Last night finally saw the inaugural Northern Music Awards take place at the iconic Albert Hall, a night celebrating everything we know and love about the North: we love our music and we’re bloody good at it, and we also know how to have a knees up better than anyone.
The landmark awards ceremony, put on by music therapy charity Nordoff and Robbins and backed by dozens of local, national and global brands (including our lovely selves here at The Manc) has been 18 months in the making and faced plenty of obstacles, but nothing us Northerners couldn’t overcome.
More importantly, it was well worth the wait. Hosted by BBC Radio 6 Music presenter and passionate Nordoff and Robbins ambassador, Chris Hawkins, the night was packed not only with handing out shiny gongs but moving speeches, live performances from some big acts and a great ol’ boogie at the end.
From digs about Co-op Live not quite being ready and jabs at the government, HS2 and investment in Northern infrastructure when an award-winner couldn’t make it on time, to Gary Neville telling City fans to “f*ck off” and Andy Burham giving a rousing speech about why the North is top banana, it had it all.
So who picked up what at the first-ever NMAs for 2024?
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The winners of the very first Northern Music Awards
Although a few acts recognised on the night had to phone in, the overall turnout was incredible, with speeches and a stunning stripped-down performance by Liam Fray, household names like Simon Rimmer helping hand out the gorgeously floral and abstract trophies, it was a truly special night at Albert Hall.
It was also wonderful to see how many people were getting involved with Nordoff and Robbins’ charity raffle and silent auction, with all the proceeds going straight back into helping the non-profit carry out its heartwarming work across the country.
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But let’s get into who took home the bit of bronze, shall we?
Music and Culture for Wellbeing: Dance Syndrome – Lancashire
Inspirational Venue of the Year (under 500 cap): Brudenell Social Club – Leeds
Inspirational Venue of the Year (under 2000 cap): Band on the Wall – Manchester
Festival of the Year: Beat-Herder – Lancashire
Well, look who it is!
Industry Icon Award: Michael Adex – Manchester
Newcomer of the Year: English Teacher – Leeds
DJ of the Year: DJ Paulette – Manchester
Breakthrough Act of the Year: The K’s – Earlestown
Artist of the Year: Louis Tomlinson – Doncaster
Band of the Year: The Courteeners – Manchester
Music Moment of the Year: Aitch, Glastonbury – Manchester
Disruptor in Music: The Reytons – Rotherham
Northern Icon Award: Lisa Stansfield – Manchester
Special Recognition Award: Melanie C – Merseyside
LiveNation’s Northern Music Award: Tim Burgess – Salford
Congratulations to all of the winners – so well deserved and all spoke so well about why a dedicated Northern Music Awards matters, embodying exactly why we love it so much up here.
Host Hawkins said it perfectly on the night, these posh dos could take place at who knows where in the future just so long as the only rule is: “insert Northern town or city here“. It was an honour to kick off the Northern Music Awards here in Manchester but we’ll happily big up our Northern cousins any day.
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As he reminded us by expertly reeling off a lengthy list of the iconic names to have come out of not just 0161 but the North in general – he even managed to make it rhyme, for the most part – it’d be greedy try and keep it all to ourselves when there are so many other top-tier venues that deserve spotlighting.
Who knows, maybe it’ll head Yorkshire way and our friends over at The Hoot will help take on that difficult second album in 2025.
Regardless, we’ll remember the legend that is Lisa Stansfield still not even breaking a sweat as she got the Albert Hall up on its feet forever and we cannot wait for next year, wherever it may be.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Danny Jones -
24th April 2024 
