Greater Manchester has firmly earned itself a spot as a place for world-renowned touring theatre productions to make a stop off at.
While the past couple of years amid and post-pandemic may have hit the theatre pretty hard, it’s a beloved industry that has now well and truly bounced-back – with the region’s three main theatres, Palace Theatre Manchester, Opera House Manchester, and The Lowry, all having welcomed some absolute show-stopping productions this year.
And 2023 is set to be absolutely no different.
The Greater Manchester theatre events calendar next year is already looking jam-packed with award-winning musicals, family-friendly plays, inventive dance productions, and so much more.
Here’s our roundup of 10 of the best productions in Greater Manchester next year.
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Mamma Mia!
Opera House Manchester
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Tuesday 31 January – Saturday 11 February
Mamma Mia! / Credit: ATG Tickets
Mamma Mia! will be taking over the Opera House Manchester from Tuesday 31 January – Saturday 11 February.
Fancy grabbing tickets to see the world’s sunniest and most exhilarating smash-hit musical? Making a much-anticipated return to our city, fans of the popular films will know Mamma Mia! is set on a Greek island paradise, and cleverly tells a story of love, friendship, and identity through the timeless songs of Swedish pop group ABBA.
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Sophie’s quest to discover the father she’s never known brings her mother face to face with three men from her distant romantic past on the eve of a wedding they’ll never forget.
Peaky Blinders – The Redemption of Thomas Shelby / Credit: The Lowry
Peaky Blinders – The Redemption of Thomas Shelby by Rambert Dance will be at The Lowry from Tuesday 14 – Saturday 18 March.
Written and adapted for the stage by Peaky Blinders’ creator Steven Knight, with choreography and direction from Rambert’s Artistic Director Benoit Swan Pouffer, this captivating show matches dazzling, athletic dance, and stunning dramatisation from the full Rambert Dance company.
The awe-inspiring performance will be accompanied by a live band, as well as specially-commissioned music by Roman GianArthur, and featuring iconic Peaky Blinders tracks from Nick Cave and The Bad Seeds, Radiohead, Anna Calvi, The Last Shadow Puppets, Frank Carter & The Rattlesnakes and Black Rebel Motorcycle Club.
The SpongeBob Musical is coming to Opera House Manchester from Tuesday 16 May – Saturday 20 May 2023.
Written by Kyle Jarrow, conceived by Tina Landausees, and with additional music and lyrics by Jonathan Coulton and Tom Kitts, it sees the citizens of Bikini Bottom discover that a volcano will soon erupt and destroy their humble home, so SpongeBob and his friends must come together to save the fate of their undersea world.
With lives hanging in the balance and all hope lost, a most unexpected hero rises up – optimism.
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The new “all-singing, all-dancing dynamic stage show” features a tidal wave of original songs by the world’s most iconic rock and pop artists – including Aerosmith, Cyndi Lauper, Sara Bareilles, The Flaming Lips, John Legend, Panic! At the Disco, Plain White T’s, and more.
Dirty Dancing returns to Palace Theatre Manchester with heart-pounding music, breathtaking emotion, and sensationally sexy dancing next year from Tuesday 30 May – Saturday 3 June.
Bringing the cult-classic film to life, and having already seen by millions across the globe, this worldwide smash-hit tells the classic story of Baby and Johnny – two fiercely independent young spirits from different worlds, who come together in what will be the most challenging and triumphant summer of their lives.
The iconic story features the hit songs ‘Hungry Eyes‘, ‘Hey! Baby’, ‘Do You Love Me?’, and the heart-stopping ‘(I’ve Had) The Time Of My Life’, as well as an incredible cast of dancers.
Titanic The Musical will be stopping off at The Lowry next year as part of its 10th anniversary UK tour from Tuesday 4 – Saturday 8 July.
Based on real people aboard the most legendary ship in the world, the award-winning Titanic The Musical is described as being a “stunning and stirring production” focusing on the hopes, dreams, and aspirations of her passengers who each boarded the ship with stories and personal ambitions of their own.
All innocently unaware of the fate awaiting them, the third class immigrants dream of a better life in America, the second class imagine they too can join the lifestyles of the rich and famous, whilst the millionaire Barons of the first class anticipate legacies lasting forever.
Charlie and the Chocolate Factory – The Musical / Credit: ATG Tickets
Charlie and the Chocolate Factory – The Musical is taking over Palace Theatre Manchester next year from Tuesday 11 – Sunday 30 July.
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Based on the iconic story, this spectacular stage show follows the hit West End and Broadway productions to combine the memorable songs from the original 1970s motion picture – inlcuding ‘The Candy Man’ and ‘Pure Imagination’ – with all new numbers from the multi award-winning songwriters of Hairspray.
The weird and wonderful world of Roald Dahl is expected to “dazzle your senses” in its first ever tour of the UK and Ireland.
The nostalgic magic of the Hundred Acre Wood is set to come to life on stage at Opera House Manchester from Monday 24 – Wednesday 26 July 2023.
