The 1975 are back in Manchester once again this weekend with two massive dates at the AO Arena and, if Matty Healy and the name of the tour are to be believed, they are ‘still at their verrrrrry best’.
The pop, indie and alternative chart-toppers are currently on their biggest world tour ever and finally touched back down in the UK this month, having already played the likes of Glasgow and London, with their Manc gigs up next.
They might be from just outside of Greater Manchester but they came up through our legendary live music scene and have always considered this their de-facto town of origin, with legions of local fans more than happy to welcome that label.
With that in mind, their pair of homecoming performances are absolutely going to go off and if you’re lucky enough to be going, we’ve got the info you need. Here’s everything you need to know about The 1975‘s return to Manchester.
If you were wondering if there are tickets left for The 1975’s Manchester gigs whatsoever, we were fully ready to say, ‘fat chance this time, mate’. However, it turns out there are still tickets left for 17 and 18 February at the AO Arena.
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They sold out faster than you can say ‘smells like Chocolate’ last time the Wilmslow lads visited back in January 2023 but, presumably since there’s now less of a gap since their previous show and they put on a double bill of shows last year too, it’s meant that the scramble for tickets hasn’t been quite as hectic.
They’ve added an extra Manc date due to demand this time too, which should make sure as many people as possible stand a chance of grabbing a ticket; if you still fancy springing for one, standing has sadly gone but seated spots are still available for both Saturday and Sunday from £47.05 upwards HERE.
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Their previous show at The O2 in London — Credit: Tahiya Brewin (supplied)
Support acts
Better still, you’ve got an unreal support act in store as well, with fellow Dirty Hit label-mates The Japanese House also joining them on this tour and set to get things warmed up at the AO Arena.
The stage name of fellow indie pop talent Amber Bain who recently released her second album and is only getting more popular year after year, the singer-songwriter and her band played a sold-out show at New Century Hall in October last year and is set to return for another solo show this May.
But before then, they’re set to play their biggest Manchester crowd to date and we’re sure we’ll see Matty hopping on stage to help sing cult favourite single ‘Sunshine Baby’ before their headline slot.
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Stage times for The 1975’s Manchester show
Doors to The 1975 gig at AO Arena will be open from 6pm and The Japanese House aren’t expected to start playing until 7:30pm, giving you day-ones and die-hard fans plenty of time to get as close to the barrier as you can manage.
Playing a roughly half-hour set, you’ll get a decent interval to empty your bladders and re-stock drinks before the party gets in full swing at 8:30pm. It’s a long old set with more than 25 tracks due to be wheeled out, so best to be prepared.
Speaking of which, we’ve got you covered on that front as well, don’t worry.
Setlist
While the last tour obviously leant heavily towards playing tracks from their most recent release, Being Funny in a Foreign Language, this current show has allowed them to dip back into other beloved tracks from previous albums, especially after seeing what surprises worked on the night in 2023.
Here’s the average setlist for the ‘Still… At Their Very Best’ tour, according to Setlist.fm…
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Credit: The 1975 (via IG)
The 1975 (BFIAFL)
Looking for Somebody (to Love)
Happiness
Part of the Band
Sincerity Is Scary
Oh Caroline
I’m in Love With You
A Change of Heart
An Encounter
Robbers
fallingforyou
About You
Consumption
Be My Mistake
If You’re Too Shy (Let Me Know)
Jesus Christ 2005 God Bless America
TOOTIMETOOTIMETOOTIME
Heart Out
It’s Not Living (If It’s Not With You)
The Sound
I Always Wanna Die (Sometimes)
Somebody Else
Love It If We Made It
Sex
Give Yourself a Try
People
All that being said, these lot always like to chuck in a few surprises depending on what city they’re in, so don’t be shocked if they mix things up a little bit for us Mancunians.
Travel and parking for AO Arena
If you’re driving in for the show, there’s a large multi-storey car park based right next to the AO Arena, with access through the car park to the main entrance of the venue.
Trinity Way will be closed southbound between Great Ducie Street and Cheetham Hill Road for up to an hour as guests leave following larger shows like this, but if you’re parking at the Arena itself you’ll still be allowed to exit during this time — just turn right and follow the diversions.
As for getting there via public transport, your nearest stop is Manchester Victoria, with trains and trams going directly into the station where you can then walk directly up the steps and straight into the attached Arena entrance, with plenty of bus stops and taxi bays right outside too.
We never quite know what to expect from Healy and co. when it comes to live shows, but you can expect high production value, the same gorgeous set they’ve been rocking for well over a year now; most likely a new hairstyle or look from the charismatic frontman, not to mention plenty of banter and on-stage antics.
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This particular music fan won’t pretend to be anything less than a massive 1975 fan, so if you’re wondering what The Manc Audio has made of their live performances in the past, you can read our review from their Manchester show last Jan HERE.
If not, you can always watch us dancing to every track like a bunch of prats down below, instead:
Featured Images — Tahiya Brewin (Supplied)/The 1975 (via IG)
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Review | PinkPantheress turns Victoria Warehouse into one huge party on first night in Manchester
Emily Johnson
There was a point during Pinkpantheress’ set at O2’s Victoria Warehouse where you almost forgot you were watching someone perform an album that barely stretches past the 20-minute mark.
