A Complicated Woman – the name of Self Esteem’s album, she is currently touring around the UK and Europe. While she may be complicated, there is nothing complicated about how absolutely sensational a performer is.
I only ‘got into’ Self Esteem (Rebecca Lucy Taylor) this year. I kept hearing others talk about her and her music, but I’d never really given her a listen until we saw her on the line-up for Glastonbury. A Complicated Woman had just come out, so that was my intro, and I immediately became a massive fan.
I was lucky enough to watch her set at Glastonbury, which brought tears to my eyes for being both an incredible performance and thematically. When the opportunity then came to see her again, but at home in Manchester, I practically bit the promoter’s hand off.
The energy is palpable at Manchester Academy; everyone is just buzzing with a joyful energy that’s incredibly infectious.
Unfortunately Moonchild Sanelly, the collaborator on ‘In Plain Sight’ and Self Esteem’s support act on this tour, was unwell, so the delightful Tom Rasmussen stepped in at the last minute.
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Fresh from a family christening and pulling in some last-minute pals, he delivers a delightfully camp and moving show, getting everyone pumped up.
The lights went down at 9pm, and the audience was met with a wall of handmaids, and then Rebecca walked out on stage to a huge eruption from the crowd. Her fans (myself included) clearly love her. She opens with ‘I Do And I Don’t Care’ which brings a tear to my eye once again.
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This is more than just a ‘gig’. It is a full, theatrical experience with dancing and storytelling the whole way through.
Whilst Taylor is very clearly the focus, her team of performers are an essential element of the whole show: they’re so much more than just simple backing singers/dancers. They’re so in sync with each other, and there is so much joy on stage as they shine together – a very clear bond ripples through with such love.
The show flows almost as different ‘Acts’, with the running order not following the album order itself, with a mix of songs from her current album and the 2021 album, Prioritise Pleasure. ‘Mother’ gets the crowd grinding away as she moves onto ‘Lies’ and ‘69’ – which always gets a chuckle from the crowd.
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We are fixated on her. She just draws you in and holds you there throughout the whole gig. Nobody is shifting around to go to the loo or get a beer; everyone is just glued to their spot and basking in her sensational energy. Despite some of the themes during the gig, everyone was abuzz with energy.
When ‘Fucking Wizadry’ comes on, every single person sings (or screams) along, and Taylor and her onstage posse absolutely lap it up.
With Moonchild Sanelly being unwell during our gig, when ‘In Plain Sight’ is performed, Self Esteem still moves to the side of the stage when the recording of Moonchild is played, giving space to where she would have been. Hopefully, she is feeling better for her further dates, because her presence would have been a powerful addition to the song, and I’m gutted to have not experienced it.
When ‘Cheers To Me’ came on, the party really began; the audience went utterly MAD for it when the inflatable men (like the ones you see at car garages) appeared. It is honestly so hard to describe the feeling of euphoric joy that is just blasting through the crowd – it is a sight and sensation to behold.
Now you may or may not know, but Self Esteem is personal friends with Julie Hesmondhalgh – yes, as Hayley Cropper from CORRIE! – in who appeared on stage on night two of her three-night gig in Manchester.
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She admits to us that on night one, she forgot that Julie was only doing night two and had shouted to introduce her during ‘If Not Now, It’s Soon’, which had apparently caused a bit of a stir with some of the night one’s audience.
Making light of it, she asked if the crowd wanted her to shout Julie Hesmondhalgh again, so we all felt equal – of course, we did.
The show goes from strength to strength, “finishing” with ‘The Deep Blue Okay’ which perfectly encapsulates the raw emotion and talent of Self Esteem. The crowd is beside itself with cheer as they erupt in applause, deafening just about everyone around them as the stage empties and the lights dim.
Self Esteem returns to the stage alone initially, and chats to us about two important charities she is raising money for, the Schools Consent Project, which goes into schools and teaches kids about consent, and the other is X – helping relocate people displaced as a result of conflicts around the globe.
She then moves into ‘I Do This All The Time’, joined by her troupe again on stage, and finally finishing on ‘Focus Is Power’. Emotions are incredibly high. There isn’t a single person who hasn’t been moved and hyped by the whole show.
The nominees for the Critics’ Choice award at the 2026 BRITs in Manchester have been revealed
Danny Jones
With the upcoming BRITs ceremony coming to Manchester, we’re more all over the nominations than ever, especially now that the Critics’ Choice nominees for 2026 have been confirmed.
2023 was the annual Chanel ‘Metiers D’Art’ show, 2024 was the MTV EMAs, and next summer will see the BRITs; gosh, Manchester really is in vogue, isn’t it?