Disney’s iconic Winnie the Pooh, Christopher Robin, and of course, their best friends Piglet, Eeyore, Kanga, Roo, Rabbit, and Owl (and don’t forget Tigger too) are all the stars of the show in this new beautifully-crafted musical stage adaptation that’s created by renowned family entertainment creator, Jonathan Rockefeller.
This fresh stage adaptation of a classic tale is told with stunning life-sized puppetry through the eyes of the characters we all know and love, and features the Sherman Brothers’ classic Grammy Award-winning music, and along with further songs by original Winnie the Pooh author A.A. Milne.
Everybody’s Talking About Jamie / Credit: The Lowry
Everybody’s Talking About Jamie is coming to The Lowry next year from Thursday 7 – Sunday 17 December.
Following a record-breaking three-year West End residency, followed by a sold-out UK and Ireland Tour, and Amazon Studios award-winning film, the smash-hit and critically-acclaimed musical Everybody’s Talking About Jamie is making a return in 2023.
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With an original score of catchy pop tunes that will “blow the roof of the theatre”, this sparking, coming-of-age musical will have everybody talking about Jamie for years to come.
Snow White and the Seven Dwarfs / Credit: ATG Tickets
Snow White and the Seven Dwarfs will be coming to Opera House Manchester for the festive season from Saturday 9 – Sunday 31 December.
A beloved classic pantomime, the show will be spectacularly brought to life with an abundance of comedy, sensational song and dance numbers, fabulous costumes, and stunning scenery.
Then, if you throw in a magical mirror, the magnificent seven dwarfs, and plenty of audience participation, you have the perfect recipe to outwit the Wicked Queen and let love prevail in what is being described as a “glittering festive treat for all ages”.
Closing out what has been an impressive 2023 theatre season, Life of Pi will be at The Lowry from Tuesday 5 December 2023 – Sunday 7 January 2024.
Based on the global book phenomenon, selling over fifteen million copies worldwide, Life of Pi is the acclaimed and hugely-popular adaptation of an epic journey of endurance and hope. Jaw-dropping visuals, magic, and world-class puppetry all combine in a unique and breathtaking (The Times) theatrical event that critics say is “a wonder to behold”.
Winner of five Olivier Awards, this is your chance to see the West End spectacle on its first-ever UK tour next Christmas.
Giselle, one of the greatest romantic ballets, has landed in Manchester and it’s a must-see
Eva Claricoates
When the English National Ballet is in Manchester, it’s an opportunity you shouldn’t let slip by, and is almost guaranteed to be one of the most stunning performances to grace the stage– Giselle at the Palace Theatre certainly was.
Giselle tells the story of a young peasant girl, who falls in love with Albrecht, a duke, who pretends to be a peasant in order to seduce the show’s namesake.
Albrecht is not only hiding his status but also an engagement to another. When Giselle finds out about his deception, she descends into madness and dies from a broken heart.
Giselle is summoned from the dead by spirits, the Wilis, all abandoned and betrayed before their wedding day. The Wilis take their revenge by dancing men to death, and Giselle must decide whether her love for Albrecht is too strong to sentence him to the same fate.
Credit: The Manc Group
Giselle tells a story of grief, heartbreak, and love, and how a true heart always avails. Hauntingly beautiful and romantic, Mary Skeaping’s production had been tenderly revived from its original performance, and it’s clear to see why the performance received five-star reviews earlier this year.
The entire production was captivating and dramatic, leaving the audience gasping, laughing and firmly glued to their seats. Adolphe Adam’s score is performed live by the English National Ballet Philharmonic nestled beneath the stage, which compliments the performance beautifully and skilfully.
Perhaps the most mesmerising point of the performance was the Wilis appearing in the forest at the beginning of act two, as they formed perfectly symmetrical formations, and appeared to almost float across the stage.
It served as a great medium for exploring themes of the supernatural exquisitely, providing truly stunning imagery to the audience.
Giselle uses mime to convey its storyline to the audience, and even if you are a first-time ballet-goer, it’s an easy-to-follow, modern performance which can be enjoyed by all audiences. If you’re so inclined, you can even get involved in a dedicated ballet masterclass.
Join our Creative Learning team and English National Ballet on Saturday 2 November for an exclusive ballet masterclass at the Palace Theatre! 🩰
This workshop is suitable for ages 11-17 with a keen interest in dance ranging up to intermediate levels.
Featured Images — Press Images (supplied)/The Manc Group
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In conversation with: Rag ‘N’ Bone Man on new album, featuring on FIFA and Northern confidence
Danny Jones
We recently got time to chat with UK solo artist Rag ‘N’ Bone Man around the release of his new album What Do You Believe In?
The Uckfield-born soul and pop singer, best known for tracks like ‘Human’, ‘Giant’ and ‘Skin’, dropped his third studio album earlier this month and is ramping up for a UK tour this November.
Real name Rory Graham, the 39-year-old has entered a new chapter both musically and personally, and that evolution can certainly be heard in his current sound.
We covered plenty in our recent discussion over on Audio North.
