Angela Rayner has been added to the bill for Andy Burnham’s immense DJ battle this weekend – which is a sentence we never thought we’d be writing.
The deputy Labour leader will be getting behind the decks at the charity event, alongside Manc music legends including Rowetta and Clint Boon.
The event will see Burnham battling against Steve Rotheram in a musical head-to-head between Manchester and Liverpool, all to raise money for the Greater Manchester Mayor’s Charity for A Bed Every Night.
It’s taking place at Depot Mayfield, the home of Warehouse Project, on Friday 2 December – and we’ve got an exclusive discount for £1 tickets for The Manc readers.
All proceeds from bar sales on the night will go to support those who are experiencing or at risk of rough sleeping in Greater Manchester.
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The line-up will be headlined by Andy Burnham and Steve Rotheram (who first battled behind the DJ decks in lockdown), with guest appearances from Angela Rayner, Nihal Arthanayake, Stanley Chow, Clint Boon and Rowetta, plus guest DJs from the Warehouse Project.
Angela said: “I can’t wait to get on the decks and show everyone why Manchester is clearly the best city when it comes to music. I’ve got a lot of love for Scousers, but Team Liverpool will be second best on Saturday night.
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“I’m delighted to be taking part in this event and helping to raise money for such a fantastic cause. I hope you like the songs I’ve picked. It was hard to narrow it down to three because there are so many Manchester music legends!”
Mayor of Greater Manchester Andy Burnham said: “We all know Manchester has the greatest musical heritage and I’ll be giving it my all in the set to prove that point once and for all. There’s serious pride at stake here.
“But competition aside, our passion for music unites our two city regions. What better way to put on an amazing celebration of our region’s culture and raise money for important causes, to support those who need it most at what is a really difficult time.”
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Mayor of Liverpool City Region, Steve Rotheram said: “There can be no debate: the Liverpool City Region is the undisputed home of British music. We’ve given the world some of the greatest artists, albums and songs of all time – no area has had more number one hits than us.
“The fact we beat off competition from cities across the UK to host next year’s Eurovision Song Contest on behalf of Ukraine speaks to our world-leading reputation as the UK’s premier music scene – and it’s a legacy we’re continuing today.”
The battle is supported by The Warehouse Project, Elevate and Badger & Combes.
Launched in 2018 by Andy Burnham and supported by the Charity, A Bed Every Night provides emergency accommodation for anyone rough sleeping across the city-region, regardless of status, as well as vital personal support.
Since its launch, A Bed Every Night has helped over 4,000 people and been instrumental in reducing rough sleeping in the region since its peak in 2017. But due to the current cost of living and energy crisis, there is an increased need to offer support this winter.
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Currently, there are 619 people in A Bed Every Night accommodation across Greater Manchester who would otherwise be at risk of rough sleeping, with 21 organisations across the region providing accommodation.
To get your ticket for £1 (plus fees), use the code: TheManc – get yours here.
Featured image: Ramona / Supplied
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Government to introduce price cap on ticket touts and launch consultation on dynamic pricing
Danny Jones
The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
The AO Arena is giving away FREE tickets for a year to celebrate 30 years in Manchester
Daisy Jackson
The AO Arena has announced it’s giving away free tickets for a year to celebrate its 30th anniversary in Manchester.
The iconic music venue has welcomed the biggest names in the world in its three decades, with millions of us making memories for life inside its huge space.
And now you could win VIP tickets for an entire year, simply for sharing those memories with the AO Arena.
Fans who submit their old photos, videos and tickets will be in with a chance to win tickets to all the shows coming up in 2025 – which already includes massive gigs like Kylie Minogue, Katy Perry and Busted vs McFly.
AO Arena wants to dig deep into ‘first gig’ nostalgia territory, using fan-submitted snaps to build a collection of Manchester memories.
Were you in the same room as Taylor Swift, did you party like it was 1999 (because it was) with Spice Girls, did you cry over the sight of Gary Barlow or cry laughing with Peter Kay?
Whatever your AO Arena memories are, you can share them before the end of the month to be entered into the competition to win VIP tickets for the year.
One overall winner picked at random will get the ultimate VIP experience, including access to a premium suite and The Beautiful North, as well as access to The Mezz with panoramic views of the main stage.
The 30th birthday campaign has been inspired by Adele’s monumental When We Were Young performance at Glastonbury, and all these memories will be projected around the arena before every performance.
You can submit your footage and enter the competition via the AO Arena website HERE.