Cast your minds back to 2015: NASA found water on Mars, Sepp Blatter finally stepped down from FIFA and Game of Thrones was still mint.
Oh yeah, and some bloke went around Greater Manchester turning potholes into penises.
For anyone who doesn’t remember this absolute renegade of the art world, ‘Wanksy‘ was a graffiti artist who came to prominence in 2015 and into the mid-late 2010s and his MO was pretty simple: find potholes and turn them into penis drawings.
Sometimes the simplest forms of comedy are the best.
Credit: Wanksy (via Facebook)
The construction worker and surveyor turned professional artist went viral for his series of admittedly childish and simple drawings that resembled the kind of thing you’d see in a secondary school kid’s exercise book – only these were bigger and smack bang in the middle of the road.
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But who says all art has to be high art? Even graffiti artists like Banksy himself would probably shrug off such a snooty label. His Manc counterpart got stick at the time, with many calling it nothing more than crude vandalism exposing young eyes to inappropriate imagery, there was actually a point to his work.
Speaking to the MEN back then, the mystery man said that “the roads of Manchester [were] in an appalling state, especially around Bury“, insisting that they were so bad that some of his cyclist friends were even hospitalised.
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Noting that they were a risk to cyclists and damaging cars left, right and centre in his hometown of Ramsbottom and further afield, he claims his purpose was “to attract attention to the pothole and make it memorable, adding that “nothing seemed to do this better than a giant comedy phallus.”
He wasn’t lying about the condition of the roads (2015)He quickly managed to get himself in the papers
It certainly got the attention he was hoping for.
As it happens, it would seem he is still up to his cheeky antics even now. The best part is that since the Facebook profile was set up as a community fan page, theoretically, anybody could have sent them in and posed as the man, the myth, the legend himself. He might never be caught.
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Moreover, these quick spray jobs were all done with non-permanent paint, essentially rendering them about as close to vandalism as a child’s sketching with chalk on the pavement outside their house. The perfect crime (if you could even call it one).
Nevertheless, Wanksy acknowledges the naughty nature of his pastime, saying that part of its charm is that it’s “speedy”, confessing that he doesn’t want to spend too long on the road in case he gets caught.
He keeps things creative.
However, his message was as clear then as it is now: “I just want to make people smile and draw attention to the problem.” Better still, his humourous albeit unorthodox methods continue to get results to this day.
As the years have gone by, Manchester’s roads and wider infrastructure have continued to improve and as exampled by numerous victories he has shared on social media.
As he told Bloomberg back in 2015, despite there being a rather futile ‘Fix My Street’ page designated for different regions across the UK, he found success and did so quicker by taking matters into his own hands. If you want a job done, do it yourself and all that.
So, if you’re one of those people who have always questioned what impact art can make in the world, think again.
Still, if you’d rather see some of his namesake’s work instead, a massive exhibition including one of his rarest works arrived in 0161 this month.
ENB’s Romeo & Juliet at Palace Theatre Manchester – the world’s most famous story expertly reimagined | Review
Emily Sergeant
Every now and then you experience a bit of a full circle moment… and for me, this was one of them.
Back in 2011, when I was a dance-obsessed 14-year-old, taking and assisting classes countless times a week, I became enamoured by a BBC documentary series called Agony & Ecstasy: A Year with English National Ballet. As one of the country’s premier ballet companies – celebrating its 60th anniversary at the time of the documentary – ENB allowed cameras behind the scenes, from the rehearsal room to backstage, giving audiences a previously unseen inside look on what it takes to stage some of the most spectacular productions your eyes will ever meet.
One of the ballets being staged in the year the BBC followed the company was Romeo & Juliet.
Based on a story known around the world and with an unmistakable score by Prokofiev, it’s a ballet I was already fond of prior to the documentary, but seeing the work that went into making the show a reality, up close like never before, it turned into one of my favourites.
Over the years, I have been fortunate enough to see several different dance stagings of Romeo & Juliet – but last night, at the Palace Theatre in Manchester, was the first time I got to sit in the audience and see English National Ballet’s production live with my own eyes.
And it was just as magical as I was hoping it would be.
ENB’s Romeo & Juliet is now on stage at Manchester Palace Theatre / Credit: Laurent Liotardo
Right off the bat, I’m just going to presume you already have somewhat of a grasp on the story of Romeo & Juliet, right? Given the fact it’s arguably Shakespeare’s most famous work and one of the most iconic plays of all time.
And you’ll be pleased to know, even if you’re not seasoned in watching ballet, that the story we all know and love remains largely intact for this production, therefore making it easy for audiences of all ages and interests to follow along and admire.
The two title characters, the star-crossed lovers themselves, were embodied expertly by Rentaro Nakaaki and Julia Conway as Romeo and Juliet, who had the audience captivated from the second they entered the stage – with undeniable chemistry and enviable technique.
Fabian Reimair took on the role of Tybalt with ease, Noam Durand was Mercutio, and Rodrigo Pinto was Benvolio, all while Elvis Nudo and Minju Kang stepped into the shoes of Paris and Rosaline.
But the lead roles are nothing without the wider cast of supporting dancers and character actors, who really help transport you to 14th century Verona and help bring the authenticity a production as epic as this requires.
The world’s most famous story has been expertly reimagined / Credit: Bill Cooper | Laurent Liotardo
Aside from the dancing, it would be remiss not to praise the expert sets and costuming here from Ezio Frigero and Franca Squarciapino.
And I suppose I should also give a shoutout to little-known name, Rudolf Nureyev, who choreographed this version of Romeo & Juliet all the way back in 1977. Something tells me he would’ve had a great career… I could be wrong, though.
Romeo & Juliet really is one of the most tragic love stories of all time, and the power of that is not lost through dance. It’s still as raw and heartbreaking in this production as it always is.
And that is truly a credit to every single person forming part of it – both on the stage and off.
ENB’s Romeo & Juliet is now on stage at Manchester Palace Theatre until Sunday 25 October, and you can book your last-minute tickets here.
Featured Image – The Manc Group
Art & Culture
Tickets officially go on sale for rare 70mm IMAX screenings of Dune: Part Three in Manchester
Emily Sergeant
Tickets have now officially gone on sale for rare 70mm IMAX screenings of Dune: Part Three in Manchester.
Arriving on screens from 18 December and gearing up to be one of the most anticipated films of the year, Dune: Part Three – which is the third and final instalment in director Denis Villeneuve’s Dune franchise – will be screening in IMAX 70mm at Vue Manchester Printworks, one of only three venues to show it in this format nationwide.
There are only 40 other venues across the globe showing the film in IMAX 70mm, and Manchester is the only city outside of London to screen the blockbuster this way too.
Based on the novels of Frank Herbert and set nearly two decades after the previous film, Dune: Part Three features an ensemble cast of all-star names led by Timothée Chalamet and Zendaya.
Alongside them will be Jason Momoa, Florence Pugh, Anya Taylor-Joy, Rebecca Ferguson, Robert Pattinson, Charlotte Rampling, Javier Bardem, and Josh Brolin.
After seats for a special early screening of the film in IMAX sold out in less than 30 minutes last month, the IMAX 70mm showings – which officially went live today (20 October) – are expected to be snapped up fast by film fans in Manchester.
“A decade in the making, Denis Villeneuve’s epic Dune trilogy is reaching its dramatic conclusion this December,” explained Dean Cross, who is the Senior Screen Content Manager at Vue.
“As the only venue outside of London to be screening Dune: Part Three in IMAX 70mm, it’s a privilege for us to offer this unique way to experience the film.”
Danny Jones -
18th October 2022 
