One of the country’s best-loved festivals has revealed its line-up for 2023, with Bluedot welcoming headline performances from the likes of Grace Jones and Roisin Murphy.
The popular music and science event, which takes place every July at the beautiful Jodrell Bank Observatory, will also include a UK exclusive from Pavement.
The multi-award-winning Bluedot has announced its first wave of artists for its 2023 festival, featuring Leftfield, Young Fathers, Django Django, Brett Morgen, Annie Mac, Chris Lintott, Maggie Aderin-Pocock, Tinariwen and many more.
This year’s massive line-up of global music talent will perform in front of the iconic backdrop of the 76-metre-wide Lovell Telescope, which last year was lit up with projections as a huge digital artwork for the first time.
Already announced are the BBC Concert Orchestra and Max Richter for Bluedot 2023, which will take place between 20 and 23 July.
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Bluedot 2022. Credit: Supplied
Saturday will be headlined by lo-fi pioneers Pavement with their only UK performance of 2023. The group headlined Primavera last year before embarking on a completely sold-out UK tour that took in four nights at London’s Roundhouse.
The legendary Grace Jones will be taking to the Bluedot stage performing songs from her six-decade-long pop career, including hits like Slave To The Rhythm and Pull Up To The Bumper. Bluedot will be her only northern show of the summer.
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Róisín Murphy will make history with her first-ever festival headline slot, calling on her lengthy career which began as one half of Moloko – the defacto queen of electropop has since delivered five solo albums, mesmerised audiences across clubland and is now set to open the weekend, with a cosmic dance party to usher in a new era following the success of her Roisin Machine album and tour.
Bluedot 2022. Credit: Scott SaltBluedot 2023 line up poster
Electronic music legends and multiple Mercury Prize-nominees Leftfield returned last month with the critically acclaimed This Is What We Do, featuring Lemn Sissay and Fontaines DC’s Grian Chatten. They’ll take a headline slot in Bluedot’s Orbit arena.
Also announced are Mercury prize winners Young Fathers, art rockers Django Django, feted post-punk four piece Dry Cleaning, Malian desert blues pioneers Tinariwen and experimental rockers Black Country, New Road, plus a Sunday Closing Party headlined by the iconic Annie Mac.
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Nubya Garcia, Georgia, Max Cooper (3D AV), David Holmes, Beak>, Gwenno, Teleman, CMAT, Lava La Rue, Big Joanie, Skinny Pelembe, Scalping, Westerman, Belief, Pictish Trail, Divorce, Madmadmad and Radiophonic Workshop also join the first wave of the festival’s music line-up.
A huge part of Bluedot – which takes place at a UNESCO World Heritage Site – every year is its science programme, and this year that will include BBC Sky at Night’s Chris Lintott and Maggie Aderin-Pocock, Brainiac Live and renowned climate change researcher and author Mike Berners-Lee, whose How Bad Are Bananas? was named by The Independent as one of its ten recommended “best books to help you live more sustainably”.
Bluedot 2022. Credit: Tom MartinBluedot 2022. Credit: Scott SaltBluedot 2022. Credit: Lucas SinclairBluedot 2022. Credit: Scott Salt
UK Space Agency’s Libby Jackson OBE and The Open University’s Professor of Planetary and Space Science Monica Grady CBE will also return to the festival. The full science bill will be revealed in the coming weeks.
On the comedy and culture side of things, festival-goers can expect a David Bowie special edition of Adam Buxton’s Bug!, a screening and in-conversation with Moonage Daydream director, writer and producer Brett Morgan and an afternoon with White Rabbit Books featuring talks with Mogwai’s Stuart Braithwaite, Lias Saoudi of Fat White Family, and 90’s icon Miki Berenyi, whose book Fingers Crossed: How Music Saved Me From Success was named Rough Trade’s book of the year for 2022.
Bluedot is a family-friendly festival, and kids will be entertained by the likes of Our Kids Social Silent Disco, Pop-Up Puppet Cinema and the ever popular Jedi Lightsaber Training.
Food and drink in the VIP Village will be curated by Manchester-based food charity Eatwell, featuring some brands including Dishoom, Caroline Martins, Where the Light Gets In, Another Hand and more.
Festival director Ben Robinson said: “As we announce the line-up for the 6th edition of bluedot it’s with great pride in the team behind the show. From day one the festival has been ambitious in its programming and mission. Looking at the scale of iconic talent, breadth of genres & one off moments it really has matured into a very special vent. Thanks to everyone who’s continued to support the idea of bluedot, we look forward to gathering together again beneath the telescope with you all.”
bluedot was recently named Line-Up Of The Year at the UK Festival Awards, and Festival of the Year at the Live Awards, and has hosted headline performances from the likes of Bjork, Kraftwerk 3-D, New Order, The Chemical Brothers, Mogwai, Pixies, The Flaming Lips, Underworld and Jean-Michel Jarre, plus high-profile talks from Tim Peake, Brian Cox, Helen Sharman, Alice Roberts and Richard Dawkins and an array of groundbreaking arts and family experiences.
Tickets for bluedot 2023 go on sale 10am Friday 27th January.
The Last Dinner Party aren’t ‘industry plants’, they just got real good real quick – Victoria Warehouse, Manchester
Danny Jones
It feels very easy in the modern age to furrow your brow at any artist that gets really popular really quick, especially if it isn’t necessarily the kind of music you typically listen to, but after seeing The Last Dinner Party live we can confirm they’ve earned every bit of their success.
They’re not an industry plant, they’re just dead good.
Now, we accept that isn’t exactly top-tier analysis or music journalism from the off, but we’re hoping that this review of their recent Manchester gig at Victoria Warehouse and our sincere recommendation that you go and see The Last Dinner Party live for yourself will be all the vouching you need.