Commenting on the nomination, he told the BRITs: “Ya beauty! Tapadh leibh [‘thank you’ in Gaelic] for recognising my work for this award, you legends! Even though I’m Scottish and Irish before I’m British, I appreciate the BRITs critics for this recognition.
“I really care about and believe in this music, and it makes my world brighter every time it reaches someone else. Hopefully, this nomination means some more beautiful people might find something in this wee album. ‘Mon the gays!”
Rose Gray
Next up in the nods is London’s Rose Gray – a solo star who has developed a cult following thanks to songs like ‘ATTENTION!’, ‘Wet & Wild’, ‘Angel of Satisfaction’ and more.
Also the long-time partner and childhood sweetheart of Babygirl, Iron Claw and The King’s Man actor, Harris Dickinson, Gray has been riding a particular wave of popularity over the past year or so, especially after the release of her A Little Louder, Please (Deluxe) double album this past October.
She said in a statement: “I’m so excited for this nomination! This moment feels like a special reminder of how far this journey has carried me and what a crazy year it’s been. One year ago, I was manifesting so hard for my album to travel, to find its people, to really get its light. And it did. Releasing this record has genuinely changed my life…”
Lastly, in at number three is the 20-year-old singer-songwriter, Sienna Spiro, whose soulful voice sounds like one with much more life experience and years of emotion under its belt; it’s no wonder that she’s resonated with multiple generations, let alone been recognised by the panel.
With big theatrical ballads like ‘Die On This Hill’, ‘You Stole The Show’, as well as heavily-streamed songs like ‘MAYBE.’, ‘BACK TO BLONDE’ and more in her impressive and fast-growing discography, we know she’ll go far even if she doesn’t win – you can bank on that.
She added: “So beyond honoured and grateful to be nominated for this year’s Critics’ Choice BRIT Award! To think I started releasing music last year, I would never have expected this at all. Thank you so much!”
Having looked again at the list of people who’ve been both shortlisted and those who have gone on to win it, trust us, you’ll want to be paying attention to this one…
For context:
Past BRITs Critics’ Choice / Rising Star winners and nominees
2008 – Adele (Duffy, Foals)
2009 – Florence + The Machine (Little Boots, White Lies)
2010 – Ellie Goulding (Delphic, Marina and the Diamonds)
2011 – Jessie J (James Blake, The Vaccines)
2012 – Emeli Sandé (Michael Kiwanuka, Maverick Sabre)
So yeah, it’s fair to say that anyone even in the running for this accolade tends to go on to do even more bigger and better things than they already have.
Tickets to be at the 2026 BRIT Awards at Co-op Live in person for whoever picks up the Critics’ Choice gong, as well as all the other categories, are live now.
Featured Images — Audio North/Press shots (supplied)
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The biggest rock band on Earth is coming to Manchester, with hundreds of musicians on stage
Daisy Jackson
Rockin’1000 will be heading to Manchester next spring, with the biggest rock band on Earth performing timeless anthems.
And when we say it’s the biggest rock band on Earth, we’re not being sensationalist – there’ll be 300 musicians performing together.
Guitarists, bassists, drummers, keyboardists, singers, and even an orchestral section will all play together for a rock concert on a scale the UK has never seen before.
The AO Arena is set to host Rockin’1000 in March next year – and musicians of all skill levels are being invited to apply to perform.
There are more than 100,000 musicians as part of the band worldwide, and if you’d like to be one of them before the show arrives in Manchester you can register HERE.
Rockin’1000 began in 2015 with a viral performance of 1,000 musicians playing a Foo Fighters song in Cesena in Italy.
Since then, it’s grown into a worldwide community of musicians and has sold more than 300,00 tickets to large-scale and ambitious rock concerts in 20 different countries.
Rockin’1000 will come to the AO Arena in Manchester
Despite being one of Europe’s largest venues, the indoor nature of the AO Arena means that the number of performers will be reduced to 300, who will fill the floor of the arena.
Fabio Zaffagnini, Founder of Rockin’1000 said “The UK’s music culture is unrivalled, and Manchester is one of the world’s great music cities.
“Bringing 1,000 musicians together under one roof creates a powerful emotional connection for everyone involved, on stage and in the crowd.
“We cannot wait to share this experience with UK fans.”
Rockin’1000 will be at the AO Arena in Manchester on Saturday 7 March, with 300 musicians performing together at once.
Tickets will go on sale from 10am on Friday 5 December HERE.
Kristen MacGregor-Houlston -
2nd October 2025 