Instead, night one of two Manchester shows felt like one huge club night curated by one of the most exciting British artists around right now.
From the second you walked into the venue, greeted by an army of plaid, the world of PinkPantheress (real name Victoria Beverley Walker, for those who didn’t know) completely took over.
The stage itself mirrored that energy too, with a two-tier setup that allowed her to constantly move around the space, appearing and disappearing throughout the night alongside outfit changes, dramatic lighting and eventually, a pair of angel wings.
Backed by her dancers and DJ Joe, the entire show felt slick, immersive and miles away from the early days of PinkPantheress nervously clutching onto her handbag on stage like a comfort blanket. Ironically, the handbag did make a brief appearance during the evening.
It’s a reminder of just how much her performances have evolved – and evolve they have.
What could have easily been a short and simple set instead became a fully realised live show, complete with extended dance sections, rave-inspired moments, drum solos and seamless transitions that made the whole thing feel bigger than the music alone.
There’s also something undeniably British about a PinkPantheress show: the UK garage influences, the fashion, the awkward humour, and the understated confidence all combined into something that felt distinctly hers.
At one point, she paused to laugh: “It’s hot in this venue, f*** me,” which summed up the sweaty chaos of the night perfectly.
At one point, she joked that the last time she was in Manchester, she made it all the way to the final stage of Pointless, before being told she was now “too famous” to go on the show – a perfectly PinkPantheress anecdote that had the crowd laughing immediately.
By the end of the set, Victoria Warehouse felt less like a gig venue and more like the best house party you’ve ever accidentally ended up at.
And with another Manchester show still to come, it’s safe to say the party isn’t over just yet.
Review | We need NBHD Weekender every year – and so does the North West
Danny Jones
Neighbourhood Weekender returned for 2026 this late May bank holiday, and after its second consecutive edition following an admittedly brief hiatus, we’re more confident than ever that we want this music festival on the calendar every single year.
Actually, we’d go so far as to say that lots of people around the North West and beyond NEED it.
We know plenty of people are understandably wary of potential hyperbolic declarations like that, but let us explain ourselves…
For starters, getting an opportunity to see the likes of criminally underappreciated Northern names like Richard Ashcroft playing the big slot on the main stage is a good place to start.
Many of you will have no doubt seen the Wigan legend on solo tours – not to mention serving as the pitch-perfect support act for Oasis’ reunion tour last summer – but topping the bill on Saturday night of NBHD Weekender 2026 served as yet more proof that he is, in fact, a headline act.
Maybe that changed a little for lots of people post-Live ’25, but his set was one of several over the course of the two-day festival in Victoria Park that served as a reminder of just how good lots of these long-standing acts both were and still are.
Kaiser Chiefs, Razorlight, The Fratellis, Mel C, Shed Seven, and so on: they’re not just nostalgic acts that those of a certain generation get to enjoy as a throwback – they’re all still incredible, seasoned performers in their own right.
They boast a wealth of experience and aptitude for playing to live crowds that you only get by being very good at what you do for a long time. You only have to look at the countless youths who quickly realised they knew more choruses than they realised, and got to sample hearing them in person for the first time.
Strong crowds from 12 noon until curfew. (Credit: Audio North)
And then speaking of the younger, more up-and-coming section of the lineup, the next generation absolutely smashed it as well. Let’s just say there were more than a few rising stars on show.
Westside Cowboy are clearly at the start of something very special and got a healthy dose of shout-outs from punters on the day; Keo were as frenetic as everyone knew they would be, Brooke Combe was on top form as she has been every time we’ve seen her, and Cassia were class.
More Mancs rose to the challenge in the form of The Guest List’s biggest show yet, too – they were also left super humbled when we spoke to them afterwards – and fellow regional band The Royston Club were nothing short of excellent, simple as.
Hearing thousands belt out ’52’ and ‘Cariad’ at the top of their lungs was one of our highlights of the entire weekend, to be honest.
Of course, then you’ve got the likes of the already established DMA’S, who were absolutely box office and made it plain how much affection they have for “their second home” up here in this part of the UK, and Sunday’s headliners, Blossoms, have proven time and time again that they’re the real deal now.
But aside from banger after banger, it was a conversation we overheard near us during the Stopfordians’ set that helped us come to this revelation.
Somewhere between their walk-out on stage and the second/third song, a bloke and his mate behind us shared an intimate moment we felt almost rude for having accidentally eavesdropped on, right up until the point it made us well up ourselves.
Without going into too much detail, this very stereotypical-sounding Northerner dropped all pretence and confessed to his friend that he’d had a tough couple of months, and that he’d been looking forward to this for weeks – not simply because Blossoms are his favourite artist, but because he needed it.
Call it a release, that hour or so of sheer abandon, or just sharing a special music memory with his best mate: whatever it was, this evening was much more than a gig to him. People throw the phrase ‘lifesaver’ around about music a lot, and it never feels like an exaggeration in moments like this.
It was also apparent that he was a working-class Warrington native who was lucky enough for his postcode to help him afford to go to Neighbourhood Weekender and have this embrace with his pal, who was in an ideal setting to have perhaps a long overdue heart-to-heart. THIS is what it means to people.
Music is therapy, and when done in its purest form – i.e. played live to people who live and breathe the stuff – it can do more good than you’ll ever know.
Danny Jones -
13th February 2024 
