The return of Homobloc is on the horizon and some big names have been added to the 2024 lineup, not least of all, LGBTQ+ icon, Christine and the Queens.
Presented by Homoelectric and nestled in amongst the action of The Warehouse Project’s jam-packed annual programming, Homobloc is one of the most highly-anticipated events on the Manc music and cultural calendar – and it’s no wonder.
Since the likes of The Blessed Madonna, Confidence Man, Horse Meat Disco and salute; Honey Dijon, Hot Chip, Self Esteem and many more have all played the cult-favourite club night over the past few years, it’s gaining a real reputation.
With that being said, the pressure is on every year to improve upon or at least match the lineup from the year before and we can confirm the team behind Homobloc has secured another stellar selection of artists for 2024.
Topping the bill, you can’t go wrong with the ever-creative, critically acclaimed and immaculately cool Christine and the Queens will lead the Homobloc proceedings. Make no mistake, it’s a big deal having a name of this size headlining.
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He will be joined by London-born hyperpop icon Shygirl, who presents her latest Club Shy project: Swedish singer and record producer COBRAH, making her Manchester debut alongside the rhythm-shifting sounds of Olof Dreijer of The Knife.
In addition, they will be joined by the likes of Moonchild Sanelly following an amazing performance at this year’s Glastonbury, as well as queer Manchester rapper OneDa, Chinese producer and artist Alice Longyu Gao, not to mention a special collab between Pxssy Palace and US rapper Mykki Blanco.
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Of course, this is just the tip of the iceberg: there will be several other DJ sets throughout the venue and beyond, including Job Jobse b2b Saoirse, 2manydjs b2b Confidence Man, Tiga; HorsegiirL, HAAi, Chloé Caillet and Horse Meat Disco, with live sets from I.Jordan, Christeene, LSDXOXO and more.
Spanning the full breadth of Depot Mayfield‘s main stages (Depot, Concourse, Archive) and more such as the beloved Plant Room, the historic Star and Garter Pub and the Loft – a unique rooftop space set to be taken over by Studio 54 icon Nicky Siano – there will be a whole host of genres on display.
And last but not least, completing what will be arguably the most dynamic and boundary-pushing Homobloc yet, the 2024 lineup will also feature curation and performance art by LGBTQ+ collectives Ghetto Fabulous, Make Me Feel, House of Spice, Sue Veneers and many more.
Homobloc’s Creative Director Sophie Bee said of its return this winter: “It’s been a wild ride since the party started in 2019. The festival production has evolved so much and we’ve gone from half of Manchester plus the kitchen sink on stage, to choreographed pieces with global touring artists.
“Our research and development design team based at Islington Mill has been a place for experimentation allowing space for people’s imagination to flourish. It’s an honour to work on a collaborative, loving, fun spectacle, with such innovative producers from mixed art forms.
“This year there are some really beautiful production moments that we can’t wait to share with all our family, friends and community.”
Homobloc 2024 returns to Depot Mayfield on Saturday, 9 November and, in true all-day and all-nighter fashion, is set to run from 2pm-4am, so you best be prepared to party. Pre-sale goes live at 10am this Thursday, 15 August, and general admission tickets at the same time on Friday, 16 August.
Featured Images — Tom Hancock (Tower Hamlets Council via Flickr)/WHP (Supplied)
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Beyond The Music moves to MediaCity for the first-time ever
Danny Jones
Greater Manchester arts festival and conference Beyond The Music is back for 2026, but this time it will be heading to MediaCity for a Salford debut.
The long weekender is still a relative newcomer when it comes to the Manc events calendar, but it’s quickly gathered plenty of repute not just in the North West but within the industry as a whole.
Holding just its third edition later this year, Beyond The Music ’26 is set to be the most ambitious yet, spread across the three days and promising an impressive lineup both in terms of live performers, but also speakers, industry experts and wider activities.
With MediaCity and dock10 hosting their inaugural Beyond The Music, it’s another big win for the second city, with Sports Personality of the Year sticking over Salford way for the foreseeable future, along with other events like the Professional Footballers’ Association (PFA) Awards moving to the Quayside.
Much of the BBC’s World Cup coverage is also being hosted at their Salfordian studios and main Northern base this summer, too.
Given that so many big annual dates have now made the switch to central Manchester – the BRITs and the MOBOs, just to name two recent examples – you could say it only makes sense to spread things out across the surrounding boroughs and their equally rich heritage.
Not that you should need reminding, but Salford isn’t just part of the region: it’s a city all of its own right that boasts an immense amount of pride over what is nothing short of a sterling musical history.
As for the 2026 Beyond The Music programme, besides both the local artists and more international creatives than ever, there’ll be keynote conversations, industry showcases, and wider networking opportunities for anyone looking to immerse themselves deeper in this world.
You’ll have to wait a little while longer for a full live music lineup, but watch this space…
Mayor Andy Burnham and friends help launch Beyond the Music at MediaCityUK (Credit: Mark Waugh)
Sarah Pearson, Co-founder of Beyond The Music, said in an official statement: “Beyond The Music’s mission is to seize this moment, to come together and drive meaningful and lasting change in the music and content industry.
“It’s undeniable that the impact and importance of music and content are stronger than ever, but this is not reflected in their perceived value.
“The ethical and economic infrastructure of the music and content industries demands urgent attention and bold reform… It is our responsibility to protect creativity in order to ensure it doesn’t just survive but thrives. Things may feel difficult, but they are still possible.”
Mayor Burnham added: “Greater Manchester has always been at the forefront of cultural innovation, and Beyond The Music is a vital opportunity for the sector to come together and address the challenges and opportunities facing music and content creation…
“With its move to MediaCity and a bigger-than-ever programme, Beyond The Music is helping to cement our city region’s place at the centre of the creative economy.”
Taking place between 7-9 October 2026, you can register for early bird tickets right HERE. Roll on an even more extensive festival season than ever.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.