The Printworks Big Art project is a collaboration between the popular city centre destination and well-known event producers Wild in Art – who famously brought ‘Bee in the City’ to Manchester back in 2018, as well as a number of other prominent art installations – and its looking for local artists to create a permanent “larger-than-life” visual public artwork inside the venue.
“The commissioners are looking for a stunning, visually engaging artwork that will light up the public space,” Printworks explained.
Open to all artists looking to get involved, the commission will need to reflect Manchester’s vibrant and inclusive soul, and will be displayed ceiling-high within Printworks across a 215m² centrally-located feature wall, where over eight million visitors will see it each year.
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Read more: Landmark Manchester venue Printworks to get a £22 million refurbishment
The Printworks Big Art project is in collaboration with popular event producers, Wild In Art / Credit: Printworks
Speaking on the launch of the new competition, Marnie Ahmed – spokesperson for Printworks – said: “Manchester is renowned for its creativity, with people from all walks of life displaying their talents in many forms, [so] we’re delighted to be supporting artists and offering them a once in a lifetime opportunity to have their work permanently displayed at our iconic venue.”
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Ben Reed from Wild in Art added that it’s “a fantastic opportunity for any artist to express their appreciation for Manchester”.
Iconic DJ, musician, record producer, and competition judge Norman Cook – a.k.a Fatboy Slim – said: “Creativity is the beating heart and soul of Manchester and I’ve always enjoyed playing in the city [so] this is an exceptional opportunity for artists and creatives to showcase their work and I’m delighted to be part of it.
“I can’t wait to see the design submissions.”
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Printworks’ new £22 million refurbishment is said to be part of the venue’s trajectory towards international recognition as a “pioneering, round-the-clock entertainment destination”, and work is anticipated to begin very soon.
The venue will remain fully open and trading throughout the refurbishment, with the works said to be structured to “ensure minimum disruption”.
Printworks’ new £22 million refurbishment is said to be “transformational” / Credit: Printworks
Fancy leaving your mark on the venue’s new look then? Entries to the Printworks Big Art competition are now open, with a Stage 1 deadline of 5pm on 14 March 2022, before Stage 2 will see the shortlisted artists’ concepts displayed at Printworks for feedback from the public.
To apply, artists must complete an online submission – which is available on the Printworks website – and email it over to [email protected].
Submissions must include a CV, examples of past work, and a short statement of interest in response to the brief which details the proposed artistic style and general concept overview in no more than 400 words.
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You can find more information via the Printworks website here.
Featured Image – Printworks
Art & Culture
Sterephonics frontman Kelly Jones reveals that Noel Gallagher is back in the studio
Danny Jones
Stereophonics lead singer Kelly Jones has graciously revealed to music fans that new Gallagher tunes could be on the way, as he confirmed that Noel has been back in the studio and working on new material.
The big question is, has Liam been in there with him?…
Broken rather nonchalantly in an interview with NME, Jones didn’t so much let the news slip as much as he seemingly just casually dropped it into conversation, mentioning that he bumped into the older Gallagher brother recently.
As he puts it – frustratingly briefly, might we add (sorry, fanaticism will do that to you) – the Oasis icon and High Flying Birds frontman has been doing some songwriting, but the details were scarce.
The 50-year-old ‘Phonics frontman, who was discussing the release of their 13th studio album as well as his own solo project last year, was asked his thoughts on the legendary Britpop band’s upcoming reunion shows and the impact they had on his own career.
“Funnily enough, I found some old pictures of me and Noel rehearsing when he used to have a studio down in Windsor recently, just before we toured America”, said Jones. “We were having a laugh about them and I asked him what he’d been up to and he said he’d been doing some writing in the studio.
The unmistakable Welsh vocalist went on to add: “I’m assuming he’s doing some writing for either his stuff or if they’re [Oasis] gonna bring out a couple songs, I don’t know.”
It seems the pair are still more than friendly, though he gave little away about his relationship with Liam Gallagher; the two British rock groups did share somewhat of a rivalry in the 90s and 2000s, with Stereophonics making no secret of Oasis inspiring their own music.
Describing the band in their heyday, Jones described the period “kind of chaotic and mayhem but it was all very joyous”, insisting that things are very different nowadays but that he is not the less excited than a whole new generations of fans are going to be able to see them live for the first time
As for whether he and his bandmates will be able to find the time, he revealed in a subsequent chat live on Radio X that their own tour clashes may mean they’ll miss out on the Live ’25 tour experience.
Further reflecting on the age of streaming, content overload and what some would argue is an overabundance of media, Kelly said of art and music in particular that “people need it now more than they’ve needed it in a long time.”
We don’t know whether or not Noel’s return to songwriting is for the next High Flying Birds record or whether the rumours are true and new Oasis music really is on the way.
As much as we love his solo stuff, PLEASE let it be the latter.
We do know that the siblings are said to be getting on swimmingly so far and even spent some of the Easter break together, according to LG himself. Here’s hoping they were throwing around ideas for another instant hit.
Science and Industry Museum reveals CGIs of iconic Power Hall that’s been closed for years
Daisy Jackson
One of the Science and Industry Museum’s most iconic attractions will reopen this summer – and the beloved museum has revealed a sneak peak of how things will look.
The museum has shared CGIs of the reimagined Power Hall: The Law Family Gallery, where visitors will be able to explore a lively working gallery full of engines and rail vehicles.
The popular part of the museum closed for urgent repairs in 2019 and has since been undergoing conservation work and a new look created by award-winning designers Studio MUTT.
The sounds, smells and sights of Manchester’s past and present industry will be brought to the Power Hall when it reopens.
Visitors will soon again be able to rediscover objects and learn the stories behind those who powered Manchester’s industry.
There’ll be three main themes within the Power Hall – Making More, which will explore how engines helped people make more, faster, with steam engines installed at factories and mills.
Then there’ll be Powering Lives, which will examine how engines power the electricity network we all plug into every day.
And also Connecting Places, which looks at how locomotives have connected communities around the world, starting at the site of the museum which sparked a transport revolution in 1830.
Science and Industry Museum reveals CGIs of iconic Power Hall that’s been closed for years
Kate Chatfield, Interpretation and Content Manager at the Science and Industry Museum, said: “Power Hall: The Law Family Gallery will be a must-see Manchester experience – a living gallery that showcases a unique collection of historic 19th and early 20th century working engines to tell the story of Manchester as an epicentre for the engine-driven ideas and industry that shaped the world as we know it today.
“Our most iconic objects will be available to explore like never before as we bring to life the people behind the power through stories of the engineers, makers and technicians who use their skills and senses to create and care for engines, both today and in the past.”
The work on the Power Hall is part of a multi-million-pound regeneration project across the Science and Industry Museum, which is conserving and reimagining these historic buildings.
The Power Hall has been future-proofed in the six years it’s been closed to the public, including urgent roof and timber repairs.
Further information about what to see and do and the Power Hall’s opening date will be announced in the coming weeks. Sign up to the museum’s mailing list to be among the first to hear more.
Power Hall: The Law Family Gallery project has been made possible with support from The Law Family Charitable Foundation, the Wolfson Foundation, The National Lottery Heritage Fund, The Headley Trust, Royal Commission for the Exhibition of 1851, Atmos International, The Beaverbrooks Charitable Trust, The Zochonis Charitable Trust and other donors who choose to remain anonymous.
Special thanks to the Department for Culture, Media and Sport for their significant contribution to the gallery, and to the Department for Energy Security and Net Zero for funding the decarbonisation of the Power Hall through the Public Sector Decarbonisation Scheme, delivered by Salix Finance.
Emily Sergeant -
3rd March 2022 
