One of the best-loved and longest-standing clubbing institutions in Manchester, Funkademia, is relocating once more as it leaves Mint Lounge after 14 years.
Started all the way back in 1995, there isn’t an older weekly club night in the history of this city, but the local weekend event and raver’s rite of passage is about to leave the cult favourite Northern Quarter venue after nearly a decade and a half and set up shop in another new home.
From its infancy at the old Boardwalk on Little Peter Street and popping up in the Mint Lounge back circa 2014, to the continued residency at Exhibition on Fridays, there have been many iterations of Funkademia and now the next chapter beckons from student-central over on Oxford Road.
It’s the start of a new era and it gets started this weekend.
Following in the footsteps of many famous promotions before them, future Funkademia nights will now be hosted by the legendary Deaf Institute.
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Celebrating with a launch party on Saturday, 21 September, the iconic event will take over all three floors of the venue; The Music Hall will spin classic funk, disco, and soul beneath the disco ball, while the main bar (a.k.a. The Boombox Room) pumps R’n’B and hip-hop throughout the night.
Then, heading downstairs to the intimate bar and private hire room – regularly used for special events and celebration space – you can expect ‘big boudoir vibes’ and pure grooves spun by an array of special guests every Saturday.
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Mint Lounge home held its final blowout at the venue this past spring bank holiday and they bid a fond farewell to the venue in true Funkademia fashion, but we’re glad it’s found such a wonderful new home.
The Deaf Institute is still one of our favourite venues in Manchester and always will be; plus, with almost three decades of dancing history behind them and no sign of slowing down any time soon, the future of Funkademia is in good hands.
Co-promoter Jamie Scahill said of the relocation: “We’re thrilled to be bringing Funkademia to The Deaf Institute, a venue we’ve all spent many late nights at and have long admired. After an incredible run at The Mint Lounge, it felt like the right time to move to a new home where we can continue to evolve and deliver the unforgettable nights that our crowd has come to love.
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“There’s nowhere else quite like The Deaf Institute, and it’s the perfect place for us to start this new chapter. We can’t wait to see both familiar and new faces on all three dancefloors.”
As for the new home itself, General Manager Curtis Willson went on to add: “We’re incredibly excited to welcome Funkademia to The Deaf Institute. This is a legendary night that has been a cornerstone of Manchester’s nightlife for nearly 30 years, and we’re honoured to be a part of its next phase.
“Our venue is all about celebrating music and creating memorable experiences, and we know that Funkademia will bring exactly that every Saturday night. It’s going to be something special, and we can’t wait for the party to start this September.”
Tickets for Funkademia’s opening night at Deaf and all subsequent dates are available now at just £5 via Skiddle, with 100 early-bird tickets for all September dates still priced for only £3. You can grab yours HERE.
Doors open from 7pm every week, with DJs playing “all killer, no filler, to keep the dancefloor movin’ until 4am” – and believe us, they always stay true to their word.
Government to introduce price cap on ticket touts and launch consultation on dynamic pricing
Danny Jones
The UK government are finally set to install a price cap on re-sale tickets for touts and open an official consultation on the growing trend of dynamic pricing.
If you’ve bought a ticket to a live music show over the past year or so, you’ll have noticed that ticket prices in general are on the up – particularly if purchased from a reseller, in which case you might have paid through the nose for the privilege.
Not only does ticket touting remain a prevailing problem in the industry, with tonnes of tickets for big shows, especially, being snapped up in bulk or by bots and listed for re-sale before you’ve even added them to your basket, but the advent of this new dynamic pricing lark has made things even harder.
You only have to look at the controversy and chaos surrounding Oasis’ reunion tour, which ultimately saw some fans paying significant amounts more for practically the same ticket just a few days later in what many dubbed as ‘fraud’ and even ’emotional blackmail’.
Justin Timberlake at Co-op Live Manchester was one of countless gigs where ticket prices fluctuated. (Credit: The Manc Group)
Tackling resellers head-on
Knowing full well that people will go to extreme lengths to try and see the musicians and artists they love so dearly – in some cases being backed into a corner as the final figure displayed on the screen when they checkout suddenly jumps up – the modern ticketing industry is severely broken.
With all that in mind, the government are now looking to enact more stringent measures on resellers, by announcing a new price cap on tickets put back up for sale which is set to be introduced (hopefully) in the very near future.
Targeting sites infamous for inflating re-sale costs such as Viagogo, StubHub and others, the bill published on Friday, 10 January proposes a price cap of face value plus 10-30% but no more, with an obvious aim to keep that number as low as possible.
According to the current figures, touts reportedly cost music fans alone more than £145 million in extra re-sale fees when purchasing tickets every year – a frankly ridiculous sum. There will always be tickets ending up on re-sale sites, that’s unavoidable, but a price cap could seriously improve the situation.
The Manc music legends themselves claim they had little control over the situation.
Down with dynamic pricing
Labour, who were voted into power back in July, are also set to try and combat dynamic prices, which essentially sees gigs and events set people back more or less depending on how the popular ticket sales have been up to that point, market trends and general demand. An initial review was called for last year.
Put simply, the more people want to attend a gig, platforms like Ticketmaster feel they are able to jack up their margins even after the initial price point has been established. The European Commission has been investigating these methods since September 2024.
Although it is still unclear as to the exact time scale of when these changes will come in, Labour MP Chris Bryant told NME that although they are still in the early stages, it is “now just a matter of how the government takes action.” And that’s where you come in.
The consultation is also crucially public, with the calling for people to submit their evidence on current pricing practices and continue engaging in the discussion throughout the progress. New Year’s Resolution: let’s curb ticket touts as much as we possibly can.
The AO Arena is giving away FREE tickets for a year to celebrate 30 years in Manchester
Daisy Jackson
The AO Arena has announced it’s giving away free tickets for a year to celebrate its 30th anniversary in Manchester.
The iconic music venue has welcomed the biggest names in the world in its three decades, with millions of us making memories for life inside its huge space.
And now you could win VIP tickets for an entire year, simply for sharing those memories with the AO Arena.
Fans who submit their old photos, videos and tickets will be in with a chance to win tickets to all the shows coming up in 2025 – which already includes massive gigs like Kylie Minogue, Katy Perry and Busted vs McFly.
AO Arena wants to dig deep into ‘first gig’ nostalgia territory, using fan-submitted snaps to build a collection of Manchester memories.
Were you in the same room as Taylor Swift, did you party like it was 1999 (because it was) with Spice Girls, did you cry over the sight of Gary Barlow or cry laughing with Peter Kay?
Britney Spears and Beyonce are among the names who have performed at AO Arena in its 30 year history. Credit: Supplied
Whatever your AO Arena memories are, you can share them before the end of the month to be entered into the competition to win VIP tickets for the year.
One overall winner picked at random will get the ultimate VIP experience, including access to a premium suite and The Beautiful North, as well as access to The Mezz with panoramic views of the main stage.
The 30th birthday campaign has been inspired by Adele’s monumental When We Were Young performance at Glastonbury, and all these memories will be projected around the arena before every performance.
You can submit your footage and enter the competition via the AO Arena website HERE.