So straight off the bat, your new record What Do You Believe In? is finally here, how buzzing are you for the world to finally get to grips with it?
Well, it’s been a hot minute since I’ve released an album and, you know, I just really hope people take it in as as a whole record. I think it’s hard in this day where people consume music totally differently and you know people don’t have much patience when it comes to music.
It’s all about like 40-second clips and stuff like that, but I think that I have this great fan base where you know they’re into vinyl and stuff, so I’m hoping that those people at least take the record as a whole.
That means that I can go and play the record as a whole and when I come out on tour they might know some of the songs I don’t know.
Yeah, it’s one of those things, isn’t it? I feel like the album experience is sadly dying off a bit – with that in mind have you made it to be enjoyed as a start-to-finish piece?
I mean, I would like it but I didn’t make it like that; I just try and write the best songs that I can. The album does take a bit of a journey and it’s very different in parts but it does have an overall vibe to it.
There’s kind of early 2000s neo-soul mixed with a bit of hip-hop and then later on it gets very dancey with some disco and funk in there too, but you know, I’m always the same: I just want to write good songs regardless of what the genre is.
What a great mix. Who are some of the artists you’ve been listening to lately and do you think they’ve left their fingerprints on the sound a little bit?
Well, the first person I worked with on this record was Jamie Liddell and he’s f***ing genius. When I explained to him what I was trying to do and how I wanted it to be sample-based but to try and make our own samples, not just so we don’t have to pay anyone, but like so even the samples are original.
It very much harks back to the era of hip-hop samples that pull from ’60s kind of soul music. You even hear it later on in the record on ‘Rush Of Blood’, where we sampled our own first part and put it in a tape machine and slowed it down, so I think it carries on like that throughout the record.
I think I referenced a lot of kind of early 2000s neo-soul people like Angie Stone and stuff like that. Some of the horns were referencing Rick James and Heatwave and stuff like that, so yeah, it takes some twists but it’s just got a real air of like sunniness.
Even in the songs that are a little bit deeper and are maybe a little bit sadder or whatever, they don’t really feel that way musically: they still feel quite positive and uplifting – not that I was trying to make a happy album on purpose or anything, yeah, but I guess your life and the way your soul feels at a time kind of reflects, you know, on what music you make.
I’ve been very content in my personal life so, you know, touch wood everything’s been going pretty well and that’s definitely reflected in the record.
Although Rory is recently engaged and is clearly enjoying his life both in and outside of music lately, he’s not been without hardships to write about:
Yeah, there’s always been that uplifting gospel feel to your sound too, would you say you were trying to push in a different direction this time or is it more just a continuation for you?
No, there is a continuation a little bit but I think with this one, especially, I was thinking about live [performance] way more when I was writing it.
Sometimes I’ll play like three or four songs and I think f***ing hell, they’re all in a minor key and, you know, I think all the time I’m spent writing and in production of the song I’m thinking ‘How’s this gonna sound live?’ That’s where I am most of the time when I finish a record.
Absolutely. And speaking of live shows, you’ve got a whole bunch of Northern shows coming up in Manchester, Leeds and Glasgow – is it a region that you feel like affinity to playing in?
I mean, I love playing down South and obviously Brighton’s like my home crowd and London’s great albeit sometimes tough, but I don’t think I’ve ever found the North like a difficult place to tour because I just always feel like I have confidence going into places like Manchester.
Whether it was like playing like Gorilla or the Ritz or whatever, because I’ve spent so many years coming back I never seem to have had a bad crowd.
Yeah, we don’t do bad crowds. What about favourites off the record then?
I really like ‘Hideaway’: it’s like the second song that I wrote for the record and the one where I was like this is it – this is the sound that I feel like is going to kind of eke its way through the rest of the record.
There’s a really great horn sound on it that I actually just recorded doing whilst doing a stupid little impression with my mouth to try and explain to my trumpet player and then we ended up using it alongside real instruments, which I just think sounds really cool.
Credit: Supplied
It’s got a great sort of super happy vibe, so it’ll be great to play live, especially in a sort of summer festival situation.
The opening track [‘The Right Way’] is something that’s actually been knocking around since 2018 too. I went to Nashville to play a festival called Bonnaroo; me and Jamie decided to record some stuff and came up with a song which I’ve been in love with ever since but I didn’t fit on the second record, so I just needed to wait for the moment. This record was the right time for sure and it’s got a great sample too.
Ace. Just out of curiosity, you were famously on the FIFA soundtrack a few years back and plenty of artists have spoken about the impact that has had on their careers in the past. Is it something you recognised at the time or was it just flattering?
No, it felt like a massive deal at the time and I understand what artists are saying about that because I remember discovering songs through it and even remember hearing ‘Pumped Up Kicks’ for the first time on FIFA.
I mean even football in general: I must have had some friends at Sky Sports or something because every time I turned on the channel when ‘Human’ was first out it was always on. Hopefully one of the new ones will end up in the next few games, who knows?
And lastly, if you could sum up the new album in three words, what would they be?
Emily Sergeant -
29th December 2022 
