Sounds of the City returned to Manchester on Wednesday, courtesy of about as big an opening act as the festival has ever had before, with Avril Lavigne soaking in her first taste of Castlefield Bowl and proclaiming how much she loved the venue.
Us too, Avril – just not as much as it loved you.
That’s right, Canada’s pop-rock princess kicked off Sounds of the City 2024 with a Greatest Hits gig on the limited UK leg of her European tour just a couple of days after doing the ultimate outdoor gig at Glastonbury – which looked and sounded amazing, by the way.
You could tell how pumped she was to be bringing some of that ‘rock out under rainy British skies’ energy to Manchester’s iconic amphitheatre but, in one of those most magical moments that sometimes happens at festivals, the clouds broke and we got a stunning nostalgic sunset singalong.
The weather shifted just moments after fellow Canadian pop-punk veterans Simple Plan took to the stage as main supports just like they have throughout her tour, with six countries and nearly 30 more gigs to go, but it didn’t look like they were already several shows deep and well into their 40s.
ADVERTISEMENT
It can be a tough ask getting a crowd going before a headliner sometimes, but these lot didn’t struggle at all and that’s why they’re still going all these years later.
Be it making ‘it’s not a phase, mom’ jokes, inviting a bunch of blokes dressed in Scooby Doo onesies on stage as they played the classic cartoon’s theme song (yes, they sing that one), giant beach balls, playing classics like ‘I’m Just A Kid’ or a few quick covers, they very much understood the assignment.
ADVERTISEMENT
After getting the crowd to ‘Jump’ as they would at any other rock concert, the mood was just right for the main event and let’s just say a lot of current and ex-emos, moshers and noughties kids alike were very happy when ageless Avril Lavigne walked out in Castlefield Bowl.
A very wholesome warm-up. Well, apart from the ‘play with our balls’ jokes but still. (Credit: The Manc)
Well, that’s not entirely accurate: after some suspense-building graphics and lots of anticipant screaming, she burst onto the stage – quite literally – with one of her first big hits, ‘Girlfriend’, as Manchester welcomed her back after a very long time and she set off a sea of streamers into the air.
An early confetti cannon is always a sign of a good gig and it will surprise absolutely no one to hear that Avril Lavigne still sounds absolutely sensational, not to mention that the acoustics of the Bowl proved perfect for letting her voice travel across Castlefield and beyond.
ADVERTISEMENT
It’s also worth mentioning that even if you’re just a casual fan or think you ‘only know the hits’, as this latest album release and series of shows has proved, the girl has a lot more hits than you even think.
Song after song we found ourselves knowing the words and chants, which only increased the nostalgia factor even more as we watched countless fans of all ages dancing their heads off and singing at the top of their lungs.
That’s what it’s all about.
Some way to say helloThat famous logoJammy gets…A rather loud scream when she came out – and that was just us.
The 39-year-old (yes, we know she still looks like she’s in her 20s, don’t rub it in) also had a really charming manner when it came to interacting with the crowd; it may have been a little bit less bantery than her support act but you could tell she was rolling back the years just as much as we were.
Looking back on more than two decades of making music, she was taking it all in: the venue, the people with pink hair and those wearing official Avril uniforms (neckties and spike bracelets), not to mention the drinkers as she sprayed a bottle of champagne into the front row.
ADVERTISEMENT
She even welcomed Simple Plan back on stage for a duet and also used the opportunity to invite some die-hard fans and little kids whose parents are clearly passing their impeccable music taste on to their little’uns to join them, taking photos, signing skateboards to sing the chorus of ‘Addicted’.
Dream come true stuff and a moment in which we suddenly remembered she’s no longer the Avril Lavigne that burst onto the scene and the biggest thing on MTV when she was just a teenager – she’s a mum these days and all her fans have grown up with her.
We love that feeling when everything feels like it’s come full circle and we can all pretend we’re ‘just a kid’, as her openers so aptly put it.
There were pyros, wholesome fan interactions, a train driver up on the viaduct stopping to wave at the crowd, and much more.
Once again, we don’t think we need to convince you that classics like ‘Sk8er Boi’ and ‘Complicated’ were as good as you’d hope they’d be, perhaps even better, and we can now tick seeing Avril Lavigne live in Manchester off the bucket list.
The whole Sounds of the City lineup for 2024 is great and there’s lots of variety in genre too, which is always a bonus, but we have to say that the throwback feeling of this particular gig was wonderful and we can’t think of many better ways to kick off a festival.
ADVERTISEMENT
Now watch as queen Avril Lavigne turned Castlefield Bowl into a choir for her ultimate ballad, ‘I’m With You’, in a perfect choice of closing song.
Is there any more beautiful a sound than a sea full of Mancs singing in harmony? Not a chance.
Tame Impala at Co-op Live, Manchester – lasers, lights, and a bit of a hangover
Daisy Jackson
The coolest man in the southern hemisphere has finally made his way back up north, for his first Manchester gig in a decade.
That cool man in question is Tame Impala, the music project of what-the-hell-can’t-he-play multi-instrumentalist Kevin Parker.
Sure, last year’s single release ‘Dracula’, and then its remix re-release with K-pop megastar Jennie, may have propelled Tame Impala up towards the top of the UK singles chart for the first time, but he’s got almost two decades-worth of music to dig through beyond that too.
It’s a hefty discography and it leads to a setlist that seems to almost peak about six times.
‘How could it possibly get better than this?’ we seem to ask as he plays The Moment, Elephant, Dracula, and Let It Happen pretty early on – but better it does indeed get.
It doesn’t seem to matter whether he’s up on the main space-ship-esque stage surrounded by lasers and lights, or sat on the floor of the B Stage playing around with a keyboard, Tame Impala has an irresistible, enchanting charisma. A lot more charisma that you’d expect from a man called Kevin.
Early on, he confesses that he’s quite severely hungover from last night’s show, where he had Dua Lipa (he wrote and produced her Radical Optimism album) as a surprise guest.
But you can see the hangover clear from his eyes in real time as 23,500 Mancs scream in his face. Which might not sound like a likely hangover cure, but who am I to argue with the evidence in front of me?
Although Kevin writes, produces, and records his music solo, he’s got half a dozen musicians up on the main stage with him, which looks like a convoluted space ship that fires confetti out of its thrusters (FOUR TIMES!).
With revolving lights, dancing lasers, and a metal grid base spewing out dry ice, it’s really one hell of a production.
It’s a light show designed to give us all a glimpse of his synesthesia (meaning he sees colours when he hears music (Billie Eilish has it too)) – essentially, if you couldn’t hear a thing and could only see the stage, you can still tell exactly what song is playing.
Still, when he saunters straight through the crowd to his smaller stage to mix tracks solo – no lasers, just a few lamps – flopping down onto a tangle of wires like a mad magpie building himself a nest, it’s a chance to remember this guy’s composing prowess.
A lot of the songs performed tonight are almost orchestral in their complexity, so that the whole show merges into one thundering, bewitching night of dancing and being blasted in the face by confetti.
It’s genius.
So can you not leave it another decade before you come back, Kevin?
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Danny Jones -
4th July 2024 