We were sadly too late into the gig to catch the first warm-up act, Lucia and the Best Boys, but we did arrive in time to hear the applause as they left the stage and have been to enough concerts to know when a support act has genuinely surprised and/or impressed uninitiated listeners.
Having gone away and listened to them in our own time, we can see why they were chosen by the TLDP. There’s a familiar level of melodrama and that almost Victorian aesthetic to frontwoman Lucia Fairfull’s presence, style and floaty vocals, even if the whole band’s vibe isn’t exactly the same.
The Scottish outfit is arguably the more outright indie of the two, but when you combine them with the second support act and even more ethereal-sounding Kateo – who really did impress us not only with her performance and stage presence but her sheer range too – that alternative feeling comes through.
Between the two of them, it felt like the pair had been hand-picked by the headliners as genuine fans to cultivate a concert that also feels cohesive from start to finish, championing talented and aspiring artists who are trying to carve their own space not just within similar spaces but between genres.
This may not seem so uncommon but given how big the BRIT Award-winners have already gotten over the last year or so, they could have chosen more established or even regional acts for individual UK dates to win over audiences – but they didn’t. Make that anti-industry plant theory example number one.
And then we come to the matter of the 2024 Rising Stars themselves, who are clearly thriving and on top of the world but putting real effort into their live set beyond just playing the songs well.
For instance, we didn’t quite realise just how many impressive singers there are in The Last Dinner Party until we saw them take to that iconic Manchester stage and get truly rapturous applause as multiple band members took the spotlight for their own individual heroine moments.
Be it Lizzie’s cover of‘Up North’ by fellow Halifax native Catherine Howe, Aurora’s haunting Albanian ballad or even just Emily’s genuinely shredding guitar solos, it was a reminder of just how versatile and multi-talented each of these lot are.
Don’t get us wrong, lead singer Abigail has all the charisma and style to knit them together in such a way that has no doubt helped make them such an instant hit, but they were full of surprises too.
The pseudo-medieval fantasy set, the orchestral entrance that is ‘Prelude to Ecstasy; the lighting, use of the stage and genuine rock-show moments (yes, they can thrash when they want to) – it was in seeing them in the flesh that we realised why so many have fallen in love with their music so hard and so fast.
The Last Dinner Party were buzzing to be back in Manchester (Credit: The Manc Group)
Last but not least, following a week in which the five-piece have come under criticism not only for cancelling gigs last minute but due to men even being asked to leave the shows after they were quizzed on why they were there and how long they’d be following the band, it was refreshing to see that the climate of their crowd was nothing like it has been made out to be in some reports.
Moreover, as a single male attending the gig, I can confirm we experienced nothing of the sort from security at Victoria Warehouse, and the room was as welcoming and carefree as you could hope for – not to mention all the tour tickets purchased have helped raise over £14k for food banks.
Perhaps there is an element of latent, underlying or covert sexism behind why some people have decided to take issue with the band whose members have various roots in good Catholic schools and have been accused of being ‘nepo babies’, but the plain truth is they’re just bloody good at what they do.
Creating a conspiracy around why a group of young women have become successful isn’t edgy, incisive or even an interesting theory – it’s embarrassing. Move on and just enjoy the music.
‘Sinner’, ‘My Lady of Mercy’, ‘Nothing Matters’ and a few clever covers were the highlights. (Credit: The Manc Group)
The Wombats are set to return with a new album, a UK tour and an unreal pair of North West support acts
Danny Jones
British indie legend The Wombats are back with a new album and a limited UK tour – plus, they’re bringing two very good Northern bands along with them as the support acts.
Announcing their sixth studio album on Friday, 11 October, The Wombats are set to return with new music after two years since their first UK number one and will be hitting the road for a select few dates including London, Manchester and Leeds, but this tour looks to be all about the North.
Well, strictly our very specific part of the region, to be more precise – a.k.a. the best place for music on the entire planet. Yeah, you heard us…
We’re not ready for how good the lineup is going to be and neither are you.
As you can see, the all-North Western affair will see the veterans of the genre flanked by Manchester’s very own alternative four-piece, Everything Everything, who we’ve now seen so many times that we’re genuinely starting to lose count.
They’ve not dipped in all those years either – not even a little bit.
But to make things even better, the support roster is completed by none other than fellow Scousers and much-loved indie icons: the ever-rising Red Rum Club, who will be making their AO Arena debut after smashing their hometown arena earlier this year.
You can’t really call them warm-up acts when they’re all this good, can you?
Set to play here in Manchester on Saturday, 22 March, 2025 before wrapping up the small handful of gigs at the First Direct in Leeds a few days later, these are what we’d consider must-not-miss shows.
Tickets for the tour go on sale at 10am on Saturday, 19 October but you can access pre-sale by pre-ordering their latest record.
Speaking of the new album, Oh! The Ocean is the band’s sixth studio LP to date and is set to release on 21 February March, with the lead single ‘Sorry I’m Late, I Didn’t Want To Come’ having just dropped.
Discussing a family trip that inspired the new album, frontman Matthew ‘Murph’ Murphy says: “I’ve been to many beaches and seas and coasts over the years but, for some reason, it felt like the first time I had ever seen it and was truly present.
“There was this revelation that I had been living a life caught up in my own head […] It was really a potent experience. […] The album offers up some internal questions like: why are my head and body disconnected all the time? Why am I incapable at times of seeing any form of beauty in the world or in others? Why do I expect the world to conform to my will? Why do I never stop and smell the flowers?”
The single itself is a great taster of what’s to come and we can’t wait to hear the rest – nor can we wait to see The Wombats and two other North West favourites all in one night.
You can check out our chat with Everything Everything HERE or the Red Rum Club boys down below.
Daisy Jackson -
23rd January 2023 
