography by Adam Cooper.